Month: July 2020

After canceling MipTV in April in the face of the coronavirus pandemic, Reed Midem will be hosting a hybrid physical edition of Mipcom, the international TV showcase, without exhibition stands. Named Mipcom Rendezvous, this year’s format will also see the launch of Mipcom Online +, a premium digital service which will run from Oct. 5
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Variety has promoted Angelique Jackson to film and media reporter. In her new role, Jackson will cover the major Hollywood studios and streaming services, as well as the indie film scene. She will also contribute in-depth interviews and profiles of the industry’s top decision-makers and creative talent for print, online, and video. Jackson joined the
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Music is at the heart of director Sergio Navarretta’s “The Cuban,” set for a limited theatrical release July 31. In the movie, pre-med student Mina, played by Ana Golja (“Degrassi”), is tasked with caring for Luis, portrayed by Louis Gossett Jr., who is struggling with Alzheimer’s and  has retreated into himself. As she feeds him,
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Accurate multicultural representation in Hollywood starts crucially with hiring communities of color to make and star in films, “Suicide Squad” and “Bright” director David Ayer said Thursday at the ArcLight drive-in premiere of his new Los Angeles-based crime drama, “The Tax Collector.” “Hire them. Hire them for jobs,” Ayer said when asked about increasing Latino
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Alan Parker, the British director whose exceptionally wide-ranging oeuvre ranged from “Bugsy Malone” to “Evita,” from “Midnight Express” to “The Road to Wellville,” has died. He was 76. The British Film Institute confirmed Parker’s death on Friday, noting he died after a long illness. Parker was twice Oscar-nominated for best director, for 1978’s “Midnight Express”
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Celebrity Photographer Rankin Shoots Portraits of BAFTA TV Nominees – Variety Celebrity Photographer Rankin Shoots Portraits of BAFTA TV Nominees – Variety ad To help keep your account secure, please log-in again. You are no longer onsite at your organization. Please log in. For assistance, contact your corporate administrator.
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In one extended sequence of the 2017 documentary “Angry, White, and American,” Black British journalist Gary Younge faces off with alt-right leader Richard Spencer, who, at one point, says, “Look at the life of any African American living in the United States. It’s far better than any African living in Africa.” Translation: Slavery was good.
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Venice Golden Lion contender “Miss Marx,” starring Romola Garai as the spirited daughter of philosopher Karl Marx, has secured its first tranche of international deals ahead of the September fest. (Watch the film’s exclusive trailer above.) Written and directed by Susanna Nicchiarelli (“Nico, 1988,” “Cosmonaut”), with Celluloid Dreams serving as international sales agent, the film
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Back when Chinese developers were building cinemas at the rate of 10,000 screens per year, a favorite guessing game of distribution executives was trying to determine when China’s theatrical box office would overtake that of North America. That scenario hasn’t happened yet. Last year, China’s box office growth slowed to a pedestrian 5% and reached
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Laurent Danielou’s Paris-based sales agent Loco Films has swooped on “Last Days of Spring” (“La Ultima Primavera”), a Spain-set first feature from Isabel Lamberti that will world premiere this September at San Sebastian Festival’s New Directors competition, the Festival confirmed Thursday. The Spanish festival’s main sidebar, New Directors highlights first and second features from helmers
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Venice main competition contender “Dear Comrades,” the latest feature from legendary Russian director Andrei Konchalovsky, has been snapped up for world sales by Berlin-based Films Boutique, in what looks like one of the biggest sales agents deals on a title vying for the Golden Lion at 2020’s 77th Venice Intl. Film Festival. Packing a brief
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Rare is the movie about writer’s block that doesn’t end with the frustrated author scrapping his dead-end drafts in order to “write what you know” — i.e., the film we’ve just sat through. More uncommon still is the dog movie that doesn’t rely on its canine lead to warm hearts, jerk tears or teach its
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