Box Office

With U.S. studio tentpoles dropping out of the theatrical calendar, Chinese blockbusters may find a rare opportunity to gain some traction abroad. At least that’s what London-based distributor Trinity CineAsia is betting on.  The firm has acquired the Jackie Chan-starring blockbuster “Vanguard” from Hong Kong-based Golden Dragon Pictures for theatrical runs in the U.K., Ireland
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People who closely follow box office earnings have noticed a surprising lack of transparency surrounding ticket sales for “Tenet,” the $200 million-budgeted sci-fi epic from director Christopher Nolan that released last weekend in U.S. theaters. Since “Tenet” premiered, Warner Bros., the studio behind the film, has parceled out carefully selected breadcrumbs of data to reporters
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The future of film in an age of plague may be crystallized this weekend. That’s because after numerous delays and months of anticipation, Christopher Nolan’s “Tenet” — the time-bending sci-fi epic that hopes to revive the beleaguered movie business  — is finally hitting U.S. cinemas. But when it touches down in domestic theaters, “Tenet” will
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Two days of previews for Warner Bros.’ much-anticipated “Tenet” showed a sign of promise over the weekend. But a rising tide of coronavirus infections is now crushing the life out of the South Korean box office. Korea was the first place in the world to screen “Tenet” commercially. The Christopher Nolan-directed “Tenet” earned $368,000 on
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Universal Pictures and AMC Theatres have put aside a bitter feud and signed a multi-year agreement that will allow the studio’s films to premiere on premium video on-demand within three weeks of their theatrical debuts. The pact, sure to send shockwaves throughout the exhibition industry, has the potential to reshape the ways that movies are
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Robert Downey Jr.’s family film “Dolittle” and Sony’s thriller “Bloodshot” led China’s first opening weekend at the box office since the coronavirus outbreak, a sign that new titles sell better than re-runs of beloved classics. Five out of the top 10 films this weekend were Hollywood titles. China began reopening theaters in regions deemed at
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The much-awaited release of “Peninsula” in South Korea lived up to the hype, despite capacity limitations and other social distancing measures imposed across the nation’s cinemas. The “Train to Busan” sequel earned a thumping $9.20 million over the weekend from 2,575 screens, giving it an unapproachable 93% market share. Including revenues earned between its Wednesday
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South Korean zombie action film “Peninsula” made a blistering start in cinemas across Asia. It is the highest-profile, first-run summer tentpole to have released since the coronavirus forced many cinemas in the region to close. Directed by Yeon Sang-ho, “Peninsula” is a survival story that takes place four years after the zombie apocalypse events recounted
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Over the past few months, it’s become something of a predicable game: Studios announce plans to release a new film in theaters, the pandemic upends those plans, and said studio delays the movie again. Rinse, wash, repeat. We’ve seen this play out with high-profile movies like Christopher Nolan’s “Tenet,” which has moved twice in the
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For the first time since coronavirus struck South Korea in January, theatrical box office in the keenly cinema-going nation showed a significant sign of recovery. Weekend ticket sales numbers reached 402,000, a figure that is less than half the score of a weekend in normal times, but was a week-on-week gain of 112%. Two elements
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