Month: December 2018

December 5, 2018 5:04PM PT Twentieth Century Fox has partnered with New Regency to buy supernatural horror project “The Patient Who Nearly Drove Me Out of Medicine” and set it up with Ryan Reynolds and Vertigo Entertainment. Reynolds will produce through his Maximum Effort production company along with Roy Lee and Jon Berg through Vertigo.
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Boutique distribution company Juno Films has acquired exclusive U.S rights to “Ever After” (“Endzeit”), a feminist zombie apocalypse road movie hailed as delivering a fresh take on the walking dead cannon. The deal was negotiated between Elizabeth Sheldon, Juno’s CEO and co-founder, and Andreas Rothbauer, founder of Berlin-based Picture Tree International, “Ever After’s” sales agent.
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After the crazy year that was 2018, many may feel that 2019 can’t quite come fast enough. Thankfully a number of television networks are putting together special programming to count down to the new year, featuring fun, larger-than-life personalities such as Andy Cohen and Steve Harvey. Here, Variety has compiled the entertainment offerings, from CNN to
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“Sicario: Day of the Soldado” director Stefano Sollima is in talks to direct Paramount’s adaptation of the Tom Clancy novel “Without Remorse” with Michael B. Jordan starring as operations officer John Clark. Paramount hopes to launch a franchise with Jordan based on the Clark character. Jordan is currently attached to “Without Remorse” and “Rainbow Six,” which
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FILMS AND PERFORMANCES (antiquated) Augmented Reality (Director and screenwriter: Christine Marie, Producer: Nion McEvoy) — Visual intimacy, ontological form, in real-time. Pioneering the use of a non-digital, reinvented, pre-cinematic stereo imaging technique, the exquisite ensemble of dancers seems to do the impossible — reach out. The vivid choreography and score leave a lasting impression within
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Hassen Ferhani’s “Kilometers 60” won the €20,000 ($22,700) post-production prize Wednesday at Marrakech Film Festival’s Atlas Workshops, a four-day fast-track program for 14 projects from Africa. The Atlas Workshops, one of the key innovations of this year’s festival, were sponsored by Netflix and coordinated by Remi Bonhomme (pictured), program manager of the Cannes’ Critics’ Week.
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This spring, Dior made shirts that blared “Why are there no great women artists?” The question was a quote from feminist art theorist Linda Nochlin, and though it may not be true (Frida! Georgia! Alma Thomas! Elisabeth Vigee Le Brun!), it was provocative enough to spur both Instagram snaps and clothing sales. This week as
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For the first 10 minutes of dystopian sci-fi saga “Mortal Engines,” a blessedly enjoyable interval before you start to realize just what a long slog you have in store, director Christian Rivers stages a most unusual chase sequence. In this chase, the pursued is a small mobile mining town called Salthook, constructed to fold itself
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December 5, 2018 11:55AM PT Jessica Simpson fired back at Natalie Portman after the actress questioned the sexual nature of some of Simpson’s earlier work in the entertainment business. During a USA Today interview about her upcoming pop-star film “Vox Lux,” Portman shared her thoughts on how sexuality often influences the music industry before recalling
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Facebook’s aggressive business practices are again in the spotlight, after a massive batch of documents released by a U.K. parliamentary committee showed how Facebook has used access to user data to reward friendly partners and punish rivals. The 250-page report, which includes numerous internal company emails, detail how Facebook granted favored partners — including Netflix
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Jessica Simpson to Natalie Portman Stop Shaming Me For My Virgin Bikini Cover 12/5/2018 10:54 AM PST Jessica Simpson is firing back at Natalie Portman for saying she got mixed messages from one of Jessica’s famous magazine covers way back in the day.  Jessica called out Natalie Wednesday, saying she’s “disappointed” Natalie is slut shaming her for
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