Month: February 2025

“Heart Eyes” is a fascinating blend of films, mixing a rom-com with a slasher, with a pinch of broad laughs. Olivia Holt and Mason Gooding star as two co-workers who are mistaken for lovers by a serial killer who only strikes on Valentine’s Day. The film is helmed by director Josh Ruben, who cut his

Kevin Costner presented the U.S. premiere of “Horizon: An American Saga – Chapter 2” at the Santa Barbara Film Festival Friday night, but Costner didn’t give any updates on what’s happening with the Western series. However, the second chapter concludes with a lengthy preview of “Chapter 3.” Costner explained the inspiration for the series to

At a time when fascist politics are much on the rise in certain parts of the world, Igor Bezinović‘s highly creative documentary “Fiume o Morto!” serves as a reminder that even the most oppressive and vainglorious dictators can have markedly ephemeral legacies. The dictator in this case is Gabriele D’Annunzio, the celebrated Italian poet and

Tom Cruise said there were times when he passed out from a lack of oxygen while filming airplane stunts for “Mission: Impossible.” “When you stick your face out [of an airplane], going over 120 to 130 miles an hour, you’re not getting oxygen,” Cruise said in an interview with Empire. “So I had to train

This year’s slate of best international film Oscar nominees puts France, Brazil, Germany, Latvia and Denmark center stage for the upcoming Academy Awards. And with several of these films dealing with deep-rooted issues in their country from past to present, ranging from stories about censorship, military takeovers to ultimate redemption and hope in the face

Diane Warren has never won an Oscar. But she has a lot of Oscar nominations. The songwriter just landed her 16th Oscar nomination in the original song category for “The Journey” from Tyler Perry’s Netflix movie “The Six Triple Eight” performed by H.E.R. And she does have an honorary Oscar, which the Academy awarded her

It seems an old “Dog Man” can outearn new pics, as the DreamWorks Animation caper will lead the domestic box office for a second weekend in a row. Meanwhile, slasher “Heart Eyes” and Ke Huy Quan actioner “Love Hurts” are landing in second and third, respectively, turning in more tepid opening weekends. Universal’s “Dog Man”

Alex Ross Perry revealed an unexpected inspiration for “Pavements,” his experimental musical biopic concert film about the American indie band Pavement: Christopher Nolan’s Oscar-winning epic “Dunkirk.” Speaking at the International Film Festival Rotterdam, where he is screening both “Pavements” and “Videohaven,” the indie director called Nolan’s effort “one of the most structurally incredible, miraculous scripts

Lauded Japanese auteur Miike Takashi sat down for an in-conversation event with longtime collaborator and producer Misako Saka at the International Film Festival Rotterdam, where he is also screening “Blazing Fists.” The duo discussed their partnership as well as the impact of the director’s work in Japanese and international cinema.  On 1999’s “Audition,” Miike said

It is quite an interesting choice for the largest film festival in the Netherlands to close with a film that explicitly denounces the violence of Dutch colonialism in Indonesia, but one can always expect interesting choices from the International Film Festival Rotterdam. This year’s closing film, Mouly Surya’s “This City Is a Battlefield,” takes place

Conspiracies and cover-ups are a dime a dozen in fictional movies (thrillers, political dramas, you name it). But when a documentary unravels a conspiracy, it can take on the kind of hushed suspense those films used to have and rarely do anymore. (The heyday of conspiracy cinema, the ’70s era of “All the President’s Men”

The logline for Amanda Kramer’s latest film, “By Design,” sounds both like the setup and the punchline for a winking joke. When a woman becomes envious and enamored with a striking wooden chair, she suddenly finds herself becoming said chair. Or rather, she ends up swapping bodies with it, forced to live thereafter as the

Demi Moore is inching closer to winning an Oscar after picking up best actress honors at the 2025 Critics Choice Awards for her performance in “The Substance.” Moore won the prize over fellow nominees Cynthia Erivo (“Wicked”), Karla Sofía Gascón (“Emilia Pérez”), Marianne Jean-Baptiste (“Hard Truths”) Angelina Jolie (“Maria”) and Mikey Madison (“Anora”). “This is

“Wicked” director Jon M. Chu beat out several Oscar nominees for best director at the Critics’ Choice Awards Friday evening, taking home the prize from that body. The filmmaker seemed stunned as he took the stage at the behest of his encouraging cast, including stars Cynthia Erivo and Ariana Grande. “I’m going to win that

Cynthia Erivo is already going to the Oscars as a best actress nominee for “Wicked,” but some have expected the star to have a bigger spotlight during the ceremony. As reported by Puck, the Academy is looking to open the telecast with a medley of “Wicked” songs performed by Erivo and her co-star Ariana Grande.

Zoe Saldaña continued to cement her Oscar frontrunner status by winning best supporting actress honors at the 2025 Critics’ Choice Awards for her performance in Netflix’s “Emilia Pérez.” She stars in the musical crime drama as Rita Mora Castro, an exasperated lawyer who agrees to help a drug lord undergo gender reassignment surgery. “My husband

“Wicked,” “Emilia Pérez,” and “The Substance” each triumphed with three wins at the 30th annual Critics Choice Awards on Friday night. However, it was “Anora” that claimed the best picture prize at this year’s ceremony. The Neon release entered the race with seven nominations, including best actress for Mikey Madison and best director and original

Tony Roberts, who appeared in Woody Allen films including “Annie Hall” while enjoying a long, bountiful career on Broadway, died Friday due to complications of lung cancer. He was 85 years old. Roberts’ death was confirmed to The New York Times by his daughter, Nicole Burley. Roberts appeared in six film directed by Woody Allen: