Awards

Tanya Saracho performed no small feat trying to tie up the complex character relationships in her Starz comedy “Vida” in a six-episode final season. But even as she was juggling tumultuous familial relationships with Lyn (Melissa Barrera) and Emma (Mishel Prada) learning their father is actually alive with equally rocky romantic relationships for each sister,
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During several weeks of rehearsal in the build-up to shooting “The Favourite,” the core cast members, including Nicholas Hoult, would run scenes, play acting games and dance, while director Yorgos Lanthimos and writer Tony McNamara looked on. After only two days of frolicking around, McNamara says he earmarked Hoult to play a lead role in
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From the alternate history versions of 1940s America in Netflix’s “Hollywood” and HBO’s “The Plot Against America” to the very real reflection of the 1970s and 1980s political movements over the Equal Rights Amendment in FX on Hulu’s “Mrs. America,” muted tones, warm glows and bold energies were the palette of choice for production designers
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National Geographic’s “Life Below Zero” calls for director of photography Michael Cheeseman to always have a camera ready as he follows the cast and their struggles to live off the grid in remote Alaska. Cheeseman is one of many cinematographers who work in the unpredictable world of nature. Others include “Deadliest Catch’s” David Reichert and
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The 47th Daytime Emmy Awards got underway on Friday night, after a particularly unusual path due to the COVID-19 pandemic. This year’s Daytime Emmys returned to TV for the first time in five years, and to broadcast TV (specifically, CBS) for the first time since 2011. Big winners included best daytime drama winner “The Young
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Both Karin Gist and Mike Schur got their starts in broadcast television in the early aughts — she on sitcom “Girlfriends” and he on late-night sketch comedy show “Saturday Night Live.” And broadcast is where they have both made comfortable homes for their careers, with her moving between comedy and drama on such series as
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If comedy pilots are hard, bringing an established laffer to a satisfying conclusion is nearly impossible. Yet that’s the task many series, from “The Good Place,” “Fresh off the Boat,” “Silicon Valley” and “Modern Family,” to “Schitt’s Creek,” “Vida” and “Will & Grace” faced this season. The pressure to end “Vida” unexpectedly with a shortened
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After two seasons of dazzling, award-winning costumes, the task to take “The Crown” into the 1960s fell to Amy Roberts. She has plenty of experience designing shimmering gowns and regal suits for period television, but taking on a big-budget behemoth such as “The Crown” for Season 3 meant walking the fine line between recreating the
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