Box Office

“Kinds of Kindness,” the next collaboration between director Yorgos Lanthimos and star Emma Stone, will debut in theaters this summer. Searchlight, the indie studio that’s distributing the film, added it to the release calendar on June 21. Though the plot remains under wraps, “Kinds of Kindness” is an anthology film that reunites Stone with her
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Taiwanese-produced crime action film “The Pig, the Snake and the Pigeon” opened on top of the mainland China box office over the weekend, ahead of a quartet of holdover titles from Lunar New Year. Sony’s ‘Madame Web’ and a rereleased “Dune” also opened, but they failed to penetrate the top five. “The Pig, the Snake
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The four strongest Chinese titles that launched over the Lunar New Year holidays continued to dominate the mainland China and global office charts for a third successive weekend, albeit with a change of order that put Zhang Yimou’s “Article 20” in top spot. Global box office tracking service ComScore showed “Article 20,” “Pegasus 2,” “YOLO”
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Score one for true love! Sydney Sweeney and Glen Powell’s romantic comedy “Anyone But You” hit a notable box office milestone with $200 million globally. It stands as the highest-grossing romantic comedy in years, outperforming recent star-driven entries in the genre like Julia Roberts and George Clooney’s “Ticket to Paradise” ($168 million) and the Sandra
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Paramount’s musical biopic “Bob Marley: One Love” ruled again over a barren box office landscape. The film added $13.5 million from 3,925 North American theaters in its second weekend of release, a 53% decline from its debut. “One Love” has been a surprise box office success with $71.1 million domestically and $120 million globally. It
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Paramount’s “Bob Marley: One Love” will retain its holding as the top film on domestic charts this weekend, besting a trio of new releases in the manga adaptation “Demon Slayer Kimetsu no Yaiba — To the Hashira Training,” the faith-based Hilary Swank drama “Ordinary Angels” and Ethan Coen’s lesbian crime caper “Drive-Away Dolls.” “One Love”
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Paramount’s “Bob Marley: One Love” debuted atop the U.K. and Ireland box office with £6.9 million ($8.7 million), according to numbers from Comscore. Universal’s animation “Migration” dropped a spot to second place with £2.7 million in its third weekend and now has a total of £13.5 million. Sony’s “Madame Web” debuted in third position with
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Four Chinese films dominated the mainland China and global box office charts over the latest weekend. “YOLO,” a comedy drama about weight loss and self-discovery, was crowned as the top earning film worldwide for a second weekend running. “YOLO” took $86.5 million (RMB614 million) between Friday and Sunday, giving it a 9-day cumulative total of
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Paramount’s “Bob Marley: One Love” continued its run as box office leader through the specialized six-day holiday frame, adding $7.4 million on Friday from 3,539 locations to bump its domestic tally to $25.3 million. The biopic about the reggae legend could even double the six-day haul of Sony’s new superhero film “Madame Web,” which earned
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Universal’s “Migration” stayed atop the U.K. and Ireland box office for the second consecutive week with £2.4 million ($3.1 million), according to numbers from Comscore. The global hit animation now has a total of £6.6 million in the territory. Another Universal title, “Argylle,” stayed in second place for the second weekend in a row with
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Four Chinese films dominated the global box office charts over the weekend, with combined takings of $350 million earned over just two days. And, as North America watched the Super Bowl instead, the weekend’s top Hollywood title, “Argylle” earned just $15.9 million worldwide. Chinese titles eschewed their usual Friday release pattern and opened on Saturday,
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Sony Pictures‘ “Madame Web,” the latest spinoff of the studio’s array of “Spider-Man”-based Marvel characters, has been granted a theatrical release in mainland China. The film will open in the country on March 1 — two weeks after the title’s Valentine’s Day bow in North America and multiple international territories, including the Chinese-language markets of
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The box office has officially entered the January doldrums. The weekend’s only new wide opener, the outer space thriller “I.S.S.,” failed to make impact, eyeing a dull opening after drawing $1.2 million from 2,520 theaters across its opening day and previews. Directed by Gabriela Cowperthwaite, “I.S.S.” stars Ariana DeBose and Chris Messina as astronauts aboard
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The U.K. and Ireland box office revenue improved 8.3% from £980.5 million ($1.25 billion) in 2022 to £1.06 billion ($1.35 billion) in 2023, according to numbers released by Comscore. However, the number was 23.5% below the 2019 pre-pandemic total of £1.35 billion ($1.72 billion). 2023, the first full year since 2019 without any COVID-19 restrictions,
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“Aquaman and the Lost Kingdom” led the worldwide box office with a $108 million debut weekend, according to numbers released by Comscore. Warner Bros. and DC Studio’s “Aquaman 2” also topped the U.S. box office over the weekend. In second place, “Wonka” continued its stellar run with a worldwide weekend of $50.9 million and now
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It seems Hollywood’s “sequel-itis” has reached China’s box office too. Despite the country’s dramatic overnight removal of COVID restrictions in December 2022 and film imports quickly restarting with the triumphant debut of “Avatar: The Way of Water,” Hollywood’s new normal in the Middle Kingdom bears little resemblance to its pre-pandemic status. During the three-year disruption
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Queen Bey is about to take on the box office. “Renaissance,” a concert film written, directed and produced by Beyoncé, is expected to bring in $17 million to $20 million in its opening weekend. The film will play in approximately 2,539 domestic locations, as well as 94 international territories, including Mexico, the U.K., South Africa, Kenya,
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Despite being plagued by harsh reviews from French critics and a derisive retaliation by director Ridley Scott, “Napoleon” had a strong opening in France on Wednesday, grossing an estimated €868,000 ($946,000) from approximately 120,000 admissions. The figure, unveiled by Comscore France, includes about 8,000 tickets sold at preview screenings across France, notably in Paris where
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The odds were ever in favor of “The Hunger Games” prequel “The Ballad of Songbirds and Snakes,” which emerged victorious in a busy box office weekend despite opening slightly behind expectations. The film, which brings audiences back to the dystopia of Panem for the first time in nearly a decade, collected $44 million from 3,776
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