Month: May 2023

Taking a cue from the movie’s soon-to-be-infamous spanking scene between Robert De Niro and Leonardo DiCaprio, someone ought to paddle whoever let Martin Scorsese take three and a half hours to retell “Killers of the Flower Moon.” You could read David Grann’s page-turner — about an audacious 1920s conspiracy to steal resources from the Osage
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Purpose and character. These are now solidly enshrined as the buzzwords of copyright law on the heels of the Supreme Court’s 7-2 ruling earlier this week in the case involving the estate of Andy Warhol and photographer Lynn Goldsmith. The decision at first blush seemed to be a clear-cut win for copyright owners and artists
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Julio Hernández Cordón’s vampire tale “The Day is Long and Dark” (“El Día es Largo y Oscuro”) is unveiling first images and trailer, which world premieres at Cannes’ Fantastic Pavilion. Alina Rojas, Diana Bustamante and Hernández Cordón produce, for La Mitad del Continente (Mexico) and Burning (Colombia).  The film, currently in post-production, dives into a
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SPOILER ALERT: This contains spoilers from “Yellowjackets” Season 2, now streaming on Showtime. Is adult Lottie Matthews OK? That’s the question asked by viewers at the start of Showtime’s “Yellowjackets” Season 2. Charlotte, as she calls herself, played by Simone Kessell (“Obi-Wan Kenobi,” “The Night Agent”), runs a “wellness center” or mental health retreat. She
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Big changes are afoot in Peru, thanks to Paramount’s mega-budgeted “Transformers: Rise of the Beasts,” which shot there in 2021, literally saving hundreds of jobs badly hit by a six-month pan- demic lockdown. With street protests now a distant memory, talks are underway to address concerns that will make Peru a more attractive location shoot,
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Spurred by modest state funds, growing TV support and co-production pacts, filmmaking in Peru is on the rise and with it, a rousing presence on the international stage. Peruvian pics snagged six awards at March’s Malaga Film Festival and industry component MAFIZ, an unprecedented haul for the event’s country guest of honor. Plaudits went to
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Here are the new movies trailers from this week! What are you excited to see? ► Buy Movie Tickets: https://www.fandango.com/?cmp=Trailers_YouTube_Desc Subscribe to the channel and click the bell icon to be notified of all the hottest trailers: http://bit.ly/2CNniBy ► Shop Rotten Tomatoes: http://bit.ly/3KvCU1M 00:00 Mission Impossible Dead Reckoning: Part One 02:27 Killers of the Flower
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Cate Blanchett debuted her latest acting role in “The New Boy” at the Cannes Film Festival this week, but the Oscar-winner wouldn’t mind staying behind the camera a bit more. “I’m always trying to get out of acting,” Blanchett said. “I’ve been trying to stop acting my entire professional life.” Speaking at her Kering Women
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France’s culture minister Rima Abdul-Malak gave her first interview with the international press at the Cannes Film Festival where she unveiled a plan to invest €350 million ($378 million) in the film and TV industry. Abdul-Malak also addressed some hot topics that are currently being debated within the industry, such as the windowing rules for
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Lily Gladstone’s career is about to forever change at the Cannes Film Festival thanks to the world premiere of Martin Scorsese’s “Killers of the Flower Moon,” in which she stars opposite the director’s longtime muses Leonardo DiCaprio and Robert De Niro. During an interview as part of the Kering Women in Motion talks at Cannes,
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London- and Paris-based production, finance and sales company Film Constellation is launching sales on the remake rights of Spanish thriller “Fatum.” Directed by Juan Gualinanes and produced by Vaca Films, the outfit behind box office successes “Sky High” and “Cell 211,” “Fatum” was released in Spain by Universal Studios on April 28. Film Constellation has
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A familiar face is back on the Croisette. Well, kind of… Tom Cruise may not be attending this year’s Cannes Film Festival, where “Top Gun: Maverick” premiered in 2022 to massive fanfare, but the star’s presence is enduring in the South of France. For festival attendees, it’s impossible to miss the giant LED screen outside
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Anyone seeking to describe “How to Have Sex” for potential American viewers is liable to land on the term “spring break” in the process: It is, after all, a story about hard-partying teenagers heading to a sunny coastal resort for several nights of boozy, horny, wholly unsupervised antics. Yet the teens here are British, the
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Pape Boye’s Black Mic Mac, a recently launched banner championing African and Middle Eastern talent, is kicking off a strong first roster of projects including “Let the Earth Burn” from Sundance-prizewinning Sofia Alaoui and “The Bridge” creator Måns Mårlind. “Let the Earth Burn” is a six-part series following Kenza, a recent graduate of the police
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“The Zone of Interest,” writer-director Jonathan Glazer’s searing Nazi drama about the banality of evil, became the talk of Cannes Film Festival after its debut on Friday night. But the director admits he didn’t know the story he wanted to tell before the cameras were rolling. “You never really know why you tackle and subject.
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It is unlikely that this Cannes will yield many characters as strikingly well-drawn as Cléo (Louise Mauroy-Panzani), the star of Marie Amachoukeli’s small but acutely affecting Critics’ Week opener “Ama Gloria.” Over the course of an efficient 84 minutes, Cléo changes and resists change, she learns and rejects life lessons, she befriends and betrays. She
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Classic cult film streamer Cultpix has struck a deal with Polish cultural institution WFDiF – Documentary and Feature Film Studios (Wytwórnia Filmów Dokumentalnych i Fabularnych) for a season of Polish erotic cinema classics from the 1980s and early 1990s. Titles featured in the season include Krzysztof Nowak’s “What Do the Tigers Like: (1989); Andrzej Barański’s “Bachelor
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A Jewish thirtysomething, Ann (Joanna Arnow) has never been in a conventional relationship. She engages in submissive sexual relationships with “sexfriends” and seems dimly uneasy that the most longstanding of these, with Allen (Scott Cohen), is now clocking in at around a decade, with neither one of them knowing very much about the other. She
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