Television

Drew Barrymore Gives Emotional Apology to WGA, But Her Show Will Continue: ‘There Is Nothing I Can Do That Will Make This OK’

Drew Barrymore is offering up an explanation as to why her daytime talk show is returning, amid fierce criticism during the writers strike.

“I believe there’s nothing I can do or say in this moment to make it OK,” Barrymore said on Friday afternoon, in an emotional video she posted on her Instagram. “I wanted to own a decision, so that it wasn’t a PR-protected situation, and I would just take full responsibility for my actions.”

A tearful Barrymore continued, “I know there is just nothing I can do that will make this OK to those that it is not OK with. I fully accept that. I fully understand that. There are so many reasons why this is so complex, and I just want everyone to know my intentions have never been in a place to upset or hurt anymore. It’s not who I am. I’ve been through so many ups and downs in my life, and this is one of them,” she said through tears.

“I deeply apologize to writers. I deeply apologize to unions,” Barrymore said.

“There’s a huge question of the why — why am I doing this?” she continued. “Well, I certainly couldn’t have expected this kind of attention, and we aren’t going to break rules and we will be in compliance. I wanted to do this, because as I said, this is bigger than me and there are other people’s jobs on the line.”

Barrymore previously announced her talk show would be returning on September 18 amid the WGA and SAG-AFTRA strikes. Soon after, “The Jennifer Hudson Show” and “The Talk” also announced their returns on the same day. But it is Barrymore who is getting the heat — perhaps because she came forward in a statement, unlike the other hosts from fellow daytime talk shows.

“I am also making the choice to come back for the first time in this strike for our show, that may have my name on it but this is bigger than just me,” Barrymore said in her initial statement, announcing her show would return. “I own this choice,” she continued, stating that the show is “in compliance with not discussing or promoting film and television that is struck of any kind.”

Barrymore’s show returning has been a widely criticized decision, and her show was met with protestors on its first day of production, earlier this week. The WGA condemned Barrymore’s decision to return, while SAG-AFTRA defended her.

WGA East said that “The Drew Barrymore Show” is a “WGA covered, struck show that is planning to return without its writers,” and the guild said it “will continue to picket struck shows that are in production during the strike,” noting that “any writing on ‘The Drew Barrymore Show’ is a violation of WGA strike rules.”

Barrymore is not in violation of current SAG-AFTRA strike rules because her work as host of the show is covered by a different contract than the one in dispute by actors. (The contract that covers talk shows, game shows, variety shows and soap operas was renewed and ratified by union members in 2022.) In a statement, SAG-AFTRA said, “‘The Drew Barrymore Show’ is produced under the Network Television Code which is a separate contract and is not struck. It is permissible work and Drew’s role as host does not violate the current strike rules.”

Talk shows that have already returned this season include “Live! With Kelly and Mark” and “Tamron Hall,” both of which do not have any writers and are not covered by the WGA, as well as “The View,” which has two WGA writers who stepped away and have not been working since the strike began. Sherri Shepherd’s show “Sherri,” which returns on Sept. 18, does not have any writers and is not a WGA show.

Articles You May Like

‘Landman’ Finale: Billy Bob Thornton on That Jerry Jones Cameo and Why Tommy’s New Reality After That Violent Ending Goes ‘Against His Nature’
Payal Kapadia’s Oscar Contender ‘All We Imagine as Light’ Drives Young Audiences to Theaters Across India
Rosanna Arquette Says the Oscars Shouldn’t Be Canceled Amid L.A. Fires: ‘It’s About Using Art to Rebuild’
‘Den of Thieves 2: Pantera’ Review: Gerard Butler, the King of the January Box Office, Elevates His Blasted-Cop-Meets-Heist Movie Into a Franchise
Horror’s Hottest Ticket: These Directors Are Never Releasing Their Movie for Home Viewing and Have Created a Cult Hit

Leave a Reply

Your email address will not be published. Required fields are marked *