Month: April 2022

Though the onslaught of streaming giants is impacting Turkey’s TV landscape, it’s not as though Turkish shows weren’t doing gangbuster global biz way before Netflix and other platforms arrived on the scene. “Turkish dramas were already reaching audiences all over the world on linear TV,” says Ekin Koyuncu, head of prominent broadcaster Kanal D’s international
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Paramount Australia and New Zealand has greenlighted Helium Pictures’ eight-hour scripted drama “Paper Dolls” for Network 10 and Paramount Plus Australia.  Production is set to commence in Sydney later this year and will premier on 10 in 2023. Set in 2000, “Paper Dolls,” which is produced by Helium Pictures, follows the meteoric rise and fall
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TV production is growing in Italy, where U.S. streamers are gradually raising their investment levels just as pubcaster RAI, which is still the industry’s main driver, is cutting back. According to local TV producers association APA, the Italian market in 2022 will generate more than €1.2 billion ($1.3 billion) worth of scripted content resulting in
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The latest batch of Italian TV series for the international market is a mix of genres spanning from a new Elena Ferrante adaptation made for Netflix, to two RAI reconstructions of the country’s terrorism-plagued past and Sky’s spaghetti Western “Django.” Django This English-language reimagining of the world of “Django,” the cult 1966 Sergio Corbucci spaghetti
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With U.S. streamers still driving local market growth, TV producers in continental Europe are juggling between the Hollywood studio business model — under which Netflix and the likes get all rights in return for full-financing plus a fee — and the pre-existing European model based on co-productions that leave indie producers with backend and give
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During a press interview for Brian May’s reissue of the 1998 album “Another World” on the “Debatable” SiriusXM program, the Queen guitarist shared his thoughts and remembrances of late Foo Fighters drummer Taylor Hawkins. The 50-year-old drummer unexpectedly died on March 25 in Bogotá, Colombia where the Foo Fighters were scheduled to perform. Rock fans
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The Alec Baldwin-hosted “Match Game” isn’t expected to return to ABC, as the Alphabet web begins to firm up its plans for its annual game show-heavy summer lineup. Also unlikely to return are “Card Sharks,” “Celebrity Dating Game” and “The Hustler,” while “Celebrity Family Feud,” “Press Your Luck” and “The $100,000 Pyramid” are expected to
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Walter Coblenz, who was Oscar-nominated for producing “All the President’s Men” and also produced “The Candidate” and “The Onion Field,” died March 16. He was 93. Coblenz also produced the Emmy-nominated Joseph Wambaugh TV mini-series adaptation “The Blue Knight.” After serving as assistant director and production manager on Robert Redford’s “Downhill Racer,” he went on
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SPOILER WARNING: Do not read if you have not seen “Morbius,” currently playing in theaters. This story discusses movie’s post-credits scenes. After nearly two years of pandemic delays, “Morbius” has finally opened in theaters, expanding Sony’s universe of Marvel characters and growing the web of Spider-Man villains getting their own origin stories. “Morbius” — starring
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Olivia Rodrigo would appear to be close to a shoo-in for several Grammys, but when it comes to what’s generally considered the most prestigious prize, album of the year, there’s a serious competitor packing heat, and he’s old enough to be her grandfather’s grandfather. Rodrigo has a decent shot at winning the Grammys’ quadruple crown,
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Judd Apatow’s impact on modern comedy is immeasurable. He began writing, directing and producing several cult TV comedy classics such as “The Ben Stiller Show,” “The Larry Sanders Show,” “Freaks and Geeks” and “Undeclared.” His feature work was more limited until the mid-aughts, when his directorial debut, “The 40-Year-Old Virgin,” because a runaway hit and
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“The Eclipse” by Nataša Urban has picked up the top Dox:Award at Copenhagen Intl. Documentary Film Festival. It was awarded at a ceremony in the Danish capital, which opened with a homage to Ukraine – where fest organizers announced they would be screening Daniel Roher’s “Navalny” in theaters across the nation immediately after the festival
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