Month: September 2021

Women filmmakers from Afghanistan made a powerful and emotional plea for international intellectual support at a panel at the Venice Film Festival on Saturday. Fighting back tears, Sahraa Karimi, who wrote a hard-hitting open letter about the impact of her country being taken over again by the Taliban, did not mince her words about the
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Rare home movie footage shot in Poland in 1938 becomes a priceless historical artifact, documenting people and places obliterated by the Holocaust in Dutch writer-director Bianca Stigter’s haunting and provocative documentary essay “Three Minutes – A Lengthening.” She utilizes the three minutes and some-odd seconds of 16mm film shot by American visitor David Kurtz in
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Producers Adam Mirels and Robbie Mirels of 141 Entertainment, the team behind Ana Lily Amirpour’s hotly anticipated “Mona Lisa and the Blood Moon,” which plays Sunday in competition at the Venice Film Festival, have signed an option to remake director-writer Sameh Zoabi’s 2018 Venice Horizons Award entry “Tel Aviv on Fire.” The adaptation will be
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Led Zeppelin guitarist Jimmy Page didn’t hold back in detailing why the band has refused to participate in a single documentary until now. Bernard MacMahon’s “Becoming Led Zeppelin” premieres at the Venice Film Festival Saturday afternoon, and tickets for all 12 press and public screenings of the film have sold out — easily making it
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Matt Dillon (“The House That Jack Built”) and Charlotte Gainsbourg (“Antichrist,” “Nymphomaniac”) are attached to star in Fred Garson’s “An Ocean Apart,” a period drama about the romantic affair between French philosopher Simone de Beauvoir and American writer Nelson Algren. The film is being developed by French producer Olivier Delbosc at Curiosa Films, which is
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MK2 Films has boarded “Blaze,” the feature directorial debut of award-winning Australian painter Del Kathryn Barton, which stars Simon Baker (“High Ground”) and Julia Savage (“Sweet Tooth”). Now in post-production, the film stars Savage as Blaze, a teenager who is the sole witness to a shocking crime. Struggling to make sense of what she saw,
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English audiences have long been partial to Romeo and Juliet, but in this critic’s outside-the-box opinion, Edmond Rostand’s “Cyrano de Bergerac” is the more romantic play. For starters, its tragedy hinges not on teenage impatience and suicide, but deep, long-unrequited affection. Convinced that his physical appearance makes him unworthy of his beloved Roxanne, the chivalrous
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For over 25 years, Emmy-award winning directors/producers Dan Geller and Dayna Goldfine have jointly created multi-character documentary narratives that use the personal stories of their protagonists to paint a larger portrait of the human experience. They are especially known for meticulous archival research, which made works such as “Ballets Russes” (2005) and “Isadora Duncan: Movement
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With seven titles selected for Venice VR Expanded at this year’s film festival, Taiwan has once again demonstrated its potential as a global leader in virtual reality content production. But this time, the tech hub in Asia has more to offer: it aims higher than just flaunting its technological advancement and the quality of locally
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Norway’s famous landscapes will be gracing screens around the world in a fresh crop of blockbusters and domestic productions set to be released internationally. Premiering in Venice out of competition, Denis Villeneuve’s long-awaited “Dune” features scenes shot on the West Cape plateau, one of the most spectacular view points on the coast of Norway. The
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Eighteen months after the outbreak of the COVID crisis, the Norwegian film industry has never been busier. A combination of strict protocols, generous government programs and film-friendly measures has enabled the industry to resume production to answer the ever-growing demand for both domestic content and international co-productions. Norway’s cinematic landscapes have become a prized destination
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Rising Russian director Vladimir Bitokov’s sophomore effort, “Mama, I’m Home,” bows this week in the Horizons sidebar of the Venice Film Festival. Following on the heels of his 2018 Karlovy Vary premiere “Deep Rivers,” it’s produced by two-time Academy Award nominee Alexander Rodnyansky (“Loveless,” “Leviathan”) and Sergey Melkumov. Wild Bunch Intl. is handling world sales.
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From an immersive look at female immigrants in 17th century Amsterdam to a forensic analysis of a pre-World War II home movie, approaching history from different angles is a key theme among the Dutch films selected for Venice’s 78th edition. Running in Venice Days, “Three Minutes — A Lengthening” is a poetic documentary that centers
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A perfect storm of titles previously delayed by the pandemic combined with features set to launch on the back of the Netherlands Film Festival later this month means that a bumper harvest of home-grown films is set for release in Dutch theaters this autumn. Anticipated titles include Alex van Warmerdam’s latest feature “No. 10,” which
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Reinaldo Marcus Green’s sports drama “King Richard” is shaping up to have the same advantage that propelled “The Blind Side” to a best actress Oscar for Sandra Bullock. Its centerpiece is Will Smith, who’s now at the forefront of what is going to be a cutthroat best actor race. “King Richard” is the “Rocky” of
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2021 marks the 20th anniversary of the Sept. 11 attacks. The nation has continued to process the terrorist event over the past two decades in many ways, including through television specials, documentaries and dramatized retellings. On and before the anniversary, networks will air content unpacking the politics of the event, commemorating the victims, speaking with
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Last month, in response to being doxxed by Kanye West, as their feud escalated while their respective album releases approached, Drake posted the most carefree possible video of himself — chuckling in a convertible, the Toronto night sky gliding behind him, a lover’s heart etched into his hairline, beaming and seemingly even tickled by the threat.
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Ecommerce grocer Thrive Market has launched a new movie theater-style popcorn, sourced from farmers who were left with a massive surplus of kernels after cinemas began to shut down during the pandemic. Now, Thrive members are able to purchase butterfly kernels, a fluffier variety typically only found at the movies, instead of the mushroom kernels
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First a little girl goes missing, then her doll, in “The Lost Daughter,” a daring psychological drama in which what should have been an idyllic summer vacation on the Greek island of Spetses instead becomes a kind of overdue emotional workout for Olivia Colman’s character, Leda, who collapses on the beach, bleeding from her abdomen
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