Box Office

In a twist fitting for an M. Night Shyamalan thriller, “Old” is the No. 1 movie at the domestic box office with $16.5 million in ticket sales. Heading into the weekend, reigning champ “Space Jam: A New Legacy” and fellow newcomer “Snake Eyes” were projected to lead North American charts. Instead, “Space Jam 2” had

“Old,” the newest thriller from director M. Night Shyamalan, is poised to top the domestic box office charts this weekend with an estimated $15.75 million. The Universal film, starring Alex Wolff and Thomasin McKenzie, took in $6.8 million from 3,355 theaters on Friday. Throughout the weekend, it’s expected to add roughly another $9 million to

Two new movies — “Snake Eyes” starring Henry Golding and M. Night Shyamalan’s “Old” — will open nationwide this weekend, but neither are expected to take down reigning champ “Space Jam: A New Legacy” on domestic box office charts. After its $31 million start, the sequel to 1996’s sports comedy “Space Jam,” the latest version

“Black Widow” held on to top spot at the South Korean box office despite a challenge from the new release of local horror film “The Medium.” New release, “Space Jam: A New Legacy” made no impact. The Disney-Marvel film saw weekend earnings of $4.09 million, a drop of 54% compared with the previous session. Since

The New South Wales state government is stepping in with A$75 million of emergency aid to the performing arts and music sectors as the spread of the Delta variant of the coronavirus is causing an extension of Sydney’s latest lockdown. The sold out “Hamilton” at Sydney’s Lyric Theatre, which opened on March 27, has shuttered

Disney’s “Black Widow,” the first Marvel movie to grace theaters in two years, has surpassed a notable box office milestone, hitting $200 million worldwide. For the Marvel Cinematic Universe, a franchise that remains unrivaled at the box office, that would not traditionally be a benchmark worth highlighting. Many of its recent installments, at least the

Chinese censors have approved Denis Villeneuve’s sci-fi spectacular “Dune” for release in the world’s largest film market. The film has officially announced that it will hit local screens this year, although it has not yet set a release date. In late June, Warner Bros. shifted the film’s U.S. release date back from Oct. 1 to

The tear-jerking, patriotic pandemic film “Chinese Doctors” locked down a $53.5 million China opening weekend, according to Maoyan, setting itself up to become the most commercially successful political tribute film so far this year. Such films have been helped along by a line-up cleared of competitors. This week, only political films, children’s content and a

A powerful opening by “Black Widow” lifted the South Korean box office to its biggest weekend this year. The Disney-Marvel title dominated proceedings with an 80% market share. The film launched in Korea on Wednesday and raced far ahead of the competition. According to data from Kobis, the Korean Film Council-operated tracking service, “Black Widow”

Disney and Marvel’s superhero adventure “Black Widow” captured a massive $80 million in its first weekend, crushing the benchmark for the biggest opening weekend since the pandemic. In a first for the Marvel Cinematic Universe, the film opened simultaneously in theaters and on Disney Plus as part of the streaming service’s Premier Access offering, where

The U.S. film industry is heaving a sigh of relief that “Black Widow” is poised to become the highest grossing domestic debut of the post-pandemic era, marking America’s return to moviegoing in force. The Scarlett Johansson-starrer is projected to earn around $80 million in its North American opening weekend, beating out “F9” last month. It

For the first time in a long time, people are actually going to the movies. After a delayed start to summer, Universal’s action franchise “F9: The Fast Saga,” Paramount’s thriller “A Quiet Place Part II” and the Warner Bros. monster movie “Godzilla vs. Kong” have each had a hand in putting butts in seats at

China’s two new propaganda films topped the box office over their first weekend in theaters, but it appears that the politically correct content may not prove popular enough to drive sales at blockbuster levels. Most of the biggest local blockbusters set to hit China over the rest of the year are propaganda titles. Though analysts

Local film “Hard Hit” held on to top spot at the South Korean box office for the second week, keeping Hollywood holdovers and new release titles at bay. The Busan-set action thriller scored $2.07 million in its second weekend on release, according to data from the Kobis tracking service operated by the Korean Film Council

“F9,” the ninth installment in the “Fast and Furious” franchise, is holding its own at the top of the domestic box office charts in its second week of release. Over the Fourth of July long weekend, the action flick is expected to add another $32.9 million to its gross from 4,203 theaters, raising its cume

