Universal is shifting around the release dates for two major 2026 films, one from Steven Spielberg and another from “Everything Everywhere All at Once” directors Daniel Kwan and Daniel Scheinert. Spielberg’s next film will open on June 12 instead of May 15. It’s taking the place of the Daniels‘ untitled movie, which was taken off
Box Office
Moviegoers are still mad about Bridget Jones. “Bridget Jones: Mad About the Boy,” the fourth installment in the love-struck franchise, opened solidly to $35.5 million from 71 markets at the international box office. Those ticket sales outshined “Sex and the City 2” as the biggest start for a romantic comedy in comparable overseas markets, according
“Captain America: Brave New World” delivered a heroic $88.5 million in its box office debut, with domestic ticket sales projected to climb to $100 million through the Presidents Day holiday on Monday. Despite unfavorable reviews and terrible audience scores, the 35th entry in Disney’s Marvel Cinematic Universe arrived slightly above projections and ranks as the
Marvel’s “Captain America: Brave New World” can claim the biggest opening weekend of this young calendar year. The Disney release ripped into $40 million across Friday and preview screenings from 4,105 locations. That already clears the record-holding $36 million debut of Universal’s “Dog Man.” It also keeps “Brave New World” on track with projections for
“Ne Zha 2” has ascended to the pinnacle of the Chinese box office, becoming the highest-grossing film in the country’s history. The animated feature has amassed over RMB6.6 billion yuan ($905 million), per numbers from per ticketing and data firm Maoyan. The film has easily surpassed the previous record held by the 2021 war epic
China’s film market enjoyed a record-breaking Lunar New Year, amassing a staggering RMB9.51 billion ($1.31 billion) in total box office revenue over the seven-day holiday period ending Feb. 4, according to a new report from Maoyan Research Institute. With 187 million tickets sold, the lucrative holiday window set an all-time high for the period. The
Disney’s “A Complete Unknown” continued its reign atop the U.K. and Ireland box office, bringing in £1.2 million ($1.5 million) in its third weekend and pushing its total to £8.3 million ($10.3 million), according to numbers from Comscore. The Bob Dylan biopic, starring Timothée Chalamet, has demonstrated strong staying power, maintaining its grip on the
Disney’s “A Complete Unknown” soared to the top of the U.K. and Ireland box office, debuting with £2.6 million ($3.2 million), according to numbers from Comscore. The Bob Dylan biographical drama starring Timothée Chalamet gave Disney yet another strong start in the new year. In its fifth week, Disney’s “Mufasa: The Lion King” maintained its
It’s a full moon at the box office. Universal and Blumhouse’s “Wolf Man” reboot has made $1.4 million in Thursday previews so far. As it opens this weekend, it faces off against Sony’s comedy “One of Them Days,” which made $1.3 million in previews. “Wolf Man,” helmed by “The Invisible Man” director Leigh Whannell and
Universal’s “Nosferatu” made a chilling debut at the U.K. and Ireland box office, securing the overall top spot with £5.2 million ($6.5 million), including previews. Over the three-day weekend the gothic horror remake, with $3.8 million, was just behind Disney’s “Mufasa: The Lion King.” The photorealistic animation continued to roar with $4 million in its
The Mouse House roared back to the top spot at the U.K. and Ireland box office in 2024, capturing a 20.9% market share with £221 million ($276.4 million) in ticket sales, according to Comscore’s year-end report. The performance marks an uptick from Disney‘s 19.2% share in 2023, powered by three top 10 hits “Inside Out
December 2024 delivered a robust close to the year for the U.K. and Ireland box office, generating £115.5 million ($143.5 million), a 21% increase compared to December 2023’s £95.5 million ($118.6 million). The year’s total stands at £1.06 billion ($1.31 billion), matching 2023 and showing an 8% growth over 2022. The month’s success was driven
“Survive till ’25” has been the mantra of the movie theater business — heck, the entire film industry — ever since pandemic-related delays and Hollywood’s labor strikes wreaked havoc on studio slates and production calendars. Several would-be 2024 blockbusters, like Tom Cruise’s eighth “Mission Impossible” and Marvel’s “Captain America: Brave New World,” were pushed into
They might not be “Wicked” and “Gladiator II,” but “Sonic the Hedgehog 3” and “Mufasa: The Lion King” will face off for another high-powered weekend at the box office. Paramount’s “Sonic” threequel has made $6.5 million in Thursday previews at the box office. Disney’s “Lion King” prequel will report its preview grosses later this morning.
