Awards

Sandra Oh’s Netflix comedy “The Chair” touches on the sticky nature of how actions are perceived and the consequences that should or shouldn’t come with it in an age of social media, where nuance often gets lost in the debate. “It’s really tricky to talk about,” Oh tells Variety’s Awards Circuit Podcast. “It’s hard to
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Lin-Manuel Miranda is ecstatic about the success of the animated feature “Encanto,” and for his second Oscar nomination for original song — this time, for the emotional number “Dos Oruguitas.” However, the performance of the movie’s soundtrack on the music charts has been getting all the headlines, specifically the hit song, “We Don’t Talk About
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Ryûsuke Hamaguchi’s “Drive My Car” defied expectations last week when it nabbed Oscar nominations for best picture, director, adapted screenplay and international feature. The Japanese movie, released domestically by venerable art-house distributor Janus Films, surpassed titles with more robust campaigns, including Amazon’s “Being the Ricardos” and Netflix’s “Tick, Tick … Boom!” Even Hamaguchi was surprised
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If you’ve forgotten where “The Marvelous Mrs. Maisel” left off at the end of Season 3, you can be forgiven: So have executive producers Amy Sherman-Palladino and Daniel Palladino. “It’s been so long, we don’t remember what the season was about. I think they’re still Jewish,” Sherman-Palladino quips. “It’s been a long time, so long.”
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It should not be shocking in the least that “Spider-Man: No Way Home” failed to earn an Academy Award nomination for best picture. Only two other comic book adaptations — “Joker” (2019) and “Black Panther” (2018) — have ever earned that honor. Unlike those movies, “No Way Home” failed to earn nominations from any of
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Along with being one of the favorites in the best picture category, “Belfast” shepherded producer, writer and director Kenneth Branagh into Oscars history books. With nominations for best picture (as one of the film’s producers) and original screenplay, Branagh is the first person to be nominated in seven individual Oscar categories, surpassing George Clooney, Alfonso
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Frederic Aspiras, hairstylist to Lady Gaga in “House of Gucci” has become the second Asian American to be nominated for a hair and makeup Oscar. Japanese-born American special make-up effects artist and visual artist Kazuhiro Tsuji is the only other Asian American to be nominated and win for “The Darkest Hour” and “Bombshell.” The award
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Netflix’s limited series “Maid” was a hit for the streamer, as one of its top ten shows of all time and most-watched limited series ever. Star Margaret Qualley, for one, is amazed at the reception. “Mind blowing,” she tells Variety’s Awards Circuit Podcast. “I mean, it’s so gratifying, truly mind blowing for me. I just
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With Oscar nominations just days away, the BAFTAs weighed in with their nominations for the 75th edition of the awards, which is set to take place on Sunday, March 13, with Rebel Wilson hosting the evening’s honors. There were many surprises and snubs among the field of nominees, where Denis Villeneuve’s “Dune” led the charge,
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The British Academy of Film and Television Arts has unveiled its awards nominations, and they’re precisely the agents of chaos that many have been anticipating. Only the second edition of the BAFTA Film Awards since the institute’s groundbreaking diversity review in 2020, this year’s nominations are full of surprises that reflect a shifting membership. While
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‘Bel-Air’: Peacock Partners with Crown & Conquer to Launch Dramatic ‘Fresh Prince’ Remake (EXCLUSIVE) Peacock is partnering with Crown & Conquer to help launch “Bel-Air” with a premiere event on Feb. 9 inspired by iconic images from the original “Fresh Prince of Bel Air” series. Given concerns over the omicron variant, the event shifted to
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It was a big swing for writer and director Mike Mills to cast Joaquin Phoenix in his beautiful drama “C’mon C’mon,” something he didn’t expect he would take on. “I think Joaquin is an incredibly smart and multiple layered person, who will always be surprising,” says Mills. “So if this role seems surprising, then yes,
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Hollywood has given us a wide range of mothers, including the hard-working and devoted (“Claudine”), the self-sacrificing (“Bambi”) and the monstrous (“The Manchurian Candidate”). It’s hard to come up with anything new on the subject, but first-time writer-director Maggie Gyllenhaal, adapting Elena Ferrante’s novel, constantly surprises us by depicting several mothers who are complex, original
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Since the early 2000s, the Oscars have been in a rhythm of awarding darker movies with tinges of death, depression, racism and violence, illustrated by best picture winners such as “Million Dollar Baby” (2004), “Crash” (2005), “The Departed” (2006) and “No Country for Old Men” (2007). They stopped the trend with the uplifting “Slumdog Millionaire”
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