Month: August 2022

In British director Eddie Sternberg’s feature debut “I Used to Be Famous” – produced by Collie McCarthy at Forty Foot Pictures for Netflix – two sides of the music world clash with each other. Netflix released the trailer for the film Monday (below), and Variety has been given the first-look images, exclusively. The film is
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A leading light of Latin America’s new generation of female cineastes – think Michelle Garza Cervera, Valentina Mourel – “To Kill the Beast” director Agustina San Martín is teaming with Buenos Aires-based Vega Cine and Cordoba Argentina’s  Gualicho Cine for a new feature, “Todo el Mundo.” Selected for San Sebastian’s 2022 Europe-Latin America Co-Production Forum
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Spain’s Solita Films, the Madrid-based outfit of director-producer brothers José Esteban and César Esteban Alenda, has boarded “Her Ocean,” (“El Mar la Mar”), an addition to the growing canon of LGBTQ dramas now in Latin America.  Written and directed by Julián Amaru Estrada and produced by María Paz Barragán at Lima-based Final Abierto, “Her Ocean”
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In one of the first deals struck at Chilean industry forum Sanfic Industria, local indie producers Matias de Bourguignon and Equeco have boarded the Venezuelan drama “I Will Mutate Like a Jungle Animal” (“Mutaré como animal del monte”), the feature debut of rising Venezuelan talent Hector Silva. Lead produced by Berlin-based Venezuelan producer Rodolfo Cova
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Screenwriter and director Ignacio Pavez and the team at Chile’s Gallo Negro Producciones (“Intiwawa”)  are readying to produce Pavez’s next feature, “Un Amputado” (“An Amputee”). Creative director at Gallo Negro, Pavez bows his second feature, “Vieja Viejo,” at Sanfic 18, the Santiago International Film Festival, which runs through Aug. 21 as a hybrid event. The
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HBO’s “The White Lotus” and Apple TV+’s “Severance” led the HCA TV Awards’ two-night ceremony, winning five awards each in the broadcast/cable and streaming awards, respectively. “The White Lotus” won for best writing in a broadcast or cable limited, anthology series or movie; best directing in a broadcast or cable limited, anthology series or movie;
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SPOILER ALERT: This review contains spoilers for the Season 4 finale of “Westworld,” entitled “Que Será, Será,” now streaming on HBO Max. Reviewing the first four episodes of “Westworld’s” fourth season, I noted that the show seemed unnecessarily convoluted, purposefully obscuring what was even happening until the season’s fourth episode. With the back half of
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Nathan Fielder brought “The Rehearsal” to new heights with this week’s episode, tackling the issue of raising a (fake) child in an interfaith household on his HBO social experiment series. Angela, the subject of the show’s primary rehearsal, addressed the episode’s heated religious discussions, as well as why she chose to exit her rehearsal, in
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Megan Thee Stallion’s long-awaited sophomore album, “Traumazine,” dropped last week after a slew of successful chart-topping singles, including the Future-featuring “Pressurelicious” In an interview with the LA Leakers on Power 106 Los Angeles, Megan admitted that the feature came with a price tag of $250,000. “I had the beat for ‘Pressurelicious,’ right? I recorded the
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The Chicks performed a heartfelt rendition of “Hopelessly Devoted to You” on Saturday as a tribute to the late Olivia Newton-John. During the Chicks’ concert at the Gorge in Washington state, singer Natalie Maines told the audience: “We lost a worldwide sweetheart last week, Olivia Newton-John… I thought I was Olivia Newton-John from like [ages]
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In the aftermath of Nipsey Hussle’s murder in early 2019, something occurred within Los Angeles gang life that had rarely happened since the early ’90s. The untimely loss of the rap legend triggered a wave of truce talks between Blood and Crips. Sets riven by historical rivalries attempted to find common ground to honor the
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In earlier sitcom eras, the stage personas of seasoned real-world stand-up comics made for reliable main characters, but rarely were they actually performing jokes professionally onstage. Only later would supporting characters dip into the standup arena — think “Full House’s” Dave Coulier or “Facts of Life’s” Geri Jewell — until finally Jerry Seinfeld and Garry
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Jordan Peele’s science-fiction thriller “Nope” landed at the international box office, generating a so-so $6.4 million from 19 territories. The film had the biggest start in the United Kingdom and Ireland with $2.1 million, which ranked below the $2.6 million haul that the opening of Peele’s debut feature “Get Out” amassed in the same territory.
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Is everyone on vacation? That would be one plausible explanation behind the great box office slowdown; overall ticket sales tapped out at $66.4 million, according to Comscore, the lowest collective result in months. Although three new movies went into wide release, none were able to crack the top five on domestic charts and only two
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Warner Bros. Discovery has condemned the threats made against “Harry Potter” creator J.K. Rowling after she expressed concern for “The Satanic Verses” author Salman Rushdie. On Friday, after Rushdie was attacked on stage in western New York, Rowling tweeted in response: “Feeling very sick right now. Let him be ok.” Feeling very sick right now.
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New films from Tribeca prize winner Elina Psykou, Sarajevo winner Nikola Ležaić and the producers behind the upcoming Venice Horizons premiere “The Happiest Man in the World” are among the projects selected for the Sarajevo Film Festival’s CineLink Co-Production Market, the leading financing forum in Southeast Europe. This year marks the 20th edition of the
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