Awards

The question of whether multi-camera sitcoms are a dying breed isn’t a new one. The few remaining purveyors of the format, including “The Big Bang Theory” executive producer Chuck Lorre, have been asked that question for years. But even as Lorre ventures into the single-camera world with such shows as the Golden Globe-winning “The Kominsky

A funny thing happens when actors create — and sometimes also run — their own series: They are able to use their individual comedic sensibilities to inform the conflicted characters they place into difficult, silly or extreme situations in order to tell a deeper story. “I’m proud of the stories I get to tell about

Television has a long history of delivering comedy through escapism, injecting laughter while tackling relevant social issues, pressing play on laugh tracks during outlandish moments and capturing periods in history through live audiences. This Emmy season though, it seems the type of escapism that’s truly resonating comes in the form of heightened reality. From over-the-top

Perhaps the Television Academy members have been paying close attention to TV critics and their reviews after all. This year’s comedy series category could have been crafted by members of the Television Critics Assn., given a few pleasant surprises among the nominees. And perhaps they were, because the nods are identical to what the TCA

Almost a decade ago Betty Gilpin and Natasha Lyonne were both performing in plays in the same theater in New York. To hear Lyonne tell it, she was in the black box, indie project that only had 20 seats to fill per show, while Gilpin was on the main stage. The East Coast performers were

New Television Academy chairman and CEO Frank Scherma came into the position with a bang: The org’s decision to eliminate Emmy DVD screeners effective next year came at the very beginning of his tenure (although it had been in the works for some time), and helped define his first few months at the helm. Scherma’s

Although “Pose” co-creator Steven Canals says he gets the most actual writing done sitting at the dining room table in his Los Feliz home, he still keeps a meticulously maintained home office space, one that he shares with his partner. Their desks face each other and are surrounded by creativity-stirring pieces that include a full

Beth Morgan received her first Emmy nom for the first television show on which she ever worked, “Deadwood.” Now, she is nominated in the period costumes category again for the costume design of Netflix’s “GLOW.” Morgan is up for the second season finale “Every Potato Has a Receipt,” in which she got the chance to

When casting a series in which real-life events or a best-selling novel provides parameters for what characters should look like, a casting director’s goal is to find that ensemble’s “essence.” “You’re not going to match people, and I don’t think that’s the important part,” says Rachel Tenner, casting director of Showtime’s limited series “Escape at

In the late 1980s, “When They See Us” star Michael Kenneth Williams wore the dark puffy jackets, designer jeans and sneakers that were popular in his community. “But when ‘wilding’ started going on in New York City, that was the attire for them as well,” says Williams, who changed the way he dressed out of

Just a few years ago streaming services didn’t even produce reality series, but this year Netflix landed five Emmy nominations in four reality/competition categories and sparked buzz (and viewer joy) that may encourage linear networks to take more chances in the increasingly crowded reality space. “With the amount of shows we’ve rolled out collectively, it

Unlike narrative projects, documentaries are created in the edit suite. There, hundreds of hours of verité footage, archival materials, talking heads and even animated sequences need to be sorted through, digested and culled together to form a comprehensive, succinct and, with any luck, interesting and entertaining nonfiction series or specials. To get there, docu directors

Shakespeare’s plays were some of the first pieces of writing committed to film, and if this year’s TV movie Emmy nominees are anything by which to judge, the Bard’s messages and themes are still just as relevant today. With Amazon Prime Video’s “King Lear,” director Richard Eyre, who has been staging Shakespeare plays in the

Almost all of this year’s Emmy limited series nominees are based on true stories and set in real-life locations — the exception is HBO’s “Sharp Objects,” which is based on a novel. In striving for the most accurate, truthful experiences on screen, several projects shot in the exact sites where their dramatic events took place.

