Month: August 2019

Exclusive TMZ A$AP Rocky‘s saying good riddance to Sweden FOR GOOD and never looking back … assuming everything goes according to plan. Rocky left Sweden hours after the judges in his assault case decided to let him out of jail while they noodle on their decision, which is expected on August 14. A$AP returned to
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August 2, 2019 9:14PM PT The Filipino Aswang legend is spun into a proto-feminist tale of colonial-era rape and revenge in this atmospheric but turgid fantasy. Prolific Filipino helmer Adolfo Borinaga Alix Jr.’s latest big-screen endeavor “Mystery of the Night” is a supernatural folktale so beautifully atmospheric that one can almost overlook its escalating problems
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Longtime “Entertainment Tonight” co-host Nancy O’Dell is leaving the newsmagazine show, revealing the news to viewers on Friday’s broadcast. O’Dell first joined as anchor of the show in 2010, replacing Mary Hart, after spending 13 years co-anchoring “Access Hollywood.” “For almost nine years, Nancy has welcomed viewers to ‘ET’ every night with her signature southern
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The cast and creative team behind the Showtime series “On Becoming a God in Central Florida” discussed the impact that multi-level marketing schemes during a panel at the Television Critics Association summer press tour on Friday. Set in a small Orlando-adjacent town in 1992, the series follows Krystal Stubbs (Dunst), a minimum-wage water park employee
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August 2, 2019 3:54PM PT Endeavor Group Holdings’ initial public offering will take place later than expected. The IPO for the talent agency and entertainment giant will not occur until September at the earliest, people familiar with the situation confirmed to Variety on Friday. Endeavor, which was formed in 2009 by the merger of William
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Shaggy Manhattan auteur Onur Tukel’s latest film isn’t entirely new: Originally conceived as an ongoing TV series, “Black Magic for White Boys” premiered at Tribeca a couple of years ago as several preliminary episodes. But when prospects didn’t pan out in that format, he shot additional footage to create the current feature. Perhaps unsurprisingly, the
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August 2, 2019 2:09PM PT Miguel Llanso’s second feature is an inspired mashup of vintage exploitation tropes and pure absurdism. Some of the more obscure guilty-pleasure subgenres familiar to fans of international psychotronic cinema get thrown in a blender to create Miguel Llanso’s second feature. The resulting concoction is a witch’s brew of cheap 1960s
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“In my mind, media representation for transgender people is a life or death issue,” said GLAAD’s Director of Transgender Representation Nick Adams at ‘The Power of TV: Trans Visibility in Storytelling’ panel on Thursday night. “Humans are creatures who want to see themselves reflected back from the screen. When you look to the media and
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Hollywood’s historic Paramount Studios has a new neighbor: the Weedmaps Museum of Weed, which opened officially last night (Aug. 1) on the corner of Melrose and Cahuenga. The 30,000-square-foot space features a winding, walk-through, chronological series of seven separate exhibitions tracing the history of marijuana. The journey starts with the “pre-Prohibition” use of hemp in
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Showtime is increasing its original content this year by 30% more programming hours in both scripted and unscripted fare, announced co-president of entertainment Jana Winograde at the Television Critics Assn. summer press tour Friday. “For the past five years, there’s been this incredible growth in content and huge behemoths coming into the over-the-top world and
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Lilly Wachowski discussed her upcoming Showtime comedy series “Work In Progress” at the network’s Television Critics Association’s summer press tour, alongside the show’s creators Abby McEnany and Tim Mason, and tackling the series’ central themes of mental illness and depression. “I think comedy and humor are essential ingredients in trying to overcome mental illness and
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SPOILER ALERT: Do not read until you’ve watched the third season of “Dear White People,” streaming now on Netflix. The third season of “Dear White People” picks up right where Season 2 left off: in cavernous-looking darkness, hearing the voice — but now, also, seeing the face — of the show’s long-time narrator (Giancarlo Esposito),
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