Disney’s “Moana 2” stayed atop the U.K. and Ireland box office for the third consecutive weekend with £3.6 million ($4.5 million), bringing its cumulative total to £26.4 million ($33.5 million), according to numbers from Comscore. Universal’s “Wicked” continued to demonstrate staying power in second place, adding £3.4 million in its fourth week for a robust
Fathom Events, which puts movies, TV series, concerts and other events into movie theaters for limited runs, saw a record-breaking year for limited releases in 2024, with revenues increasing 45% to more than $145 million. CEO Ray Nutt also announced that the company will rebrand as Fathom Entertainment starting in January. Fathom’s strong year comes
Forget the web-slinging, it’s time for some big-game hunting. “Kraven the Hunter,” the latest (and possibly final) entry in Sony’s universe of Spider-Man villains, has made $2 million in Thursday previews at the box office. The R-rated Sony super-villain film is projected to make a disappointing $13 million to $15 million in its opening weekend.
“Moana 2” is still making a splash at the domestic box office. The Disney animated sequel added $11.7 million on Friday, on its way to $50.8 million for its second weekend of release. After setting a new Thanksgiving box office record last week with $225 million over the five-day holiday frame, the film’s domestic total
Disney’s “Moana 2” dominated the U.K. and Ireland box office with a £12 million ($15.2 million) debut, according to numbers from Comscore, marking a strong start for the animated sequel. The film led a robust weekend that saw Universal’s “Wicked” holding strong in its second frame with £8.3 million, bringing its cumulative total to £28.5
Maxtime Pictures’ “Her Story,” a comedy-drama film told from a largely female perspective, topped the mainland China box office for the second consecutive weekend. Disney’s “Moana 2” debuted in second place. Data from consultancy firm Artisan Gateway showed “Her Story” improving its previous weekend’s showing by earning RMB140.9 million ($19.8 million) between Friday and Sunday. The film now has
A trio of blockbusters — “Moana 2,” “Wicked” and “Gladiator II” — are fueling a record-breaking Thanksgiving bounty. Overall domestic box office receipts between Wednesday and Sunday amounted to $420 million, the biggest Thanksgiving haul in history. It obliterated the previous benchmark of $315 million, set by 2018’s slate of “Ralph Breaks the Internet,” “Fantastic
UPDATED: Disney’s “Moana 2” sailed to $389 million at the global box office, including a mighty $163.8 million internationally. Monday’s final tally was above Sunday’s estimate of $386 million globally. Ticket sales for the animated family film stand as the second-biggest worldwide opening of the year after Disney’s billion-dollar Marvel behemoth “Deadpool & Wolverine” ($438
UPDATED: Movie theaters finally have something for which to be thankful. Disney’s “Moana 2” cemented a new Thanksgiving box office record with $225 million over the five-day holiday frame, obliterating the previous high-water marks set by 2019’s “Frozen II” ($125 million) and 2013’s “Hunger Games: Catching Fire” ($109 million). It also stands as the biggest
The big splash continues for Disney’s “Moana 2,” which earned a massive $54.5 million on Black Friday from 4,200 locations, shattering the $34.1 million record that was notched by “Frozen II” in 2019. Not only that, but the film has now earned $140 million and already surged past the five-day holiday weekend record by “Frozen
“Moana 2” set sail at the box office with $13.8 million in preview screenings on Tuesday, ranking as the biggest preview haul in history for Disney Animation. It’s also the biggest pre-Thanksgiving preview bounty and the second-best preview figure of all time for an animated title. To compare to Disney’s other animated juggernauts, this June’s
“Moana 2” is expected to make waves at the box office over the Thanksgiving holiday weekend. The sequel to Disney’s musical hit “Moana” opens in 4,200 North American theaters on Wednesday and is projected to collect between $135 million to $145 million in its first five days of release. Those ticket sales would register as
Universal’s screen adaptation of “Wicked” dominated the U.K. and Ireland box office with a commanding £13.7 million ($17.2 million) debut, according to numbers from Comscore. The musical fantasy leads a robust frame that saw Paramount’s “Gladiator II” maintain strong momentum in its sophomore session with £4.7 million, pushing its cumulative total to £18.4 million. Studiocanal’s
Warner Bros.’ “Challengers,” led by Zendaya, debuted atop the U.K. and Ireland box office with £1.6 million ($2 million), according to numbers from Comscore. In its third weekend, Studiocanal’s “Back to Black” dropped to second place with £1.4 million for a total of £8.9 million. In third position, in its fifth weekend, Universal’s “Kung Fu
Studiocanal’s Amy Winehouse biopic “Back to Black” stayed atop the U.K. and Ireland box office for the second consecutive weekend with £1.8 million ($2.3 million), according to numbers from Comscore. The film now has a running total of £6.3 million. In its second weekend, in second place, Entertainment Film Distributors’ “Civil War,” directed by Alex
A24‘s political thriller “Civil War” is resonating not just in red states and blue but overseas, too. Alex Garland’s film, starring Kirsten Dunst as a photojournalist who traverses a violently divided United States, has grossed $45.7 million in North America and $20 million internationally. Global ticket sales stand at $67.3 million through Monday, and it’s projected
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