Dinosaurs won’t rule the big screen again until 2022. “Jurassic World: Dominion” will now debut on June 10, 2022 — a year later than originally planned. Universal Pictures, the studio behind the sci-fi adventure franchise, initially slated the movie for summer 2021. While announcing the release date change on Twitter, director Colin Trevorrow also debuted
Box Office
The China box office bounced back this weekend to its pre-pandemic levels, figures from its National Day holiday weekend show — proving that the right mix of competitive new local titles can entice viewers in, what this year is very much on track to be, the world’s largest movie market. The news comes as other
Warner Bros. and Legendary Pictures have delayed the release of “Dune,” the big-budget sci-fi epic from director Denis Villeneuve. It will no longer premiere on Dec. 18 and is now slated to debut in theaters on Oct. 1, 2021. A spokesperson for Warner Bros. declined to comment. The move was expected after the studio pushed
Survival thriller “Alone” is getting plenty of company at movie theaters and on digital platforms — amid otherwise tough times in the exhibition business. “We’ve been able to emphasize that ‘Alone’ is a very elemental and primal story for audiences,” said Magnolia president Eamonn Bowles. “For audiences, the situation is very recognizable. It’s very well-directed.”
Credit rating agency Standard and Poors has warned that the AMC Entertainment chain is in danger of defaulting on its debt due to the ongoing COVID-19 pandemic. S&P issued the bleak warning Friday as part of a downgrade in the company’s credit rating from CCC+ to CCC-, moving into the junk bond category, and cited
“No Time to Die,” the latest James Bond installment, will be postponed until next year, the filmmakers announced Friday. The film, starring Daniel Craig in his final stint as the agent formerly known as 007, is expected to hit theaters April 2, 2021, a year later than initially planned. Back in March, “No Time to
Rober Zemeckis’ adaptation of “The Witches” starring Anne Hathaway is landing on HBO Max just in time for Halloween. The Warner Bros. dark fantasy comedy will debut on the subscription streaming service, owned by parent company WarnerMedia, on Oct. 22. “The Witches” was originally expected to open in theaters on Oct. 9, but like almost
The Chinese box office hit its highest single-day tally of the year so far on Thursday, reaching $107 million (RMB728 million), more than 10 times what North American cinemas made in the whole of last weekend. That sum marks China’s second largest Oct. 1 National Day box office in history, a feat achieved even as
With U.S. studio tentpoles dropping out of the theatrical calendar, Chinese blockbusters may find a rare opportunity to gain some traction abroad. At least that’s what London-based distributor Trinity CineAsia is betting on. The firm has acquired the Jackie Chan-starring blockbuster “Vanguard” from Hong Kong-based Golden Dragon Pictures for theatrical runs in the U.K., Ireland
People who closely follow box office earnings have noticed a surprising lack of transparency surrounding ticket sales for “Tenet,” the $200 million-budgeted sci-fi epic from director Christopher Nolan that released last weekend in U.S. theaters. Since “Tenet” premiered, Warner Bros., the studio behind the film, has parceled out carefully selected breadcrumbs of data to reporters
“Tenet” got off to a solid start on its debut in Chinese theaters on Friday. It opened on top of the box office and eased aside local champion “The Eight Hundred.”. By 7pm on opening day “Tenet” had earned RMB50 million ($7.31 million), according to the China Box Office service of Ent Group. Including earlier
The future of film in an age of plague may be crystallized this weekend. That’s because after numerous delays and months of anticipation, Christopher Nolan’s “Tenet” — the time-bending sci-fi epic that hopes to revive the beleaguered movie business — is finally hitting U.S. cinemas. But when it touches down in domestic theaters, “Tenet” will
Chinese romance film “Love You Forever” earned a stunning $38.3 million on Tuesday, its opening day in mainland China cinemas. That figure is the highest single day score achieved by any film worldwide in 2020. The film tells the story of a man who is able to go back in time to save the tragically-shortened
“Tenet,” Christopher Nolan’s hotly anticipated and oft-delayed sci-fi epic, may not be unspooling in a drive-in theater near you. To be fair, when the film touches down in the U.S. over Labor Day weekend, it’s unclear where exactly in the country the movie will be able to play. Many cinemas, particularly of the indoor variety,
Two days of previews for Warner Bros.’ much-anticipated “Tenet” showed a sign of promise over the weekend. But a rising tide of coronavirus infections is now crushing the life out of the South Korean box office. Korea was the first place in the world to screen “Tenet” commercially. The Christopher Nolan-directed “Tenet” earned $368,000 on