Chinese propaganda film “1921” grossed $13 million on its opening day Thursday, outperforming debuts from Hollywood releases like “Cruella,” “A Quiet Place Part II” and “Peter Rabbit 2.” Patriotic titles “1921” and “The Pioneer” kicked off China’s summer season with a nationalist splash with Thursday premieres. Both films were created as tributes to China’s ruling

Busan-set chase thriller “Hard Hit” this weekend became the first local film to head the South Korean box office in more than a month. It earned $2.27 million in its opening weekend. The arrival of a significant, commercial film from Korea may be a sign of growing confidence that the return to business of the

“F9,” the ninth installment in the “Fast and Furious” franchise, is on its way to breaking a pandemic-era domestic box office record with an estimated $68 million debut. The action film, starring Vin Diesel and Michelle Rodriguez, raked in $30 million on Friday alone from 4,179 theaters. If its sales to continue to progress at

“F9” is racing toward a pandemic era box office record after nabbing a mighty (at least for plague times) $7.1 million in Thursday previews. The homage to living life “a quarter-mile at a time,” in the words of one Dominic Toretto, is providing a welcome dose of adrenaline to a cinema business that’s been stalled

There’s a lot riding on the box office debut of Universal’s “F9,” the latest entry in the high-energy “Fast & Furious” franchise. As the first all-audience tentpole to exclusively grace the big screen in some time, the movie theater industry is looking to “F9” as the benchmark for this summer’s blockbusters. The season will be

The Anthony Hopkins-starring Oscar winner “The Father” debuted in China to a $1.21 million opening weekend, coming in eleventh despite a slow box office weekend, according to data from the Maoyan platform. The first feature from helmer Florian Zeller received six Academy Award nominations and two wins — one for Hopkins as best actor and

In a long-awaited box office milestone, “Godzilla vs. Kong” has finally hit the $100 million mark in the U.S. The Warner Bros. and Legendary tentpole opened in theaters and on HBO Max in early April, collecting a then-pandemic best $32 million over the weekend. It remained a powerful theatrical draw, with ticket sales quickly climbing

“A Quiet Place Part II” topped the South Korean box office on its first official weekend of release. It made a considerably bigger splash than Disney-Pixar’s “Luca,” which dived into third place. The horror film scored $2.43 million over the weekend, having opened on Wednesday. Including previews, it has accumulated $3.36 million over five days,

Columbia Pictures’ “Peter Rabbit 2: The Runaway” hopped up to second in China this weekend, but was unable to scurry past local sports drama “Never Stop” despite an extra day’s lead. “Peter Rabbit 2” grossed a relatively unremarkable $969,000 (RMB6.2 million) on opening day Friday but managed to pull in $7.8 million from 10,500 screens

“In the Heights,” the acclaimed adaptation of Lin-Manuel Miranda’s Broadway show, didn’t hit all the right notes in its box office debut. The Warner Bros. movie generated a wane $11.4 million from 3,456 U.S. theaters in its first four days of release, below expectations heading into the weekend that suggested the film would reach $20

Warner Bros. movie musical “In the Heights” is poised to top the domestic box office this weekend, though its 3-day estimate now sits lower than previous predictions. Earlier in the week, “In the Heights” — directed by Jon M. Chu and based on the musical created by Lin-Manuel Miranda — was expected to generate more

In December, the Small Business Administration set up a $16.1 billion fund to provide eligible movie theaters, live venue operators and performing arts organizations with grants that could help save their businesses. Yet almost six months later, many independently owned companies haven’t gotten proper funds. The delay, trade organizations that back these businesses argue, puts

Theatrical box office in the Asia Pacific region is recovering from the lows established early last year at the beginning of the COVID-19 pandemic. But South Korea has not shared in the upswing. Data from OpusData compiled by S&P Global Market Intelligence showed a 79% increase in the first four months of 2021, compared with

“In the Heights,” the big-screen adaptation of Lin-Manuel Miranda’s Broadway musical, is poised to light up the U.S. box office. Debuting this weekend in 3,400 U.S. cinemas, the Warner Bros. film is expecting to generate around $20 million. However, tracking has indicated the final tally could range between $16 million and $30 million in its

Disney’s “Cruella” strut into China on Sunday with a $1.78 million opening day, coming in sixth in a slow weekend behind reigning box office champ “F9,” according to data from Maoyan. Day one China figures for “Cruella” were less than a fourth of the $7.7 million the film grossed on its May 28 opening day