Movies

Carey Mulligan has made a conscious decision in recent years to collaborate with female directors, from Sarah Gavron (“Suffragette”) to Dee Rees (“Mudbound”). On Saturday night at the Sundance Film Festival, she’ll unveil “Promising Young Woman,” a thriller written and directed by Emerald Fennell, about a heroine out for revenge after experiencing a traumatic abuse.
0 Comments
“Scary Stories to Tell in the Dark” director André Øvredal’s next adventure will see a U.S. rollout from Saban Films. “Mortal,” starring “Death Note” breakout Nat Wolff, has sold domestic rights to the distributor In a deal brokered by Endeavor Content. TrustNordisk handled international rights. Saban president Bill Bromiley, currently on the ground at the
0 Comments
Shirley Jackson was a real person, a writer best known for her twisted short story “The Lottery,” although the version presented in Josephine Decker’s “Shirley” feels more like a character from one of her own novels. Featuring “The Handsmaid’s Tale” actor Elisabeth Moss in the title role, this queer, hard-to-quantify psychological study isn’t a biopic
0 Comments
The nonstop drama of the Trump White House has succeeded, among other things, in largely pushing gun control from the forefront of the news cycle — no doubt to the relief of the NRA and its allies, despite the continued frequency of U.S. mass shootings. As a result, and perhaps unfairly, Kim A. Snyder’s “Us
0 Comments
January 25, 2020 9:49AM PT [embedded content] Variety has been given exclusive access to the international trailer of the Danish film “A Perfectly Normal Family,” due to compete both at Rotterdam’s Big Screen Competition, and at Göteborg’s Nordic Film Competition.Malou Reyman’s debut feature has been a hot property for sales agent New Europe Film Sales,
0 Comments
January 25, 2020 8:20AM PT A knockout lead performance by Kyle Gallner sparks this ingratiatingly rude comedy set in Midwest suburbia. There are bits of “Repo Man,” “Napoleon Dynamite” and other literally or just philosophically “punk rock” cult comedies in the DNA of Adam Carter Rehmeier’s rude yet ingratiating “Dinner in America” — and mercifully
0 Comments
A study by the Time’s Up Foundation and USC Annenberg Inclusion Initiative has found that women and people of color are vastly underrepresented at film festivals worldwide. The new report, “Inclusion at Film Festivals,” examined the gender, race, and ethnicity of narrative film directors, film festival programmers, and executives from 2017-2019. The study was released
0 Comments
As a child, when future TV host Fred Rogers would see scary images on the news, his mother would tell him, “Look for the heroes.” If Fred were a boy today, she’d add, “Look for Ken Feinberg.” Feinberg, the lawyer at the center of Sara Colangelo’s “Worth,” specializes in putting a price tag on human
0 Comments
To the individual enduring it, sorrow seems a lonely, defenseless emotion, one from which others are too quick to look away. Shared and felt en masse, however, it can become something different: a galvanizing force, a wall, not diminished in pain but not diminished by it either. Ai Weiwei’s stirring new documentary “Vivos” runs on
0 Comments
On the second night of this year’s Sundance Film Festival, two high-profile dramas premiered to packed houses at the Eccles Theater — but neither of them had a seat reserved for their lead actors. “Ironbark,” a historical drama about a mild-mannered businessman turned spy for the British government during the Cold War, didn’t have its
0 Comments
Tall, dark and handsome? The crush that Noémie Merlant’s character, Jeanne, explores in “Jumbo” is one out of three: a 25-foot-tall carnival ride who seduces the amusement park janitor as she spit-cleans his bulbs. During the night shift, Jumbo literally lights up Jeanne’s life, and while he’s not handsome in the traditional sense — especially
0 Comments
Movie spies typically fall into one of two categories. There are the butterflies — flamboyant secret agents like James Bond or “Atomic Blonde” who behave as conspicuously as possible. And then there are the moth-like kind, who do their best to blend in. The character Benedict Cumberbatch plays in “Ironbark” belongs to the latter variety,
0 Comments
January 24, 2020 9:17PM PT Channing Godfrey Peoples’ first feature is a flavorful if sometimes too-laid-back slice of African America life in small-town Texas. “Miss Juneteenth” richly captures the slow pace of ebbing small-town Texas life, even if you might wish there were a bit more narrative momentum to pick up the slack in writer-director
0 Comments
The basic plot of “Never Rarely Sometimes Always” is easy enough to describe. A 17-year-old girl named Autumn (Sidney Flanigan) winds up pregnant in a small Pennsylvania town. Prevented from seeking an abortion by the state’s parental consent laws, she takes off for New York City with her cousin Skylar (Talia Ryder), where what they’d
0 Comments
It’s become common, if not cliché, for a critic reviewing a documentary about a turbulent real-world event to write something like, “It exerts the power of a true-life thriller!” Well, make no mistake: “The Dissident” does. Directed by Bryan Fogel, who in 2017 made the Oscar-winning “Icarus” (about the Russian doping of Olympic athletes), the
0 Comments
Following the success of “Joker” last year, DC Films is continuing its gritty streak with “Birds of Prey,” a slam-bang adventure about Harley Quinn. Though DC Film’s 2016 tentpole “Suicide Squad” took a critical bashing at the time, filmgoers quickly took a liking to Margot Robbie’s portrayal of Harley Quinn. “Birds of Prey” gives the
0 Comments
In today’s film news roundup, four Netflix titles have been added to the Criterion Collection, Slamdance and ArcLight are partnering, Steven Grayhm is starring in and directing a paranormal drama, and The Mammoth Film Festival sets its lineup. CRITERION COLLECTION Four Netflix titles will be released on Blu-ray through the Criterion Collection — Martin Scorsese’s
0 Comments
Director Bryan Fogel premiered his searing new documentary “The Dissident,” a timely examination of the murder of Washington Post journalist Jamal Khashoggi, at Sundance on Friday. The film came to Sundance hoping to secure distribution, and Fogel used the starry debut to implore studios and streaming services interested in buying the project to commit to
0 Comments
“Smile for the camera, motherf—ers,” warns the graffiti outside the Roaring Twenties, a Las Vegas dive bar where spirits are high because the end is nigh. The boozers who’ve braved this dim red cave, in Bill and Turner Ross’ bitterly funny docufiction film “Bloody Nose, Empty Pockets,” have signed on to play themselves in an
0 Comments
“Bad Hair” writer and director Justin Simien always intended for his horror-satire film to spark a conversation about the way society relates to appearance (especially around and among black women), but filming the project has equally affected his cast, who shared their own struggles to gain acceptance professionally and learn how to accept themselves personally.
0 Comments
January 24, 2020 12:47PM PT From bears to lions to deer: Disney is developing a live-action remake of its 1942 animated feature “Bambi,” Variety has confirmed. Screenwriters Geneva Robertson-Dworet (“Captain Marvel”) and Lindsey Beer (“Sierra Burgess Is a Loser”) will write the screenplay, with Chris and Paul Weitz’s Depth of Field producing. The film will employ the
0 Comments