Chinese war film, “The Eight Hundred” achieved a cumulative box office score of more than $40 million by late afternoon on its opening day, Friday. By 5pm local time, the film had notched up RMB62.7 million or $9.04 million, according to data from China Box Office and Ent Group. By 6pm, the Friday score had
Big-budget Chinese war epic “The Eight Hundred” is on course to be the first blockbuster film of the year in the Middle Kingdom, after super-strong Monday previews confirmed audience willingness to return to theaters. The film earned $7.24 million from 17,200 screenings on Monday, according to data from local analysis firm Ent Group. Even more
Action thriller, “Deliver Us From Evil” had a $10.6 million opening weekend in South Korean cinemas, lifting the country’s overall box office by 75%. The film, directed by Hong Won-chan (“Office”) and starring Hwang Jung-min and Lee Jung-jae, was released on Wednesday and ran off with a $15.0 million total over five days. Measured by
Sam Mendes’ World War I saga “1917” took the top spot at China’s box office this weekend with a $5.3 million debut, according to data from industry tracker Maoyan, as overall nationwide ticket sales dipped down from the week before. Meanwhile, the China premiere of the 20th Century Fox’s racing drama “Ford V. Ferrari” flopped
The theatrical window has been shattered, and it’s a pretty good bet that it will never be patched back together. That means that the movie business will never look the same. The Universal and AMC Theatres deal enabling the studio to release new movies on premium video on-demand within three weeks of their debut has
Universal Pictures and AMC Theatres have put aside a bitter feud and signed a multi-year agreement that will allow the studio’s films to premiere on premium video on-demand within three weeks of their theatrical debuts. The pact, sure to send shockwaves throughout the exhibition industry, has the potential to reshape the ways that movies are
Robert Downey Jr.’s family film “Dolittle” and Sony’s thriller “Bloodshot” led China’s first opening weekend at the box office since the coronavirus outbreak, a sign that new titles sell better than re-runs of beloved classics. Five out of the top 10 films this weekend were Hollywood titles. China began reopening theaters in regions deemed at
Audiences looking to escape from the relentless drumbeat of depressing headlines will have to wait a little longer to journey to Pandora or an even more famous galaxy far, far away. With coronavirus cases surging in the U.S. and new hotspots breaking out around the globe, Disney announced major changes to the studio’s release calendar.
Disney has pulled “Mulan” from the studio’s release calendar as cases of coronavirus continue to rise across the country and new outbreaks roil major foreign markets. “Over the last few months, it’s become clear that nothing can be set in stone when it comes to how we release films during this global health crisis, and
Following the news that Warner Bros. removed “Tenet” from its release calendar, Sony Pictures has indefinitely delayed the debut of “The Broken Hearts Gallery.” The romantic comedy, executive produced by Selena Gomez, was slated to hit theaters Aug. 7. The studio has not announced new plans to launch the film. However, Sony remains committed to
The much-awaited release of “Peninsula” in South Korea lived up to the hype, despite capacity limitations and other social distancing measures imposed across the nation’s cinemas. The “Train to Busan” sequel earned a thumping $9.20 million over the weekend from 2,575 screens, giving it an unapproachable 93% market share. Including revenues earned between its Wednesday
South Korean zombie action film “Peninsula” made a blistering start in cinemas across Asia. It is the highest-profile, first-run summer tentpole to have released since the coronavirus forced many cinemas in the region to close. Directed by Yeon Sang-ho, “Peninsula” is a survival story that takes place four years after the zombie apocalypse events recounted
“Star Wars: The Empire Strikes Back” is back at the top of the box office this weekend for the first time in 23 years. The film has grossed a total of $175,000 so far at 483 locations, originally reported b Deadline, and is estimated to end the weekend in the $400,000 to $500,000 range. Directed
Over the past few months, it’s become something of a predicable game: Studios announce plans to release a new film in theaters, the pandemic upends those plans, and said studio delays the movie again. Rinse, wash, repeat. We’ve seen this play out with high-profile movies like Christopher Nolan’s “Tenet,” which has moved twice in the
The nation’s moviegoing business is coming back to life following a three-month hiatus imposed by the COVID-19 pandemic. The number of locations open in North America as of Friday totals 714, including 275 drive-ins, according to Comscore. That’s a gain of nearly 40% from a week ago when the total was 511. Texas has by
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