Month: June 2020

As Nia Nal/Dreamer on The CW’s “Supergirl,” Nicole Maines has played TV’s first transgender superhero since the show’s fourth season. But for the trans rights activist and actor, progress is the chance to play a villain. “I think it’s that more and more trans characters [can] be less than perfect and be a–holes and be
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For the Power of Pride issue, Variety talked to eight LGBTQ couples in entertainment about their love stories. To read more, click here.  In 2007, ”The L Word” creator Ilene Chaiken had broken up with her partner of 20 years, and was looking to date — but realized she didn’t know how.  Chaiken’s friend Angela Robinson, a
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Soon to launch French streaming service Salto has acquired Canadian-French dark comedy series “Happily Married,” which premiered at the Berlinale, from distributor Cineflix Rights. “Happily Married (C’est Comme Ça Que Je T’aime)” is one of the first programme acquisitions to be announced by Salto, the long delayed SVOD jointly created by French public broadcaster France
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Toward the end of a harrowing week filled with protests against police violence, curfews, nearly every type of political discord and an ongoing pandemic, country singer Kane Brown has dropped a hopeful new song called “Worldwide Beautiful” that aims to highlight peace and equality. “White churches, black churches/ Different people, same hearses,“It’s kinda hard to
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For the Power of Pride issue, Variety talked to eight LGBTQ couples in entertainment about their love stories. To read more, click here.  Greg Berlanti — the prolific TV producer behind such hits as “Riverdale” and “Supergirl” — couldn’t have scripted meeting his husband better if he’d written it himself. At a 2013 rooftop Pride party, a
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Several months ago, Variety’s editors came up with a plan for this year’s Pride issue: We would tell the stories of couples in the entertainment industry. But as the coronavirus tore through the United States, separating millions of families and friends, the idea of celebrating love took on a greater meaning. Since April, portrait photographer
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Like many of us stuck at home, moviedom — or our recent virtual version of it — has been rummaging through the archives intrigued by films it never quite made the time for. So consider the streaming of  Leilah Weinraub’s “Shakedown” (which premiered at the Berlin Film Festival in 2018) an example of a movie
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Director Rapman endured the unthinkable around the U.K. release of his feature film debut, “Blue Story,” about warring South London gangs. After a brawl broke out at a Birmingham cinema following the film’s release, exhibitors Vue and Showcase temporarily pulled “Blue Story” from screens claiming a spate of other incidents, and sparking a national debate
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Jack Dorsey, CEO of Twitter and Square, donated $3 million to Know Your Rights Camp, an organization established by former NFL quarterback Colin Kaepernick dedicated to empowering people of color. Dorsey said he gave “$3mm to Colin @Kaepernick7’s @yourrightscamp to advance the liberation and well-being of Black and Brown communities through education, self-empowerment, mass-mobilization to
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Prosecutors in Seoul have requested the arrest of Lee Jae-yong, the heir and presumptive head of the Samsung Group. He is accused of stock price manipulation and audit violations within the massively complicated web of Samsung-related companies. Lee is closely related to Miky Lee, producer of Cannes- and Oscar-winning film “Parasite.” Lee Jae-yong (aka Jay
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HBO and Sky’s nuclear drama “Chernobyl” has emerged as the frontrunner at this year’s Virgin Media British Academy Television Awards and British Academy Television Craft Awards with 14 nominations. “Chernobyl’s” impressive haul matches “Killing Eve’s” record 14 BAFTA nods last year, making it the most nominated show in the history of the awards. “Chernobyl’s” nominations
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Forget everything you think you know about filmmaking and narrative continuity. Forget production values and matching eyelines. Divorce yourself from your over-reliance on the 180-degree rule and your addiction to sumptuous cinematography and slick — or even barely adequate — visual effects. Instead, for 65 glorious, gonzo minutes, put aside the troubles of this crazy
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