Month: January 2020

Following the success of “Joker” last year, DC Films is continuing its gritty streak with “Birds of Prey,” a slam-bang adventure about Harley Quinn. Though DC Film’s 2016 tentpole “Suicide Squad” took a critical bashing at the time, filmgoers quickly took a liking to Margot Robbie’s portrayal of Harley Quinn. “Birds of Prey” gives the
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It’s become common, if not cliché, for a critic reviewing a documentary about a turbulent real-world event to write something like, “It exerts the power of a true-life thriller!” Well, make no mistake: “The Dissident” does. Directed by Bryan Fogel, who in 2017 made the Oscar-winning “Icarus” (about the Russian doping of Olympic athletes), the
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Pearl Jam unveiled its upcoming 11th studio album “Gigaton” today at NeueHouse in Los Angeles during an intimate playback in Dolby Atmos sound — complete with frontman Eddie Vedder pouring tequila shots for attendees while the music blared. As previously reported, “Gigaton” will be released March 27 on the band’s Monkeywrench imprint through Republic, and
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In the wake of the bombshell allegations included in the legal complaint from ousted Recording Academy CEO Deborah Dugan — which includes allegations of sexual misconduct among many other improper practices — there’s more than a little sense of “Wasn’t all this supposed to be fixed two years ago?” After former Grammy chief Neil Portnow’s
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“Bad Hair” writer and director Justin Simien always intended for his horror-satire film to spark a conversation about the way society relates to appearance (especially around and among black women), but filming the project has equally affected his cast, who shared their own struggles to gain acceptance professionally and learn how to accept themselves personally.
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“Smile for the camera, motherf—ers,” warns the graffiti outside the Roaring Twenties, a Las Vegas dive bar where spirits are high because the end is nigh. The boozers who’ve braved this dim red cave, in Bill and Turner Ross’ bitterly funny docufiction film “Bloody Nose, Empty Pockets,” have signed on to play themselves in an
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Director Bryan Fogel premiered his searing new documentary “The Dissident,” a timely examination of the murder of Washington Post journalist Jamal Khashoggi, at Sundance on Friday. The film came to Sundance hoping to secure distribution, and Fogel used the starry debut to implore studios and streaming services interested in buying the project to commit to
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Gabrielle Union appears to have addressed “America’s Got Talent” host Terry Crews’ comments questioning her allegations of racism and sexism on the set of the NBC series. Union did not mention Crews by name, but in a series of tweets posted after the host’s appearance on “3rd Hour of Today,” Union praised the “multiple witnesses
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Marvel Television’s remaining slate continues to dwindle. Variety has confirmed that the animated shows “Howard the Duck” and “Tigra & Dazzler” — two of four animated Marvel projects set up at Hulu — are no longer in the works at the streamer. The other two shows, “M.O.D.O.K” and “Hit Monkey,” are currently still on track
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YouTube landed a multiyear deal as the exclusive live-streaming partner for Activision Blizzard’s e-sports events worldwide, including Overwatch League, Call of Duty League, Hearthstone Esports. The agreement (which excludes China) promises to give a big boost to YouTube Gaming, the video giant’s dedicated home for all things related to games. It’s also a loss for
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In 1988, presidential candidate George H.W. Bush dismissed his rival Michael Dukakis as a “card-carrying member of the ACLU.” By contrast, Bush proclaimed himself “for the people,” as though the American Civil Liberties Union, a nonprofit organization that defends the equal human rights established in the Constitution, was instead championing UFOs. There’s a documentary or
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January 24, 2020 12:47PM PT From bears to lions to deer: Disney is developing a live-action remake of its 1942 animated feature “Bambi,” Variety has confirmed. Screenwriters Geneva Robertson-Dworet (“Captain Marvel”) and Lindsey Beer (“Sierra Burgess Is a Loser”) will write the screenplay, with Chris and Paul Weitz’s Depth of Field producing. The film will employ the
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