Hey, remember 2021? It may only be 2022 right now, but I’ve done the math — and I can confirm that 2021 was a decade ago. Or at least it feels that way, particularly as we still live in a COVID-induced fog in which no one really knows what day it is anymore. The barrage
Awards
Given the volume of TV out there, it’s no surprise that viewers are seeing double or even triple, with overlapping trends and actors seemingly everywhere you look. As my colleague Emily Longeretta recently noted, stars like Elle Fanning (“The Great,” “The Girl From Plainville”), Chloë Sevigny (“Russian Doll,” “Plainville”), Sandra Oh (“Killing Eve,” “The Chair”),
The 49th annual Daytime Emmys returned to a live, in-person event on Friday night, and the day’s news — the overturn of Roe v. Wade and the assault on women’s rights by a rogue Supreme Court — threatened to overshadow the event. But the two-hour telecast, hosted by “Entertainment Tonight” anchors Kevin Frazier and Nischelle
Elle Fanning is Hulu’s MVP this year, in contention via both her edgy comedy series “The Great” and the dark limited series “The Girl From Plainville.” Not only does she star in both she also serves as an executive producer on the two projects. “Hulu comments on my Instagram photos all the time,” she says.
For the past 15 years, the Kardashians have been one of the most famous families on camera and off. The key to keeping up with the family is access — unprecedented access. That means the camera crew for the new Hulu series simply titled “The Kardashians,” headed by cinematographer Travis LaBella, had to be “ready
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider
Beyond the misdeeds and greed of the beloved televangelist family featured on HBO’s “The Righteous Gemstones,” one of the most marked elements of its co-creators’ rude, enlightened and hilarious series is its music. As with every other series creator-writer-actor Danny McBride has co-concocted — including 2009’s “Eastbound & Down” and 2016’s “Vice Principals” — the
When Lorne Michaels first heard the pitch for “Schmigadoon!,” the comedic love letter to the Golden Age musicals of the 1940s and 50s, he didn’t have to look far for his leading lady – he offered it to “Saturday Night Live” star Cecily Strong. Asked why, Michaels simply states: “I didn’t think of anyone else.”
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider
Dance, music and spoken word all play a key part in Starz’s “Blindspotting.” The series adaptation was created by Rafael Casal and Daveed Diggs, who wrote, produced and starred in the original film, and picks up six months after the movie’s timeline. Ashley, played by Jasmine Cephas Jones, and Miles (Casal) — her partner of
We never can say goodbye, and that is especially true when it comes to beloved TV shows. The post-finale spinoff has always been a popular way to keep a franchise going. In recent decades, some of these spinoffs have been just as good as the original: I would lead with “Frasier,” out of “Cheers,” of
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider
The 74th Emmy Awards nominations could set some records, and make history — whether it’s actors or studios or streamers, everyone is looking to dominate the headlines. The most exciting record is the 160 nominations in one year by a studio — that was set in 2020 by Netflix. Right now, it looks like Netflix,
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider
As Emmy nominations voting comes to a close this Monday, UCP and Starz have found one more way to expose their limited series “Gaslit” to potential voters: Free, over-the-air broadcast TV. The first episode of “Gaslit,” starring Julia Roberts and Sean Penn, will air on NBC-owned TV stations in key markets including New York, Los
There are 171 shows submitted for drama series and 118 vying for comedy series at this year’s Primetime Emmy Awards, but one show is missing from the ballot: Netflix’s “Sex Education,” the British dramedy created by Laurie Nunn. Variety has learned exclusively that the streamer and creatives have opted to submit for recognition at the
The late-night talk shows have undergone two years of experimentation due to the COVID-19 pandemic — and honestly, that’s been a rare silver lining in these bizarre times. But will any of this translate to a shakeup in the variety talk category? It’s a race that has been dominated by “Last Week Tonight With John
It was the second day back from the holidays, at the start of January, when Seth Meyers tested positive for COVID-19. He was immediately sent home, and a week’s worth of shows were canceled. “I had no symptoms, so I was fine,” Meyers recounts. “But the whole family had it. So, it wasn’t the worst
AWARDS CIRCUIT COLUMN: How ‘The White Lotus’ Is Testing the Emmys’ Limited Series Eligibility Rules My recent column about the plight of awards consultants in this age of Too Much TV clearly struck a nerve. Among everything I’ve written about the Emmys this year, it’s received the most reaction — mostly from publicists nodding their
“We Are Lady Parts” centers on an all-female Muslim punk band who are making music their way, building an audience, and balancing their personal life on and off stage. Costume designer PC Williams designed each woman’s wardrobe to honor her relationship with her faith while also using costume to act as an avenue for cultural
The 49th annual Daytime Emmys are back in a full theater for the first time in three years, but that’s not the only major change that TV viewers will notice when the ceremony airs on Friday, June 24. For starters, the drama category is finally a bit more competitive, having landed a fifth nominee (which
The Emmy category for competition series should conceivably be the most dynamic one out there. Ditto for the structured and unstructured reality categories. Yet there’s a surprisingly stagnant nature to them. Part of that is just the nature of ongoing reality TV. Shows that were hits 20 years ago… are still hits. Unlike scripted series,
The 2022 Daytime Creative Arts & Lifestyle Emmy Awards took place on Saturday, June 18, at the Pasadena Convention Center, with big winners including syndicated talkers “The Kelly Clarkson Show” and “The Drew Barrymore Show,” as well as CBS’ “The Young and the Restless” and Netflix’s “Penguin Town.” “Kelly Clarkson” picked up five awards, while
“Bridgerton” fans were whipped into a frenzy at the news that the hit Netflix series would skip ahead of the book’s timeline to feature the love story between Penelope Featherington (Nicola Coughlan) and Colin Bridgerton (Luke Newton) in Season 3. Coughlan announced the news during an FYSEE panel celebrating the show on May 15, telling
I’ve long banged the drum that television is better than film, yet even now, the TV industry still carries a bit of an inferiority complex. It’s why those of us who cover TV cringe at filmmakers who finally enter the episodic world — only to proclaim their series is actually a “10-episode movie.” It comes
Makeup department head Carleigh Herbert has always been obsessed with period pieces, and the ’70s have always been a favorite.“There was so much self-expression,” she says. So, when the chance to work on HBO Max’s “Minx” came along, she snapped it up. One particular scene, halfway through the show’s first episode, posed a unique challenge
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