Movies

LOS CABOS, Mexico — Adding to its burgeoning best picture trophies, “Genesis,” the consecration of Quebec’s Philippe Lesage, won Los Cabos Competition Award Saturday night. “Genesis” scored at a busy Los Cabos Intl. Film Festival, given star gravitas by Spike Lee, Adam Driver and Terry Gilliam and whose hard-driving industry news flow, especially from the
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Europe’s mainstay fest for cinematography, newly rechristened EnergaCamerimage, launched its 26th edition and a week of 241 film screenings in the Polish town of Bydgoszcz on Saturday with a guest appearance by Roman Polanski. The controversial but seminal director of classics such as “Rosemary’s Baby” and “Chinatown” took the stage to honor a longtime colleague,
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“Yomeddine,” a road-trip movie about an Egyptian leper and a young orphan journeying in search of family, won the Reflet d’Or for best feature film at the 24th Geneva Intl. Film Festival Saturday. The character-driven drama, Egyptian-Austrian director A.B. Shawky’s feature debut, premiered in competition in Cannes, and is Egypt’s candidate for the foreign-language Oscar.
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In line with its continued bid to release a diversity of strong titles, Cinepolis Distribution has picked up all worldwide distribution rights to horror drama “My Favorite Birthday” (“Mi Cumpleaños Favorito”) by helmer-scribe Agustin ‘Oso’ Tapia (“Club Eutanasia”). Tapia has described “Birthday” as “a story where two genres collide: Film noir with the supernatural.” The
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This year’s Los Cabos Festival hosted two iconic directors in Terry Gilliam and Spike Lee, and the actor who most recently ties the two together, “The Man Who Killed Don Quixote” and “BlacKkKlansman” star, Adam Driver. On Friday evening, overlooking the famous coastal rock formations at the Resort at Pedregal, Driver engaged in a career-spanning
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Filming “Crazy Rich Asians” challenged cinematographer Vanja Cernjul with a scale nearly as epic as the holidays of the Singapore billionaire characters the story revolves around. The Croatian-born veteran of action and fantasy films and TV series (“The Deuce,” “Marco Polo”) was faced with dozens of locations to be covered with a score of characters.
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The EnergaCamerimage fest’s main lineup, its competition for best cinematographer, covers a vast range of styles, and honors several fresh visual stylists along with many legends in the field. As festival director Marek Zydowicz puts it, this year’s selection “was particularly tough because of the variety of visual means used to enhance the stories being
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The Academy of Motion Picture Arts and Sciences honored five up-and-coming screenwriters Thursday as part of its annual Nicholl Fellowship in Screenwriting program. On hand to present the awards was program director Jennifer Yuh Nelson (“Kung Fu Panda 2”) and fellowship chair Robin Swicord (“Memoirs of a Geisha”). Swicord, who began working with the fellowship more
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November 9, 2018 1:33PM PT Rob Friedman has left Global Road Entertainment, IM Global, and Open Road Films as chairman and chief executive officer two months after Global Road filed for Chapter 11 bankruptcy protection. Friedman, who has held top executive posts at Lionsgate, Summit, Paramount, and Warner Bros., was expected to depart the positions
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Holiday season has already started for “The Grinch” as it heads for a merry $61 million opening weekend at 4,140 North American locations, early estimates showed Friday. Universal-Illumination’s animated comedy is performing right in line with forecasts of between $55 million and $65 million this weekend. Fox’s second weekend of “Bohemian Rhapsody” should lead the rest
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November 9, 2018 12:17PM PT The historic Western town area at Paramount Ranch in Agoura Hills, Calif., where productions including “Westworld” have shot, burned down Friday in the Woolsey fire, according to the Santa Monica Mountains National Recreation area’s Twitter feed. “Westworld” uses the Western town set to shoot its Main Street scenes. The HBO
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November 9, 2018 10:10AM PT Netflix has acquired Emmanuel Mouret’s critically acclaimed French period drama “Mademoiselle de Joncquières,” which world-premiered at Toronto. The deal for most rights worldwide excludes France, Switzerland, Canada and the Benelux countries. Represented in international markets by Indie Sales, “Mademoiselle de Joncquières” competed in Toronto’s Platform section. The 18th-century love-triangle drama
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Why did veteran cinematographer Robert Richardson, a three-time Oscar winner, agree to work on “A Private War,” the first narrative feature directed by documentarian Matthew Heineman? It had a lot to do with Heineman’s courage and sense of purpose, says the DP. Heineman was nominated for an Oscar himself for his documentary feature “Cartel Land,”
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Theatrical documentaries are a risky financial proposition at best. Few have major theatrical runs. However, 2018 saw several exceptional releases garner multimillion-dollar grosses domestically, demonstrating the genre’s cyclical ability to appeal and compete in a crowded field. Five documentaries are among 2018’s top 100 box office grossers: Focus Features’ “Won’t You Be My Neighbor?” ($22.6
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Documentaries have a reputation for being, as Jerry Seinfeld put it at the 2007 Oscars, “incredibly depressing.” But not this year. While 2018 has seen its share of high-profile political docus, including Michael Moore’s “Fahrenheit 11/9” and Errol Morris’ “American Dharma,” audiences seem to be in serious need of inspirational non-fiction films that don’t deal directly
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