Month: August 2020

Could a Twitter–TikTok tie-up transpire? The social network and TikTok, owned by China’s ByteDance, have engaged in “preliminary” discussions about merging TikTok’s U.S. operations with Twitter, the Wall Street Journal reported, citing anonymous individuals. Twitter declined to comment. A TikTok rep said via email Sunday, “As a matter of corporate policy we do not comment
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Are concert-starved music fans ready to pony up for livestream subscription series involving different artists every week? And is it time for established music venues to start experimenting with letting very small and spaced-out audiences back in their doors? These may seem like two separate questions. But they’re not when it comes to the storied
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One day after Hulu canceled her series “High Fidelity” after one season, star Zoë Kravitz called out the streaming service for not having shows with much diversity. Kravitz took to her Instagram on Thursday to post some behind-the-scenes photos with her “High Fidelity” cast members after news broke that the show was canceled. “I wanna
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“Do You Remember Dolly Bell?,” the directorial debut of iconic Serbian filmmaker Emir Kusturica, has joined Heritage Online, the Locarno Film Festival’s recently launched platform for classic movies. Set in Sarajevo in the mid-1960s, the film—an irreverent, coming-of-age story about a young man who falls in love with a prostitute—earned Kusturica the Golden Lion for
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“Traveller,” the first major screen credit of “The Crying Games’” Neil Jordan, Canadian Denis Coté’s debut feature “Drifting States” and Arturo Ripstein’s “The Place Without Limits,” a 1977 Mexican LGBTQ movie, are three titles featured in the inaugural lineup of the Locarno Film Festival’s Heritage Online section. Another, 1954 Egyptian transgender comedy “Miss Hanafi,” underscores
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Halted by COVID-19, and now part of Locarno’s The Films After Tomorrow competition, Lav Diaz’s “When the Waves Are Gone” looks set to mark the first time the Filipino auteur will enjoy the upsides of full-force international co-production. That co-production involve, moreover, some of highest-profile art film producers currently working in Europe. Winner of Locarno
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Dixie D’Amelio has landed a record deal with L.A. Reid’s HitCo Entertainment, joining Jennifer Lopez, Saint JHN, Outkast’s Big Boi and Dinah Jane on the label’s roster. The 18-year-old social media sensation boasts over 15 million followers on Instagram and 33 million followers on TikTok. The Connecticut native is also the older sister of Charli
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With much of the world still stuck in a coronavirus-mandated lockdown, and most TV and film production still on pause, theater of the mind-style content could emerge as one of the best options for modern-day escapism. At least, that’s what Amazon is banking on with its new interactive audio game for Alexa, “Starfinder.” Amazon partnered
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“Succession” could be back in production before the end of the year (with a big emphasis on could). Season 3 of the hit HBO series, which recently garnered a whopping 18 Emmy nominations, was originally scheduled to start shooting in April, but for obvious COVID-19 related reasons, production has been delayed indefinitely. The plan, at
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“Dora and the Lost City of Gold” and “I Carry You With Me” are among this year’s Imagen Awards nominees, which span a range of new categories including best director in television, best music composition for film and television and best music supervision for film and television. The Imagen Foundation president Helen Hernandez announced 114
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AMC Networks has filed a complaint with the Federal Communications Commission accusing AT&T of abusing its market power in order to unfairly advantage its own networks, HBO and TNT. Though much of the complaint is redacted, AMC appears to be complaining that AT&T is seeking to limit AMC’s ability to make its content available on
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No one really knew which record store bin to put Collective Soul in when the Atlanta band broke onto the scene — they were labeled everything from “bubblegum grunge” to southern blues-rock to neo-’60s rock. Their breakout occurred in 1993 with the sudden success of “Shine,” a fuzzy, quasi-spiritual anthem that pinged from college radio
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Cinematographer Jay Keitel, a CalArts alum, credits his cinematic sensibilities to his time in experimental filmmaking and animation. Such background pushes him to go beyond traditional narrative form. In Amy Seimetz’s sophomore feature “She Dies Tomorrow,” (bowing across virtual cinemas this weekend) about a woman (Kate Lyn Sheil) certain she is living her final hours,
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