Awards

Oscar winner Jessica Yu was previously Emmy-nominated for a nonfiction project (in 2006), but helming the fourth episode of FX limited series “Fosse/Verdon” saw her receive her first-ever scripted directing accolades. In the episode, Yu tackled a #MeToo tale about the titular male choreographer (played by Sam Rockwell), and crafted intricate moments of that larger-than-life
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When Emmy-nominated actress Marin Hinkle’s matriarch character Rose Weissman absconds to Paris to find herself and study art in Amazon Prime Video’s “The Marvelous Mrs. Maisel’s” Season 2, her blush-toned wardrobe takes a vibrant turn. “Donna [Zakowska] designed clothes that really served as an ode to her school girl attire,” she says. “That was this
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Television has never looked quite like this before, with so many conversation-starting, cultural narrative-altering stories that incite, invite, or ignite something in viewers. Telling tales of grounded, often tough, topics through heightened worlds is frequently a way to soften the blow of such hard-to-watch material. Viewers may be enticed by the spectacle of gimmick (as
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They scale deadly cliffs, swim among sharks in a feeding frenzy and capture shots on a boat rocked by some of the world’s roughest seas. It’s all in a day’s work for the Emmy-nominated reality and nonfiction cinematographers, who must regularly find solutions to some of the most impossible situations imaginable. “One hundred percent, the
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Real-life tragedy figures heavily among the stories told by this year’s lead actor Emmy nominees, especially for actors seeking to capture characters based on real people. Jharrel Jerome, for example, is nominated in the lead limited series/TV movie actor category for playing both the younger and older versions of Korey Wise in Netflix’s “When They
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It may still be called the small screen, but television is increasingly attracting big-name, big-screen (and stage) talent, as evidenced by this year’s list of impressive lead actor nominees, including Michael Douglas, Hugh Grant, Sam Rockwell, Benicio Del Toro, Mahershala Ali, Don Cheadle, Eugene Levy and Billy Porter. So what do these nominees, some of
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This Emmy season Bill Hader and Jharrel Jerome portrayed men living with deep trauma. In “Barry,” Hader’s titular character has PTSD from his experience in war, details of which were finally fully fleshed out in the second season of the HBO comedy. Meanwhile in “When They See Us,” Jerome’s Korey Wise was wrongly convicted of
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For two seasons, director of photography M. David Mullen has been responsible for inviting the audience into the world of a housewife-turned-comedian on Amazon Prime Video’s “The Marvelous Mrs. Maisel.” With often naturally-lit 360-shots, oners and long, wide shots of real locations, he captures the beauty of the somewhat simpler time of 1950s New York
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Despite some well-documented snubs, Television Academy members did a great job with this year’s Emmy nominations when it came to recognizing new series, such as FX’s “Pose” and Netflix’s “Russian Doll,” as well as rising talent including Anthony Carrigan (HBO’s “Barry”), Joey King (Hulu’s “The Act”) and Billy Porter (“Pose”). That spotlight on fresh series
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The breadth of first-time acting Emmy nominees on the ballot this year — from Jodie Comer (BBC America’s “Killing Eve”) to Benicio Del Toro (Showtime’s “Escape at Dannemora”) to Stellan Skarsgård (HBO’s “Chernobyl”) — marks an awards season with a notably wide-open playing field. In an era of peak TV, the number of scripted series
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A week before the Emmy nominations were announced, I published my predictions for most of the major categories on Variety’s website. The reaction was mostly positive, even if I ultimately missed some of this year’s biggest snubs and surprises. (I thought for sure voters would gravitate toward popular stars like “Homecoming” lead Julia Roberts and George Clooney of
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Better Call AMC: Two Emmy nominations for the network’s short-form series “Better Call Saul Employee Training: Madrigal Electromotive Security” have been pulled after it was deemed ineligible for competition. The Television Academy recently discovered that the series didn’t meet the minimum required runtime of two minutes for at least six episodes — a new stipulation
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