Month: September 2020

Back at the Venice Film Festival with Andrew Garfield starrer “Mainstream,” presented in the Horizons section, Gia Coppola took part in the “Life Through a Different Lens: Contactless Connections” talk on Friday – following in the (virtual) footsteps of Demi Moore and Nadine Labaki. During the chat, hosted by the festival and Mastercard, she looked
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British moviegoers will be able to feel like royalty thanks to a drive-in film series hosted at Queen Elizabeth II’s Sandringham Estate. Starting on Sept. 25, the 20,000-acre private home of Queen Elizabeth and several previous monarchs will screen award-winning movies, like “1917,” “A Star Is Born,” “Bohemian Rhapsody” and more. Sam Mendes’ Oscar-winning war
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You know him from “The Farewell,” “Rush Hour,” “Arrival,” “Tigertail” and recently as”Mulan’s” father in the Disney live action adaptation. Actor and activist Tzi M’s goes deep into his journey into acting on Variety’s “#Represent: Legends” revealing that he used acting and martial arts training as a way to ward off racist bullies. Today, the
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“Got Live if You Want It,” the Rolling Stones promised in a 1966 album title. And oh, do we want it, in 2020, when the pandemic has rendered the live concert experience unavailable, in a total blackout that once would have seemed purely the province of science-fiction. Fortunately, we still have access to the thousands
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After months of delays, Christopher Nolan’s sci-fi epic “Tenet” finally arrived in U.S. theaters and generated $20.2 million over Labor Day weekend. Ticket sales, though difficult to dissect given the uncharted waters of the coronavirus era, are roughly in line with expectations for a new release during a pandemic. The espionage thriller is already nearing
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Los Angeles-based Menemsha Films has acquired North American rights from Italy’s Intramovies to Venice Critics’ Week title “Thou Shalt Not Hate,” ahead of the racial hatred-themed drama’s premiere Sunday on the Lido.  The film has also been picked up for Australia and New Zealand by Moving Story Entertainment. Directed by Italian first-timer Mauro Mancini, “Thou
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Watching Iranian director Majid Majidi’s “Sun Children,” I was reminded of “The Florida Project.” One of the best films about children of the 21st century, “The Florida Project” takes place within a stone’s throw of Walt Disney World, where it seems a dream too much for its neglected kid characters to visit, until, in the
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Feltrinelli Editore, which is behind Roberto Saviano’s bestselling novel “ZeroZeroZero,” which was adapted into a TV series for Sky Atlantic, Canal Plus and Amazon Prime, is one of 18 prestigious publishers from across Europe attending Venice Film Festival’s Book Adaptation Rights Market (BARM). The first two episodes of the “ZeroZeroZero” series, which offers a gritty
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New York and Oslo-based writer/director Mona Fastvold made her directorial debut with “The Sleepwalker,” which unlocked secrets between two sisters and made a splash in 2014 at Sundance. Her ambitious followup “The World to Come” stars Katherine Waterston and Vanessa Kirby as two farmers’ wives in 1856 Upstate New York who fall in love but have no template,
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Chaitanya Tamhane’s “The Disciple,” the first Indian film in Venice Film Festival’s competition since 2001, is set across three different time frames. It follows an aspiring classical music performer, Sharad Nerulkar, played by debutant Aditya Modak, on a journey that resembles that of a monk following a guru, experiencing sacrifice and solitude along the way.
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Christopher Nolan’s “Tenet” will cross the $100 million mark internationally on Saturday. It passes that important milestone after the twisty thriller made just over $20 million in China so far this weekend. Those numbers are pretty standard for Nolan, who has a golden touch when it comes to blockbusters, having previously guided “Inception,” “Dunkirk,” and
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The first look at David Fincher’s highly anticipated drama “Mank” was revealed Saturday to coincide with the 79th anniversary of “Citizen Kane’s” wide theatrical opening. The film is Fincher’s first feature directing effort since 2014’s “Gone Girl” and chronicles Herman Mankiewicz’s (Gary Oldman) race to finish the “Citizen Kane” screenplay for Orson Welles (Tom Burke).
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Seven years after Gia Coppola turned a dreamily sympathetic eye on the pretty, youthful wasters of her high-school-set debut “Palo Alto,” she returns with “Mainstream,” packing a far smaller store of compassion and a lot less insight into the next micro-life-stage of telegenic wasted youth. A brittle, exasperated satire on social media celebrity, her sophomore
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Are there signs of green shoots of recovery for the indie film industry following the profound business disruption wrought by the COVID-19 pandemic? “We’re living through a rapidly changing time,” says Brian Beckman, CFO of international sales company and producer Arclight Films, which is handling worldwide sales on “The Furnace,” an Australian adventure story, screening
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