Month: October 2023

Disney confirmed in June that a third “Hocus Pocus” movie was in development. Now, screenwriter Jen D’Angelo has confirmed to Entertainment Weekly that the next Sanderson sisters tale is still in the story development phase following the end of the WGA strike. “We’re still in the story phase, we’re still working on it,” D’Angelo said.
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Boutique sales agent, House of Film has acquired worldwide rights, excluding Asia, to represent the Malaysian mythical horror film “Curse of the Totem” (aka “Sumpahan Jerunei”) from Produksi Seni Duapuluh-Duapuluh SDN BHD.  Based on the 13th Century Borneo sacrificial rituals, “Curse of the Totem” tells the story of Dr. Sani who goes in search of his wife,
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When it comes to life’s most difficult negotiations, sometimes you need a squishy friend by your side.  That’s SAG-AFTRA president Fran Drescher’s policy for the contentious ongoing contract talks her union is embroiled in with Hollywood’s major film and TV studios. “The Nanny” star has come to the table for weeks armed with a heart-shaped
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In an alternate universe, “Drake & Josh” star Josh Peck landed the role of Edward Cullen in “Twilight” over Robert Pattinson. At least that’s what the actor revealed on a recent episode of his “Good Guys” podcast, which featured “Twilight” actor Taylor Lautner as a guest. Lautner played the werewolf Jacob Black in the blockbuster
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Amazon kept the cash register ringing in the third quarter, including a strong 26% uptick in advertising revenue, turning in results that came in above Wall Street forecasts. Overall, Amazon reported Q3 revenue of $143.1 billion, up 13%, and net income up more than threefold to $9.88 billion (94 cents per share). The quarter included sales
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The “Fantastic Beasts” movie franchise is “parked,” director David Yates said in a new interview with Total Film magazine. The franchise, headlined by Eddie Redmayne, is a prequel to “Harry Potter” that was designed by author J.K. Rowling as a five-film series. Three films have been released — “Fantastic Beasts and Where to Find Them”
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Roadside Attractions and Samuel Goldwyn Films have acquired U.S. rights to “Bring Him to Me,” a mob thriller starring Barry Pepper (“Saving Private Ryan”) and Sam Neill (“Jurassic Park”). The film will open in select theaters and on digital on Jan. 19, 2024. Written by Tom Evans and directed by Luke Sparke, “Bring Him to
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Joe Hunting, director of the HBO film “We Met In Virtual Reality,” is starting a production company called Painted Clouds, focusing exclusively on virtual reality filmmaking. The company aims to create original films and series using real time VR, including the popular platform VRChat. For Painted Clouds, productions will make use of virtual cinema cameras
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Bhutan’s official Oscar entry “The Monk And The Gun,” Pawo Choyning Dorji‘s follow-up to “Lunana: A Yak in The Classroom,” has been bought by a raft of well-established international theatrical distributors. Following its festival premieres at Telluride, Toronto, Rome and Busan, “The Monk and the Gun” has been sold by Films Boutique to Pyramide Distribution
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Both “Rabbit Hole” and the “Fatal Attraction” TV series have been canceled after just one season each at Paramount+, Variety has learned. “‘Fatal Attraction’ and ‘Rabbit Hole’ will not be returning for second seasons on Paramount+,” a Paramount+ spokesperson said in a statement. “We want to thank both series’ entire creative teams, crews and the
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Just over a month after The New Yorker published a story in which it was revealed that Hasan Minhaj embellished some of his stand-up routines, the comedian has responded in a 20-minute video in which he calls the The New Yorker’s exposé “needlessly misleading.” “With everything that’s happening in the world, I’m aware even talking
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Shannon Lee, daughter of the legendary actor and martial artist Bruce Lee, recently told The Telegraph that she remains unaware why Quentin Tarantino decided to portray her father as “the a-hole” in his 2019 movie “Once Upon a Time in Hollywood.” Shannon Lee spoke out against the film’s portrayal of Bruce Lee at the time,
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Like “Testament” — the 1983 made-for-TV movie that imagined the fallout, both nuclear and psychological, after an atomic bomb is dropped on American soil — “Leave the World Behind” depicts a plausible doomsday scenario from the perspective of a handful of ordinary characters. Not military experts, not scientists, but two families obliged to shelter under
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