Month: March 2019

Even by the standards of network television, NBC’s “The Village” wears its inspiration boldly and openly: It’s “This Is Us,” except set among the disparate residents of an apartment building rather than the members of a family. “The Village” leans, hard, into the “This Is Us” formula of trauma-as-drama, deriving its tone from its characters
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Metro Goldwyn Mayer has hired industry veteran Robert Marick as executive VP of global consumer products and experiences. In his new role, Marick is responsible for overseeing the expansion of MGM’s traditional merchandise, interactive and consumer products business. He’s also developing a global strategy with a focus on core consumer products licensing, digital and gaming,
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“The Dreamers,” one of the series to be presented at Series Mania’s Co-Pro Pitching Sessions, is a 10-part crime comedy produced by prominent Israeli filmmaker Shlomi Elkabetz (“Gett”) and Galit Cachlon at Deux Beaux Garcons Films. Produced for Israeli cable TV operator HOT, the series will be directed by Maysaloun Hamoud, a young Hungarian-born Palestinian
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The $120 million multinational disaster movie “Inversion” leads a slate of two feature films and a TV series from Hong Kong-Chinese producer and financier Sun Entertainment Culture (SUNEC). The two movies mark Sun’s English-language film debut. Founded in 2011, SUNEC has been involved in Hong Kong-Chinese co-productions such as 2017’s “Paradox” and 2015’s “SPL II:
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March 17, 2019 6:30PM PT A lively chronicle of CREEM, the defunct sex-drugs-and-rock ‘n’ roll-fueled music mag that provided a gleefully impudent rival to upscale Rolling Stone. If Rolling Stone aspired (after somewhat “underground” beginnings) to be the Rolls Royce of rock magazines, CREEM was by contrast the Volkwagen band-van: pungent with reefer, speed sweat,
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March 17, 2019 5:33PM PT Tashi Gyeltshen’s arresting debut feature examines urgent social issues in rural Bhutan through the eyes of a deeply troubled teenage girl. A blanket of gloomy gray cloud hovers above a remote village in the heavily symbolic Bhutanese drama “The Red Phallus.” Relating the tale of a 16-year-old girl driven slowly
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