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“Cold War” cinematographer Łukasz Żal has won the top feature award from the American Society of Cinematographers. “Cold War,” shot in black and white, topped Alfonso Cuaron’s digital 65mm black-and-white lensing of his own “Roma,” Linus Sandgren’s multi-format work on Damien Chazelle’s moonshot drama “First Man,” Matthew Libatique for Bradley Cooper’s “A Star Is Born,” and
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Blessed with scene-stealing natural beauty, Western Norway has served as a breathtaking backdrop for international films such as Alex Garland’s sci-fi drama “Ex Machina” and “Mission: Impossible — Fallout.” But local bizzers say there’s more to the region than meets the eye. “People may already know that our region is picture perfect,” says Sigmund Elias Holm,
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February 9, 2019 9:30PM PT Sebastián Muñoz’s drama “El Principe” has closed key major territory deals before its European Film Market premiere, licensing North America (Artsploitation Films) and Germany/Austria (Salzgeber). Sold by Patra Spanou, “El Princípe,” which proved a standout at works-in-progress strands of Chile’s Sanfic and Spain’s San Sebastián festival, has also sold to
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SF Studios, the Scandinavian company celebrating its 100th anniversary this year, is developing an English-language series based on Max Tegmark’s 2007 bestseller “Life 3.0: Being Human in the Age of Artificial Intelligence.” The science-fiction series will follow a group of young scientists working at a startup who discover the first artificial intelligence and envision ways
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Leading Chinese film studio Huayi Bros. has begun sounding out international distributors in Berlin about director Guan Hu’s $80 million war film “800.” It will be completed by midsummer and is one of the most anticipated Chinese titles of the year. Guan, who broke through to international and commercial success with 2015 gangster drama “Mr.
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XYZ Films’s upcoming sci-fi thriller “Stowaway” is set to shoot in Munich and Cologne after securing regional funding in Germany, where the Los Angeles-based company is looking to establish a long-term relationship with production partners Rise Pictures and Augenschein Filmproduktion. Directed by Joe Penna (“The Arctic”) and starring Anna Kendrick and Toni Collette, “Stowaway” follows
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February 9, 2019 9:00PM PT Brian O’Shea’s The Exchange has sold Vanessa Redgrave and Timothy Spall starrer “Mrs. Lowry & Son,” about the British artist L.S. Lowry, to several major territories. Distribution rights were picked up by Rialto in Australia, DDDream Intl. in China, Paradiso in Benelux, Notorious in Italy, Sky Digi in Taiwan, and
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February 9, 2019 9:00PM PT Former Focus Features exec Jonathan Halperyn and Korda Studios’ Daniel Kresmery are in Berlin talking to partners about their recently minted Central and Eastern Europe-based content and production business Hero Squared. Halperyn spent over a decade at Focus Features in finance and strategy on the international team. Kresmery established the
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With the Scandinavian market becoming increasingly divided between blockbusters and indies, mid-budget films are left in limbo and struggling to get financial backing. “The polarization starts at the funding stage,” says Hakon Overas of Norway’s 4½ Fiksjon, the production company behind Hans Petter Moland’s “Out Stealing Horses,” in competition for the Golden Bear in Berlin.
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“Saturday Night Live” took a step back from politics at the top of its Feb. 9 return, instead featuring a cold open that dove into the state of journalism today. On the set of “Meet the Press,” Kyle Mooney’s Chuck Todd interviewed Washington Post columnist Eugene Robinson (played by Kenan Thompson), Wall Street Journal columnist Peggy
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February 9, 2019 8:32PM PT One of Motown’s most influential artists, Smokey Robinson, hit back at criticism of Jennifer Lopez leading the Motown tribute at Sunday’s Grammy Awards. “I don’t think anyone who is intelligent is upset,” he told Variety. “I think anyone who is upset is stupid.” Speaking to Variety’s Marc Malkin outside Clive
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The extraordinary success of Chilean filmmakers will be celebrated in the 2019 Week of Chilean Cinema, which launches in Madrid, then travels to Paris and Berlin. The week offers a larger narrative: the Chileans have won more awards, festival acclaim and global box office in the past decade than any other filmmaking industry in all
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The second season of BBC America’s cat-and-mouse drama “Killing Eve” picks up only 30 seconds after the events of the first season ended, but crafting what is to come is a new executive producer in Emerald Fennel. Fennel stepped in to Phoebe Waller-Bridge’s creation after the first season was already written but before it was
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Polygram Entertainment has unveiled a quartet of music documentaries in development on the Bee Gees, the Go-Go’s, hip-hop jewelry and the origins of mixtapes, Variety has learned exclusively. Polygram, which was revived in 2017 by Universal Music Group, rolled out details of the projects Saturday afternoon during a pre-Grammys showcase in downtown Los Angeles. Members
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February 9, 2019 2:30PM PT Under its new script-to-series model, AMC has opened a writers’ room for the drama series “61st Street.” The series hails from showrunner and executive producer Peter Moffat as well as executive producer Michael B. Jordan via his Outlier Society production banner, it was announced Saturday at the Television Critics Association
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Frictionless international film and series production is at the top of agendas in Central and Eastern Europe these days, with increasingly competitive territories adopting policy tweaks and launching new film promotion bodies. The freshly minted Slovak Film Commission is looking to catch up quick to its longstanding Czech counterpart, the Czech Film Commission, with a
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A recurring controversy flared up again at last month’s Sundance festival, this time with the Zac Efron-starring Ted Bundy biopic “Extremely Wicked, Shockingly Evil and Vile” as its lit match: Where is the line drawn between representation and celebration in films about appalling figures, particularly with a swoon-worthy sex symbol in the lead? That’s an
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Rock isn’t dead. It’s not on life support, either, and hasn’t been for a single solitary second since Elvis Presley, Chuck Berry, Little Richard and the forefathers of the genre brought it into the mainstream more than six decades ago. “Rock is alive and well, it’s just been underground,” says Allison Hagendorf, Global Head of
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Seven Portuguese titles will screen during the Berlinale, and a bevy of Portuguese producers are attending the European Film Market seeking co-producers and international sales agents for their projects. Two Portuguese features will screen in the non-competitive Berlinale Forum dedicated to more avant-garde cinema. “The Portuguese Woman,” a historical drama by Rita Azevedo Gomes, is
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