Prior to the debut of Marvel’s “Shang-Chi and the Legend of the Ten Rings,” Disney CEO Bob Chapek called its old-school theatrical release an “interesting experiment.” The “experiment” in question: Would enough people show up to their local multiplex to see the latest Marvel movie to justify keeping the $200 million-budgeted film in theaters without
Box Office
Marvel’s “Shang-Chi and the Legend of the Ten Rings” capped off Labor Day weekend at the box office with a bang. The superhero action adventure, starring Canadian actor Simu Liu, had an even bigger debut than expected, collecting $90 million in its first four days of release and setting a new high watermark for the
“Free Guy” held on strongly to grab a second weekend at the top of the mainland China box office. It beat an unusual theatrical release for “The Tomorrow War,” which has gone straight to streaming in other territories. “Free Guy” earned $18.3 million between Friday and Sunday, according to data from consultancy, Artisan Gateway. That
“Shang-Chi and the Legend of the Ten Rings,” Marvel’s first movie with an Asian superhero, topped the South Korean box office over its first weekend. But it failed to lift Korean cinema-going to new heights. The film grossed $4.75 million over the opening weekend, according to data from Kobis, the tracking service provided by the
Marvel and Disney’s “Shang-Chi and the Legend of the Ten Rings” is expected to soar to the top of the domestic box office over the holiday weekend with an estimated four-day debut of $75 million to $85 million. The superhero film took in $29.6 million on Friday from 4,300 theaters. Some industry experts are estimating
There’s a lot riding on “Shang-Chi and the Legend of the Ten Rings,” the Marvel movie that opens in theaters this weekend, and not because it’s the first installment in the premier film franchise to feature an Asian star and predominately Asian cast. Though it marks an important step in onscreen representation, “Shang-Chi” will also
“Free Guy” grabbed a convincing win at the top of the China box office, marking the end of a Hollywood drought and was earned despite difficult conditions. The family-friendly comedy earned $23.8 million in three days, according to data from Artisan Gateway. That was fully 56% of the nationwide theatrical haul between Friday and Sunday.
Universal and MGM’s “Candyman” is expected to slay the domestic box office in its opening weekend, with a projected gross of $20.7 million. The horror film, directed by Nia DaCosta, raked in $9.1 million from 3,569 theaters on Friday, and is expected to add another $11 million to its total by the end of the
Universal and MGM’s reimagining of “Candyman” is expected to scare off its competition at the weekend box office. After numerous COVID-related delays, the R-rated slasher film, based on the urban legend of a killer who is summoned by those daring to repeat his name five times into a mirror, opens Friday in more than 3,400
“Free Guy,” the video-game action comedy starring Ryan Reynolds, opened to $2.2 million in Thursday night previews. The movie is projected to take home around $15 million to $18 million after it opens Friday in 4,165 North American theaters for its opening weekend, with some projections showing ticket sales could reach $20 million. However, as
Despite the best-laid plans of Hollywood studio and cinema operators, the movie theater business is still struggling to mount a recovery from COVID-19. For a while, the box office looked poised for a comeback, with a string of pandemic-era record opening weekends, including “A Quiet Place Part II” ($48 million), “F9” ($70 million) and “Black
“Escape From Mogadishu” held on to its place at the top of the South Korean box office for the second weekend. It comfortably overcame the challenge from newly released “The Suicide Squad.” “Mogadishu” earned $4.26 million in its second weekend of release, down only 14% compared with its first session, in which it took $4.96
Highly-anticipated mainland Chinese film “The Battle at Lake Changjin,” which was due to have been released later this month has been postponed to an unspecified date. The move, announced late on Thursday, was caused by a recent resurgence in COVID-19 cases in China. The film is a Korean War epic that is co-directed by Chen
“The Suicide Squad” will storm the domestic box office, with the Warner Bros. R-rated superhero adventure on track to generate more than $30 million in its opening weekend. As the only new movie to debut nationwide, “The Suicide Squad” won’t have much competition to top the charts in North America. Like the entire Warner Bros.
Donnie Yen-starring action thriller “Raging Fire” roared to the top this weekend in China with a $37.2 million opening, according to data from consultancy Artisan Gateway, but its sales were far from enough to revive China’s slumping ticket sales. Yen was last seen on Chinese screens last year in Disney’s “Mulan,” which performed worse than
Prior to the pandemic, assessing the financial success or failure of a film was relatively simple and finite. For a big-budgeted movie, the volume of ticket sales collected in its first three days in movie theaters gave a good indication of whether or not it would be profitable. There were exceptions, of course, but for
Korean-made action film “Escape From Mogadishu” overcame new release “Jungle Cruise” and holdover “Boss Baby 2” to dominate the South Korean box office over the weekend. “Mogadishu,” directed by the consistently successful Ryoo Seung-wan, played on 1,688 screens nationwide and earned $4.93 million between Friday and Sunday. That gave it a 57% share of the
“Jungle Cruise” completed its first voyage with $34.2 million in theatrical ticket sales and another $30 million on Disney Plus, leading the competition in North America. The Disney film, starring Emily Blunt and Dwayne Johnson, debuted slightly ahead of expectations despite concerns the Delta variant would keep family crowds at home. At the international box
All aboard the “Jungle Cruise” — the Disney film, starring Emily Blunt and Dwayne Johnson, is riding to an estimated $32 million opening weekend at the domestic box office. “Jungle Cruise,” based on the famed Disney theme park ride, took in $13.378 million from 4,310 theaters on Friday. Despite the delta variant possibly deterring some
“Green Snake,” the Chinese animated sequel to the folktale adaptation “White Snake,” slithered past propaganda films to the top of the box office this weekend with a $29.7 million debut, according to Maoyan figures. The platform currently predicts that “Green Snake” will go on to gross $77.5 million, which would make it more successful than
In a twist fitting for an M. Night Shyamalan thriller, “Old” is the No. 1 movie at the domestic box office with $16.5 million in ticket sales. Heading into the weekend, reigning champ “Space Jam: A New Legacy” and fellow newcomer “Snake Eyes” were projected to lead North American charts. Instead, “Space Jam 2” had
“Old,” the newest thriller from director M. Night Shyamalan, is poised to top the domestic box office charts this weekend with an estimated $15.75 million. The Universal film, starring Alex Wolff and Thomasin McKenzie, took in $6.8 million from 3,355 theaters on Friday. Throughout the weekend, it’s expected to add roughly another $9 million to
Two new movies — “Snake Eyes” starring Henry Golding and M. Night Shyamalan’s “Old” — will open nationwide this weekend, but neither are expected to take down reigning champ “Space Jam: A New Legacy” on domestic box office charts. After its $31 million start, the sequel to 1996’s sports comedy “Space Jam,” the latest version
“Black Widow” held on to top spot at the South Korean box office despite a challenge from the new release of local horror film “The Medium.” New release, “Space Jam: A New Legacy” made no impact. The Disney-Marvel film saw weekend earnings of $4.09 million, a drop of 54% compared with the previous session. Since
The New South Wales state government is stepping in with A$75 million of emergency aid to the performing arts and music sectors as the spread of the Delta variant of the coronavirus is causing an extension of Sydney’s latest lockdown. The sold out “Hamilton” at Sydney’s Lyric Theatre, which opened on March 27, has shuttered
Disney’s “Black Widow,” the first Marvel movie to grace theaters in two years, has surpassed a notable box office milestone, hitting $200 million worldwide. For the Marvel Cinematic Universe, a franchise that remains unrivaled at the box office, that would not traditionally be a benchmark worth highlighting. Many of its recent installments, at least the
Chinese censors have approved Denis Villeneuve’s sci-fi spectacular “Dune” for release in the world’s largest film market. The film has officially announced that it will hit local screens this year, although it has not yet set a release date. In late June, Warner Bros. shifted the film’s U.S. release date back from Oct. 1 to
The tear-jerking, patriotic pandemic film “Chinese Doctors” locked down a $53.5 million China opening weekend, according to Maoyan, setting itself up to become the most commercially successful political tribute film so far this year. Such films have been helped along by a line-up cleared of competitors. This week, only political films, children’s content and a
A powerful opening by “Black Widow” lifted the South Korean box office to its biggest weekend this year. The Disney-Marvel title dominated proceedings with an 80% market share. The film launched in Korea on Wednesday and raced far ahead of the competition. According to data from Kobis, the Korean Film Council-operated tracking service, “Black Widow”
Disney and Marvel’s superhero adventure “Black Widow” captured a massive $80 million in its first weekend, crushing the benchmark for the biggest opening weekend since the pandemic. In a first for the Marvel Cinematic Universe, the film opened simultaneously in theaters and on Disney Plus as part of the streaming service’s Premier Access offering, where
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