Month: February 2020

Jen Welter, who made history as the first woman to serve as a coach in the National Football League, is partnering with Amelia Baker and Mackenzie Munro’s Blonde Mamba and independent producer Casey Russell Hanley on the original series “FanGirl,” a half-hour single-camera comedy about best friends who become the first-ever female assistant coaches for
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The Chinese box office is gearing up for a starkly unsexy Valentine’s Day, with “Jojo Rabbit” and a local title formally pulling out of the mid-February line-up, while unconfirmed reports suggest that others – including “Little Women” – will soon pull the plug, amidst strict measures to prevent the spread of deadly coronavirus. Cinemas are
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The shortest Oscar season ever has been especially brutal for strategists trying to gain traction with smaller-scale offerings later in the season: Early birds and conventional choices scooped up the lion’s share of Oscar nominations. And yet, as final voting comes to a close on Feb. 4 with certain categories seemingly locked up, it bears
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Filmlance International, the Swedish production company owned by Endemol Shine Group, is set to produce “Tsunami,” a psychological drama mini-series directed by Henrik Georgsson (“Bron/Broen”). “Tsunami,” which is being co-produced by Swedish broadcaster SVT, is set in Stockholm in the aftermath of a tsunami. The gripping drama explores how humans behave when faced with a
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Jane Austen has been through a lot on screen in recent years. From watching details of her own life contorted into a romantic comedy framework in “Becoming Jane,” seeing her most enduring masterpiece invaded by the undead in “Pride and Prejudice and Zombies,” or observing the cottage merchandising and tourism industry that has sprung up
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Change sounds like this: South Korean director Bong Joon Ho accepted his foreign film award for “Parasite” at the Golden Globes, saying: “Once you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.” Bong’s statement echoes Alfonso Cuarón’s comments last year when he took the foreign-language Oscar for
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Jarin Blaschke’s black-and-white cinematography in Robert Eggers’ “The Lighthouse” lends the proceedings a mythic quality and highlights the tour-de-force acting by Willem Dafoe and Robert Pattinson. The monochrome images are in harmony with the elemental story: trapped together in an unforgiving 1890s landscape, two lighthouse keepers begin to lose their grip on sanity. Blaschke, a
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Taut, tense and fluid, the Oscar-nominated script for “1917” reflects a collaboration of old guard and new — Oscar-winning writer-director Sam Mendes and debut feature writer Krysty Wilson-Cairns. They structured the WWI epic as a single shot tracking two young British soldiers, lance corporals Blake (Dean-Charles Chapman) and Schofield (George MacKay). Their mission? Cross no-man’s
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Motion capture in one form or another has been around for decades, and certainly the most recognizable modern use comes from “The Lord of the Rings” films in which Andy Serkis portrayed the beady-eyed creature Gollum. The actor wore a special bodysuit, helmet and strategically placed markers so that each detail of the part computer-generated,
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Haunted houses are always full of hidden passageways, secret rooms and a story or two about someone who used to live there who disappeared or died under mysterious circumstances. The Park house in “Parasite” is no exception to that rule. It was first imagined by director Bong Joon Ho as a place that would be
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Veteran music-business attorney Dina LaPolt has appealed to West Hollywood Mayor John D’Amico and other officials to preserve the “Log Cabin,” a building that for years has been used as a meeting place for 12-step meetings and other efforts supporting substance abusers in recovery. LaPolt, who has worked extensively with Aerosmith, Britney Spears and Deadmau5
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Picturehouse Entertainment has acquired U.K. rights from TrustNordisk for Maria Sødahl’s “Hope,” which stars Stellan Skarsgård and Andrea Bræin Hovig, and will have its European premiere at the Berlin Film Festival this month. Based on the director’s own experiences after being diagnosed with brain cancer, “Hope” explores the relationship between artists and partners Tomas (Skarsgård)
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