Month: September 2021

New titles arrived in Korean theaters in time for the Chuseok (Korean Thanksgiving) holiday period, headed by locally-made thriller “On The Line,” which took top place from “Shang-Chi and the Legend of the Ten Rings.” But box office over the weekend preceding the big break remained subdued, totaling just $6.16 million. “On The Line” earned
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The wait is finally over! The 2021 Emmy Awards, celebrating the year’s best television and a return to live events, are here. Acclaimed actors, directors, writers, producers and more assembled at L.A. Live’s Event Deck at Los Angeles’ Microsoft Theater on Sunday night. “Ted Lasso” and “Mare of Easttown” picked up the first awards of the night,
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For attendees of the seventh annual Creative Coalition Television Humanitarian Awards, which resumed its in-person festivities Saturday after a virtual event last year, Hollywood’s social-charitable scene inched considerably closer to normalcy. Atendees brought their vaccination cards and had on-the-spot COVID tests in the driveway of film producer Lawrence Bender’s Holmby Hills driveway, before assembling —
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Last September, a cautiously recalibrated Venice Film Festival represented one of the few bright spots in world cinema, taking advantage of a brief window between COVID waves to host in-person premieres for such future Oscar nominees as “Nomadland” and “One Night in Miami.” Telluride and Toronto — such vital platforms for auteurs and awards contenders
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“Dune,” the dazzling big-screen adaptation of Frank Herbert’s seminal sci-fi novel, ignited the international box office in its debut, collecting $35.8 million from 24 overseas markets. It’s a promising start given the hobbled state of moviegoing in many foreign territories amid the pandemic. Directed by Denis Villeneuve and starring Timothee Chalamet, Zendaya and Oscar Isaac,
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Somewhere in the land of worn-out metaphors, there’s a drawer overflowing with love letters from all the filmmakers who ever thought to make cinema of the making of cinema. But it feels inadequate to file Zhang Yimou’s “One Second” alongside those when it is the most direct and heartfelt valentine to the medium the revered
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Though “Muhammad Ali” is debuting well after “The Last Dance,” it’s hard not to think of it as a sort of spiritual prequel to ESPN’s propulsive docuseries. “The Last Dance,” which detailed the rise of Michael Jordan as both a superstar athlete and unstoppable global brand, immediately became a sensation upon its April 2020 premiere.
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Ahead of the streamer’s Oct. 26 arrival in Spain, representatives from several shows commissioned for WarnerMedia’s HBO Max assembled at the San Sebastian Film Festival on Sunday to preview their shows, slated to arrive on the platform on or after its launch. Four series were presented to an at-capacity press conference held in San Sebastian’s
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Disney’s “Shang-Chi and the Legend of the Ten Rings” ruled the domestic box office again while Clint Eastwood’s Western drama “Cry Macho” and Gerard Butler’s R-rated action-thriller “Copshop” crumbled in their debuts, highlighting the disparity between the kind of movies people are willing to venture out to see during the pandemic. “Shang-Chi,” the first Marvel
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Ian de la Rosa, a co-writer on HBO Max hit “Veneno,” has boarded “Las Líneas Discontinuas,” the second feature of Spain’s Anxos Fazáns (“A Estación Violenta”) and one of the first titles at Sétima, the Galicia production house she has set up with producer Silvia Fuentes. De la Rosa, director of “Victor xx,” an ESCAC
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The 73rd annual Primetime Emmy Awards, honoring the best performances and TV shows from the past year, will air live on Sept. 19 at 8 p.m. from the L.A. Live deck on CBS and Paramount Plus. Due to the coronavirus pandemic, last year’s Emmys ceremony was mostly virtual. This year, the Emmy awards will be
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After months with few significant new Hollywood releases, both “Dune” and ‘No Time to Die’ finalized their China opening dates on Sunday, officially confirming their outing in the world’s largest film market at a time when other major studio titles have been given the cold shoulder. The two films will hit in successive October weekends.
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Variety has been given exclusive first access to Agustín Banchero’s debut Uruguayan feature “Hilda’s Short Summer,” sold by FiGa Films and premiering in the New Directors section at this year’s San Sebastian Film Festival on Sunday, Sept. 19. “Hilda’s Short Summer” is produced by Tarkiofilm’s Virginia Bogliolo in Uruguay and Clarissa Guarilla from Brazil’s Arissas.
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Celebrated Andalusian production house La Claqueta, headed by producer Olmo Figueredo, will produce “Bella,” the debut animated feature from Spanish director Manuel H. Martín – with whom the company previously produced the award-winning documentary “30 Years of Darkness” and “El viaje mas largo,” and celebrated VFX supervisor Amparo Martínez Barco (“Marshland,” “The Head”). Martín also
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Kenneth Branagh’s “Belfast” won the People’s Choice Award at this year’s Toronto International Film Festival. The Platform Jury prize went to “Yuni,” directed by Kamila Andini, while the People’s Choice Documentary Award winner went to “The Rescue,” directed by E. Chai Vasarhelyi and Jimmy Chin. The People’s Choice Midnight Madness Award went to “Titane,” directed
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Production designer Laura Fox, who transformed the Four Seasons Maui into an uneasy pineapple-bedecked paradise for HBO’s “The White Lotus” faced some similar challenges when creating the world of Tammy Faye Bakker for “The Eyes of Tammy Faye.” Neither director Michael Showalter, nor producer-actress Jessica Chastain, who plays the title character, wanted to make fun
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