Month: April 2019

There’s a certain tingle that sets in when you realize that a thriller is naturalistic enough not to rely on thriller tricks. It means that you may be denied some of the knee-jerk pleasures audiences have come to expect — the jump scares and violent climaxes. The tradeoff is that it’s a lot easier to
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April 27, 2019 7:21PM PT Sherry Hormann’s compelling feature finds a fresh angle on the “honor killing” dramatized in Feo Aladag’s 2010 drama “When We Leave.” Based on the same real-life “honor killing” that inspired fellow German Feo Aladag’s prize-winning 2010 feature “When We Leave,” Sherry Hormann’s “A Regular Woman” takes a compelling new approach
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Jennifer Lawrence and David O. Russell make up perhaps one of today’s most famous director-actor duos. But that partnership almost didn’t happen. Speaking at the Tribeca Film Festival Saturday night for its Directors Series, Russell revealed that Lawrence was the last person cast in both their first movie together, “Silver Linings Playbook,” and their second,
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You can almost envision a conventional rendering of Mark Webber’s enchanting “The Place of No Words,” the writer-director’s fifth and most ambitiously scoped feature. In that scenario, the magical journey through which a three-year-old grapples with his father’s terminal illness — something he is too young to make sense of in real-world terms — would
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Halfway through “Nothing Fancy: Diana Kennedy,” the 96-year-old doyenne of traditional Mexican cooking offers a brisk lesson in making guacamole, complete with a number of strict, sharply emphasized rules: no garlic; serrano chillies only; chop the onion, don’t mince it; never blend the avocado; and if people say they don’t like cilantro, “for heaven’s sake,
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When Queen Latifah walked across the stage at her Tribeca Film Festival talk on Friday, moderator and director Dee Rees (“Mudbound”) declared “all hail the Queen.” Looking at Latifah’s career, she’s certainly earned the praise. The actress, musician, entrepreneur, and author started out in hip-hop, a notoriously “misogynistic” industry, she said. When she came onto
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April 27, 2019 8:17AM PT A movie for the handful of people who’ve wanted to see a young Hillary Clinton portrayed in an insufferably pretentious arthouse drama. Evidently shot in 2016, but premiering on the festival circuit after the filmmakers’ more recent “The Wall of Mexico” (which debuted at SXSW a month earlier), “When I’m
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It makes perfect sense that “Chernobyl” feels more like a horror movie at times than a traditional drama. Tracing the catastrophe events before, during, and after the nuclear explosion that continues to send radioactive ripples throughout Europe to this day, the HBO’s new limited series is, in fact, recounting one of the modern era’s most
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RIO DE JANEIRO — Rio Creative Conference (Rio2C), the largest film-TV gathering in Latin America, wrapped its market sessions Friday April 26 with Christian de Castro, president off Ancine, Brazil’s foremost public-sector source, vowing to fully re-establish its incentives. Castro spoke to an audience of producers and other players Brazil’s heavily incentive-dependent industry still in
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