NOT-SO-HAPPIEST PLACE ON EARTHGreeting visitors proudly upon entering the office is an almost life-size, weather-worn Soviet version of Mickey Mouse that “Chernobyl” production designer Luke Hull commissioned for the HBO limited series. Inspired by a real-life photo the production team saw of a little Soviet boy standing next to one of these statues, Mazin was

Let’s take a moment to give Julia Louis-Dreyfus some much-deserved praise. As HBO’s “Veep” ends its run — and aims to add a coda to its already amazing haul over the years at the Emmys — the actress is poised to make history one more time this September. All signs point to another win in

“This Is Us” star Chris Sullivan loves bright colors, playful patterns and challenging gender norms: “I’ve always dressed very loudly,” he says. 2016“The goal for me, always, is to have fun, and to kind of intentionally be unexpected and go against the dress code a little bit,” says first-time Emmy nominee Sullivan. For an early

Belying his resume, Kris Bowers is a young man — so young that he was only 2 weeks old when a jogger was attacked in Central Park in 1989, kicking into motion the miscarriage of justice he would become immersed in three decades later when signing on to score Ava DuVernay’s Netflix limited series “When

From lovable mob boss Tony Soprano to money-laundering family man Marty Byrde, the golden age of television has had no shortage of antiheroes. But while there has been an abundance of men that are behaving badly while we root for their success, their female counterparts have historically been fewer and farther between — until now.

Emmy-nominated roles among the leading actress categories have never been so diverse or realized, nor have they ever been so intimate. From assassins and ambitious presidential hopefuls to standup comedians, business owners and grieving mothers, the women gracing the ballot box represent an array of formidable characters that embody vulnerability, flaws and a movement away

It was a very good year for VFX in television, as evidenced by the five nominated shows in the special visual effects category. “Game of Thrones,” “The Man in the High Castle,” “The Orville,” “Star Trek: Discovery” and “The Umbrella Academy” all showcased truly cutting-edge, imaginative storytelling elements added by artists during the post-production process.

This Emmy season Mandy Moore is seeing her first-ever nomination — for her role of matriarch Rebecca of the Pearson brood on NBC’s family ensemble “This Is Us.” Meanwhile, Niecy Nash has crossed over from being previously celebrated in comedy (with two supporting actress noms in that genre in 2015 and 2016) with a nod

The National Academy of Television Arts & Sciences is dipping its toe in the debate over whether to eliminate gender-specific acting categories. The org is discussing the possibility that the Daytime Emmy Awards will combine its outstanding younger actor and actress categories into one. (An earlier version of this story had said the decision had

The National Academy of Television Arts and Sciences has released a “transparency report” for the recently concluded 46th Daytime Emmys, revealing five separate judging irregularities and four nomination challenges — and how they handled each dispute. According to NATAS, this reps the first transparency report to be published by the org — or any similar

It’s one of the curiosities of this peak TV era: Most series now contain fewer episodes, yet often take longer to produce — with lengthier breaks between seasons. All that hiatus time has upended the Emmy series races, often to the benefit of shows that land nominations or wins when the previous year’s nominees miss

When “Game of Thrones” made history this year by scoring 32 Emmy nominations — the most ever for a series in a single year — it broke a record that had previously been held by the premiere season of “NYPD Blue.” It’s been 25 years since the Steven Bochco and David Milch cop drama helped

The Emmy nominees in the drama/limited series/TV movie stunt coordination category had challenges ranging from creating epic battles and burning a city (HBO’s “Game of Thrones”) to flying stunt performers more than 700 feet off the ground (CBS’ “SEAL Team”). Every stunt comes with risks requiring precision, experience and a lot of trust — and

Once upon a time in Hollywood, antiheroes dominated television, but now more traditional heroes with well-defined moral compasses stand shoulder-to-shoulder with characters willing to be ruthless to meet their goals. For years, characters including Tony Soprano, Walter White and Don Draper reigned supreme, helping their respective series rack up dozens of Emmy nominations. HBO’s “The

Breaking into the drama series Emmys race is no easy feat, particularly with hundreds of scripted shows vying for viewers’ — and voters’ — attention. But a number of the shows on the ballot this year are repeat nominees that drew attention with their freshman seasons, offering merit to the notion that cracking in right

As TV and storytelling continue to evolve, does it still make sense to silo male and female performers into separate Emmy categories? Splitting up “outstanding actor” and “outstanding actress” awards as if they’re different skill sets seems like an outdated practice — yet combining them, and eliminating half of the key acting Emmys in the