Month: December 2020

“May you live in interesting times.” This past year calls to mind that old saying, allegedly an ancient curse directed at one’s enemies. But 2020, with all its tumult and terror, isn’t one to forget for media and entertainment companies. It marked a pivotal year when the sector’s biggest companies made tough decisions to reorient
0 Comments
For singer, actress, producer Rita Wilson, “Everybody Cries,” her Oscar contender for Best Original Song, felt like a tribute to the mothers and female relatives of soldiers who were on the front line. The soaring ballad, which was co-written by Wilson, director Rod Lurie, and Larry Groupé, comes with a tragic story behind it. As
0 Comments
Hans Rosenfeldt, the creator and lead writer of Nordic Noir milestone “Broen” (“The Bridge”) and ITV and Netflix’s International Emmy winner “Marcella,” is set to see his first solo novel, “When Crying Wolf,” developed for the small screen by TV4 and CMore Entertainment. Rosenfeldt’s first solo novel — after six crime novels penned with Michael
0 Comments
In today’s Global Bulletin, Hugh Grant recalls doubt over Renee Zellweger’s casting in the now iconic role of Bridget Jones in a BBC2 documentary; RSVP and Guilty By Association team on a new Indian spy thriller; the Meihodo International Youth Visual Media Festival will honor Juliette Binoche and Hayao Miyazaki while Natpe recognizes Disney exec
0 Comments
The entertainment business is by definition unpredictable. That’s what makes it such a magnet for the best and the brightest, the bold and the brazen, the born innovators and entrepreneurs. Efforts to forecast the future are often folly, because the path is determined by financial agendas and the interests and discretionary income of American and, increasingly, global consumers.
0 Comments
Film Movement has acquired North American rights to Amjad Abu Alala’s feature debut “You Will Die at Twenty,” which marks Sudan’s first official Oscar submission. As part of the deal, Film Movement will give “You Will Die at Twenty” a theatrical rollout via virtual cinema in 2021, followed by a release on home entertainment and
0 Comments
Many actors dread comparisons to James Dean, the movie icon who helped define a new type of on-screen masculinity. But Steven Yeun, the 36-year-old who rose to global recognition on the TV megahit “The Walking Dead,” is comfortable with the juxtaposition to Hollywood’s most famous rebel. When Yeun was talking to director Lee Isaac Chung
0 Comments
The Canadian film and television industry has been rocked following allegations that prominent filmmaker and “Inconvenient Indian” director Michelle Latimer is not Indigenous, as she has claimed to be for the past 20 years. The hurt and anger from the Indigenous filmmaking community that followed on social media has been palpable, drawing further attention to
0 Comments
Film industry relations between China and Europe have been kept alive throughout the coronavirus outbreak by Bridging The Dragon, an informal trade organization now in its sixth year. After its regular event held during the Berlin film festival in February, further seminars, presentations and mixers should have taken place in Cannes in May and in
0 Comments
The Hyderabad filming schedule of Sun Pictures’ “Annaatthe,” starring Indian superstar Rajinikanth, has been stopped due to crew members testing positive for COVID-19. “During routine testing at #Annaathe shoot 4 crew members have tested positive for Covid19. Superstar @rajinikanth and other crew members have tested negative. To ensure utmost safety #Annaatthe shooting has been postponed,”
0 Comments
SPOILER ALERT: Do not read if you have not yet watched the Dec. 22 season finale of “The Bachelorette,” starring Tayshia Adams. After the most dramatic season in the history of “The Bachelor” franchise, “Bachelorette” Tayshia Adams got her happy ending in one of the most conventional finales in recent years. From Arie Luyendyk Jr.
0 Comments
Much like its “will they, won’t they” plotline, the road to release for “Sylvie’s Love” has been its own brand of love rollercoaster. From filming on beaches and soundstages in Los Angeles (doubling as New York) to launching the film with a COVID-safe, yet romantic drive-in premiere in Malibu, Calif., stars Tessa Thompson and Nnamdi
0 Comments
The Hollywood Foreign Press Association has completed its annual review of film submissions for the Golden Globe awards, and Variety has learned exclusively that many films and performances have been switched from the studios’ intended submissions. “Promising Young Woman” from Focus Features was switched from comedy to the drama categories. Written and directed by Emerald
0 Comments
The legal battle between Brazilian producer Rodrigo Teixeira (“Call Me By Your Name”) and his former business partner Luiz Mussnich has heated up. An October lawsuit filed by Mussnich and another by his brother-in-law Carlos Randolpho Gros in Brazil, alleged that Teixeira wooed well-to-do Brazilian investors through the years but the bulk of the funds
0 Comments
“Monster Hunter” director Paul W.S Anderson calls VFX head Dennis Berardi “an invaluable creative partner.” The two have collaborated on movies dating back to “Resident Evil.” This time, Berardi serves as a producer on the big-screen adaptation of the Capcom video game. “There are 1400 visual effects shots in this movie, so Dennis is a
0 Comments
In today’s TV news roundup, Netflix unveiled a trailer for “History of Swear Words,” and Fox released a trailer for “Call Me Kat.” FIRST LOOKS Netflix unveiled a trailer for its upcoming series, “History of Swear Words,” set for release on Jan. 5. The six-episode series, hosted by Nicolas Cage, explores the origins, pop culture-usage
0 Comments
The beginning of “Rebuilding Paradise” is a heart pounding re-telling of the 2018 Camp fire, one of the most destructive and deadliest blazes in the history of California. Cut together with news reels and phone footage from survivors from the city of Paradise, one particularly gripping moment showed a family driving through what was seemingly
0 Comments
The entertainment industry had been under fire for irresponsible depictions of violence from the early days, including 1930s gangster movies and the glut of 1950s TV Westerns. Decision-makers in Hollywood always gave lip service to the idea of responsibility, but as long as violence earned a lot of money, nobody changed. After the Sandy Hook
0 Comments