Month: April 2021

When director Shaka King was looking for an artist to deliver the end credit song for “Judas and the Black Messiah,” he went to Grammy winner H.E.R. Of the qualities that made her the perfect artist to complete the task, he says, “versatility in musicianship, soul, artistic and personal integrity. She’s a throwback.” King’s approach
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Top Bollywood star Akshay Kumar has been hospitalized and his much awaited blockbuster “Sooryavanshi” has been postponed as COVID-19 rampages across Mumbai, capital of the Hindi-language film industry. Kumar was diagnosed with COVID-19 on Sunday and he was hospitalized on Monday. According to Indian media reports, along with Kumar, 45 people working on “Ram Setu,”
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“Fire in Little Africa,” an album of original material, written and recorded by a collective of Oklahoma hip-hop artists to commemorate the 100th anniversary of the Tulsa Race Massacre, will be released on May 28 by Motown Records/Black Forum in partnership with Tulsa’s Bob Dylan Center and Woody Guthrie Center. According to the announcement, the 21-track album
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Republic Records has promoted Xiarra-Diamond Nimrod to vice president of marketing strategy, the label’s EVP and general manager Jim Roppo and SVP of marketing Marleny Reyes announced. She is based in Republic Records’ New York headquarters. According to the announcement, Nimrod will continue to architect, implement, and oversee marketing, rollout, and release strategy for label artists including Pop Smoke, Metro Boomin, Ski Mask the Slump
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Amitabh Bachchan and Deepika Padukone will star in the Bollywood remake of Warner Bros.’ “The Intern.” Bachchan replaces the late Rishi Kapoor who was due to star in the project alongside Padukone, but died in 2020. Directed by Nancy Meyers, “The Intern” (2015) collected $194 million globally. Bachchan (“Gulabo Sitabo”) and Padukone (“Chhapaak”) will play
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By now, more than a year deep into the social disruption wreaked by the COVID-19 pandemic, we have had several examples of awards shows trying their best to accomplish something like the traditional experience for viewers at home. What we hadn’t seen, exactly, was a show deciding to lean into the alienation and isolation of
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While the U.S. industry celebrated “Godzilla vs. Kong” as the biggest and widest opening of the pandemic, the monster film has already been defeated in its second weekend in the world’s largest film market by the low-budget local drama “Sister.” In its Tomb Sweeping Festival holiday debut, the reportedly $4.6 million-budgeted latter film directed by
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