Month: April 2019

April 8, 2019 7:37AM PT WASHINGTON — Groups representing producers, filmmakers and other content creators are warning the Federal Trade Commission over the unintended consequences of adopting sweeping online privacy laws akin to those in the European Union. The FTC is reviewing privacy regulations and has been holding a series of hearings, including one scheduled
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DJ/producer Diplo will host his newest live, curated event, the awesomely titled “Diplo Presents The Super Mega Ultra Giant Mad Decent Block Party Festival,” Saturday, July 20 and Sunday, July 21 at Gillette Stadium in Foxborough, Mass. The event will feature three music stages — The Block Party Stage, located on the Gillette Stadium field, The Super Mega Stage, and the Giant Ultra Stage — with performances from Billie Eilish,
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April 8, 2019 6:39AM PT Just a week after Beyonce was crowned Entertainer of the Year at the NAACP Image Awards, the Beyhive has another reason to celebrate. Netflix posted a tweet Sunday teasing its rumored upcoming Beyonce concert documentary, which will reportedly highlight her 2018 performance at the Coachella Valley Music & Arts Festival, and followed with
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Adam Berenzweig considers the gesture recognition technology of “Minority Report” an ergonomic disaster. The constant whipping around of arms. Fingers that strum and tap at the air as if you’re conducting an orchestra. For all the cool gadgets that Hollywood science fiction can produce, the reality is they’re usually just impractical and uncomfortable. “People have
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Discovery is launching a premium subscription streaming service in Italy, where it is the country’s third-largest free-to-air commercial broadcaster.  The new SVOD service is being described as complementary to Discovery Italia’s existing ad-based video-on-demand service called Dplay, which is nearly four years old. Dplay includes content from its eight free-to-air channels, including Real Time, Dmax,
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Nigerian music streaming service uduX and Universal Music Group today announced the signing of a licensing agreement, making UMG the first major music company to license its catalog to the country’s first domestic streaming service. uduX is currently available via monthly subscription through the entertainment platform Habari by GTBank, which launched in November 2018. The service
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Japan’s largest talent agency, Yoshimoto Kogyo has made an investment in regional video streaming platform iflix. The two companies will also cooperate on showcasing Yoshimoto’s content across Asia, the Middle east and Africa. The value of the transaction was not disclosed. Nor was the size of the equity stake, though the two companies described it
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April 8, 2019 1:25AM PT Warnermedia’s Turner Asia Pacific has completed filming “The Haunted Heart,” its biggest budget series production. The Taiwan set drama stars Bryan Chang, star of recent hit movie “More Than Blue.” Nini Ou-yang co-stars as a female video games tester who has such a high level of intelligence that she is
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April 8, 2019 12:32AM PT The Smithsonian Channel has signed a co-production deal with South Africa-based wildlife and factual entertainment producer Earth Touch for three new 50-minute wildlife documentaries set in the U.S., China and Mexico. The Mexico-set one, called “Migrating to Mexico,” will be Earth Touch’s largest budget production to date and shot in
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It’s easy to get lost with all the news coming out of Cannes this weekend. Variety has gathered six stories that might have passed you by, or only just been officially annonced. “Magnus” Notches Hat Trick Indie U.K. distributor Hat Trick International has secured international rights to fantasy-laced police drama “Magnus.” Described to Variety by
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CANNES — Hitting the ground running: “Dangerous Moms,” one of the first series sold by Mediterráneo Audiovisual, the newly integrated sales-production operation of Spain’s Mediaset España, won the MipDrama Buyers’ Summit Coup de Couer. The award was adjudicated by buyers attending the Summit on Sunday where 10 series titles were pitched via 15 minute extracts.
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Fueled by the demands of the digital marketplace and linked to evolving local tastes, dramatic series have attained unprecedented influence in the French television industry, marking a notable departure from the country’s longtime approach. For decades, international acquisitions dominated Gallic airwaves, while local production focused mainly on one-off telefilms, less-than-prestigious family shows and self-contained limited
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The confluence of eager international buyers on the hunt for scripted dramas and strict local statutes that prioritize standalone production houses has had a galvanizing effect on the French television business. New actors have jumped into the fray, while other deep-rooted entities have refocused their attention toward series development. The landscape has significantly expanded, causing
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