Month: August 2022

“She-Hulk: Attorney at Law” star Tatiana Maslany says late experimental pop musician Sophie inspired her work as the green-skinned superhero. “Musically, Sophie just lives in this place that I always want to live in, but there’s a poppiness and femininity combined with these clashing industrial sounds,” Maslany tells Variety about the parallels between Sophie’s music
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Ask Fabien Frankel about his favorite “Game of Thrones” character, and the actor drops his head seemingly in agony. “Where to begin?” he says with a groan. “Oberyn Martell. Tormund. Jon Snow. Mance Rayder. Brienne of Tarth. Arya Stark. Oh mate, I love them all.” Soon enough, Frankel could join their ranks, as Ser Criston
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On YouTube, the Emmy-nominated song from HBO’s “Euphoria” by the show’s star and producer Zendaya and composer Labrinth “I’m Tired” has amassed over 17 million views. On Spotify, its streaming tally sits at 81 million, and on TikTok, scores of covers live on the platform. It’s a testament to the impact of the show’s music,
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The decision to erect two statues of “Breaking Bad” characters Walter White (Bryan Cranston) and Jesse Pinkman (Aaron Paul) at the Albuquerque Convention Center in New Mexico is causing an uproar among some of the state’s Republican figures. The statues were unveiled July 30 at a ceremony attended by Cranston, Paul, “Breaking Bad” creator Vince
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“Jurassic World Dominion” stars DeWanda Wise and Bryce Dallas Howard recently told Insider they aren’t letting themselves get phased by the overwhelmingly negative reviews to the sequel. “Dominion” has a 30% on Rotten Tomatoes, making it the worst-reviewed movie in the franchise. “From my perspective, I’ve always been pretty critic-immune. We made a movie during
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In its first full week of availability on Netflix, Neil Gaiman’s “The Sandman” was watched for 127.5 million hours, landing in the No. 1 position on the streamer’s newly released Top 10 rankings. This week, the. Aug. 8-14 viewing window, marks the series’ second at the top of the chart after its debut last week
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At the tail end of a light-hearted interview with Anthony Mason for “CBS Saturday Morning,” the concert promoter Peter Shapiro said he “might be holding” Chicago’s Soldier Field for GD 60 in 2025.  “Just in case,” Shapiro added, as the video interview concluded, spurring awkward speculative banter among Mason and the anchors of the program.
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When Oscar-winning animation director Mark Andrews (“Brave”) called his old Pixar pal Alex Mandel about his latest gig, “Super Giant Robot Brothers,” Mandel was 6,700 miles away in New Zealand managing projects for visual effects house Weta Digital. Mandel, whose other creative side happens to be classically trained composer, dove into Andrews’ new project and
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Miguel Quiroga, after spending more than 20 years of his career at Verizon, is joining YouTube as VP of product partnerships. Quiroga will oversee the YouTube experience across the video platform’s partner ecosystem. That includes managing and developing partnerships for YouTube’s suite of products, including the YouTube app (on mobile and connected-TV devices), YouTube Music,
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Following on “Huesera,” a double Tribeca winner, Mexico’s Machete, headed by Edher Campos, is returning to female filmmaker social issue genre with “Cachorra,” a darkly humoured horror thriller set on the Mexico-U.S. desert border. The feature debut of Madrid-based genre scribe and consultant Elisa Puerto Aubel, who penned Sitges Audience Award winner.  “La venganza de Jairo,” “Cachorra”
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When Chile’s preeminent documentarian, Patricio Guzman, receives a lifetime achievement award at the Santiago Int’l Film Festival (Sanfic) on Aug. 16, he’ll also be marking his 81st birthday. Born on Aug. 11, 1941, Guzman has made more than 20 documentaries at an average of one every two to five years. And he shows no signs of
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Camila José Donoso (“Naomi Campbel”) is gearing up to shoot her fourth pic, “Antitropical,” with Roberto Doveris’ Niña Niño Films producing. The docu-fiction hybrid will be filmed much like a documentary over various months, starting late October, that will stretch into the next year. It’s also received some additional support from Chile’s Audiovisual Production Fund.
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