Month: October 2022

“Watchmen” creator Alan Moore’s hatred for superhero movies is well known, as he once called them a “blight” to cinema and “also to culture to a degree,” but he dragged them even more during a recent interview with The Guardian. Moore described adults’ continued love of superhero movies an “infantilization” that can act as “a
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BBC Film boss Eva Yates has set out her new editorial team, with the BFI’s Kristin Irving joining as a commissioning executive, and Anu Henriques boarding as a development executive. Meanwhile, Claudia Yusef has been named commissioning executive, expanding her responsibilities across development and production. Irving was a senior production and development executive at the
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Munich-based sales agency Beta Cinema has launched the international trailer (below) for “In a Land That No Longer Exists,” which has its international premiere on Oct. 21 in the competition section of the Rome Film Festival. Aelrun Goette’s feature debut, which was released in Germany on Thursday by Tobis, is inspired by the director’s own
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Model and actor Cara Delevingne is heading to Cannes for next week’s Mipcom market, where she’ll be promoting her BBC and Hulu documentary series “Planet Sex.” Produced by her production banner Milkshake Productions and Fremantle’s Naked Productions, “Planet Sex” sees Delevingne approach questions surrounding human sexuality by visiting communities who view and experience gender and
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If Hollywood can justify making sequels to “Rambo” and “Top Gun” more than three decades on, why can’t Kollywood do the same? In tons-of-fun “Vikram,” a secret agent first introduced in 1986 emerges from deep undercover to thwart the biggest drug deal in Indian history. He’s a grandfather now, but that doesn’t stop the title
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Mediawan Rights has expanded its unscripted division with the appointment of former Shine France top executive Jeremy Klif, and is opening up to formats from third-party producers. Klif has been tapped deputy director of international sales for the unscripted unit which was launched by Mediawan Rights’ managing director Valérie Vleeschhouwer, in April. Klif began his
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Federation Studios, the outfit behind the international Emmy award-nominated documentary “Nadia,” is set to co-produce “Patrick Vieira – Off the Bench,” a social-impact documentary shedding light on racism in the world of soccer and beyond. Federation Studios, whose documentary unit is headed by veteran journalist Myriam Weil, is partnering up with SlugNews, an award-winning production
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Patriotic rescue film “Homecoming” largely dominated the Chinese box office over the latest weekend and brought to a close a deeply-depressed National Day holiday period. “Homecoming” earned $21.5 million between Friday and Sunday to lift its ten-day cumulative to $163 million, according to data from consultancy Artisan Gateway. That score accounted for a 71% share
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In “Is That Black Enough for You?!?,” Elvis Mitchell’s highly pleasurable and eye-opening movie-love documentary about the American Black cinema revolution of the late ’60s and ’70s, Billy Dee Williams, now 85 but still spry, tells a funny story about what it was like to play Louis McKay, the dapper love object and would-be savior
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After sharing antisemitic posts on social media, Kanye “Ye” West is facing criticism from the Anti-Defamation League and other Jewish organizations. In a statement shared Sunday afternoon, the Anti-Defamation League condemned the rapper’s recent comments, calling them “dangerous” and pointing readers to resources to identify and combat antisemitism. “Power. Disloyalty. Greed. Deicide. Blood. Denial. Anti-Zionism.
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Comedy action film “Confidential Assignment 2: International” claimed its fifth successive weekend victory at the South Korean box office as only U.S. horror film “Smile” was able to break into the top five.The CJ Entertainment-distributed “Confidential Assignment 2” managed $1.64 million over the Friday to Sunday period, according to data from Kobis, the tracking service
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Rithy Panh, director of “Rice People” and “S21 The Khmer Rouge Killing Machine” is an icon of art-house cinema, at once political, unique, and charming. The iconic image may be another of his confections – a palatable work built on uncomfortable facts. On the incomplete evidence of a 50-minute on-stage dialog at the Busan International
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Anna Sorokin, the ex-con-artist who inspired the Netflix series “Inventing Anna,” discussed her oncoming legal battle against potential deportation in her first interview since her release from prison on Oct. 8. Speaking with the New York Times, Sorokin asserted that she is regretful of her criminal actions, which involved swindling the upper echelons of Manhattan
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The past few weeks have gone by in a blur for Singapore-Korean co-produced comedy film “Ajoomma.” In a short span, it had a world premiere at the 27th Busan International Film Festival, earned four Golden Horse nominations including best actress, best new director, best original screenplay and best supporting actor. And Singapore has selected the
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Director Natesh Hegde and producer Rishab Shetty, whose “Pedro” was in the New Currents competition at the Busan International Film Festival in 2021, are at this year’s Asian Project Market with “Vaghachipani” (“Tiger′s Pond”). “Pedro” won best director for Hegde at Pingyao, best film at the Nantes Three Continents Festival, and had a stellar festival
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SPOLER ALERT: Do not read if you have not yet watched through the Season 1 finale of Netflix’s “The Midnight Club.” “The Haunting of Hill House” and “Midnight Mass” mastermind Mike Flanagan turned his attention to a younger audience for his new Netflix series, “The Midnight Club,” which launched Friday. The new drama concludes its 10-episode
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The annual Reykjavík International Film Festival (RIFF) came to a close Saturday evening, concluding an 11-day event by screening the year’s top honorees at Háskólabíó alongside the award-winning Austrian drama “Vera.” Victors in the New Visions category, which exclusively features debut and sophomore films from filmmakers, are among the works which earned an on-screen reprisal.
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“Ticket to Paradise,” a romantic comedy that reunites Julia Roberts and George Clooney, is (surprise, surprise) charming audiences at the international box office. The movie has generated $60 million overseas to date, a promising start given the current challenges facing theatrical rom-coms. Of course, it helps when the genre gets a boost from megawatt stars
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David O. Russell’s star-studded period drama “Amsterdam” collapsed in its box office debut, earning an anemic $6.5 million from 3,005 North American theaters. The movie, which cost $80 million to produce, couldn’t overcome bad reviews and minimal buzz and is shaping up to be one of the biggest misfires of the year. This weekend’s other
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Alejandro González Iñárritu has bemoaned modern cinema’s prioritization of style over substance. Taking to the stage in London for a wide-ranging discussion about his career, the two-time best director Oscar winner said: “I don’t care about the quality of things. When I see young filmmakers, I’m very connected to the way they express themselves. Nowadays,
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