Awards

Jarin Blaschke’s black-and-white cinematography in Robert Eggers’ “The Lighthouse” lends the proceedings a mythic quality and highlights the tour-de-force acting by Willem Dafoe and Robert Pattinson. The monochrome images are in harmony with the elemental story: trapped together in an unforgiving 1890s landscape, two lighthouse keepers begin to lose their grip on sanity. Blaschke, a
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Change sounds like this: South Korean director Bong Joon Ho accepted his foreign film award for “Parasite” at the Golden Globes, saying: “Once you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.” Bong’s statement echoes Alfonso Cuarón’s comments last year when he took the foreign-language Oscar for
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Motion capture in one form or another has been around for decades, and certainly the most recognizable modern use comes from “The Lord of the Rings” films in which Andy Serkis portrayed the beady-eyed creature Gollum. The actor wore a special bodysuit, helmet and strategically placed markers so that each detail of the part computer-generated,
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Taut, tense and fluid, the Oscar-nominated script for “1917” reflects a collaboration of old guard and new — Oscar-winning writer-director Sam Mendes and debut feature writer Krysty Wilson-Cairns. They structured the WWI epic as a single shot tracking two young British soldiers, lance corporals Blake (Dean-Charles Chapman) and Schofield (George MacKay). Their mission? Cross no-man’s
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Haunted houses are always full of hidden passageways, secret rooms and a story or two about someone who used to live there who disappeared or died under mysterious circumstances. The Park house in “Parasite” is no exception to that rule. It was first imagined by director Bong Joon Ho as a place that would be
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World War I story “1917” dominated the BAFTA film awards, which were awarded Sunday evening at London’s Royal Albert Hall with Graham Norton hosting. The wins for “1917” included best film, best director for Sam Mendes and outstanding British film. The awards are broadcast on the BBC in the United Kingdom and at 5 p.m.
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Trying to predict the unpredictable is part of the agony and the joy of the Academy Awards. For better or worse, people will always remember when “Crash” was named over “Brokeback Mountain” or when “Moonlight” was revealed as the winner (eventually, after “La La Land” was mistakenly announced). Voting is now open for final balloting
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January 30, 2020 10:25AM PT A century after World War I ended, “1917” reminds us of the cost of official policies that figure the best conflict resolution calls for young people to slaughter each other. As two angelic-looking, not-yet-cynical Tommies trudge through no-man’s land to deliver a life-or-death warning, the carnage they encounter demands we
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Great movies always speak directly to the here and now regardless of their actual settings. Taken together, six of 2019’s best-picture nominees manage to survey still-potent American themes across the span of the past century and a half. “Little Women” is set during the Civil War, and while the adaptation, like Louisa May Alcott’s beloved
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Most nominees in this year’s live-action short category involve familial relationships. Only one is in English — two were shot in Tunisia — but they all tell stories that transcend cultures. Three women were nominated in this category. BrotherhoodMeryam Joobeur and Maria Gracia TurgeonTraveling through northern Tunisia, Tunisian-Canadian filmmaker Joobeur encountered two freckle-faced, red-headed shepherds
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After the Palme d’Or, the Golden Globes and a slew of critics’ gongs, it is highly likely that helmer-writer Bong Joon Ho’s masterful, multilevel black comedy “Parasite” will achieve the triple crown of prestige kudos by nabbing the international feature Oscar. Surprisingly, it is the first South Korean film to be nominated in this category,
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Awards season is in full gear as actors take the spotlight on Sunday. The Screen Actors Guild Awards, recognizing the best film and television performances of the year, is underway. Quentin Tarantino’s ode to old Hollywood, “Once Upon a Time in Hollywood”; Martin Scorsese’s mob epic “The Irishman”; and Jay Roach’s Fox News drama “Bombshell”
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January 13, 2020 6:38AM PT Todd Phillips’ “Joker” laughed its way to 11 Oscar nominations, the most nods this year for a single film. Martin Scorsese’s “The Irishman,” Quentin Tarantino’s “Once Upon a Time in Hollywood” and Sam Mendes’ “1917” were close behind, scoring 10 nominations each. Netflix dominated on the studio front, landing a
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After a historic year for women directors, the Academy Awards have followed the regressive path established this awards season by the Golden Globes, SAG Awards and the BAFTAs by not nominating any women for best director.  Despite having been shut out in the run-up to the Oscars, “Little Women” director Greta Gerwig was still considered a frontrunner
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FX’s “Fosse/Verdon” dominated the first round of Directors Guild of America TV nominations, landing three in the TV movie/limited series — for directors Jessica Yu, Minkie Spiro and Thomas Kail. Yu, Spiro and Kail will face off against “Chernobyl” director Johan Renck, who won the Emmy for that HBO limited series in September. Also up
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