Box Office

A24‘s political thriller “Civil War” is resonating not just in red states and blue but overseas, too. Alex Garland’s film, starring Kirsten Dunst as a photojournalist who traverses a violently divided United States, has grossed $45.7 million in North America and $20 million internationally. Global ticket sales stand at $67.3 million through Monday, and it’s projected

Universal’s “Kung Fu Panda 4” topped the U.K. and Ireland box office with £2.8 million ($3.6 million), according to numbers from Comscore. The film now has a total of £12.7 million after two weekends. Also in its second weekend, Warner Bros.’ “Godzilla x Kong: The New Empire” collected £1.9 million in second place for a

The horror prequel “The First Omen” and the action thriller “Monkey Man” arrive in theaters this weekend, but they’ll be no match for the mighty force of “Godzilla x Kong: The New Empire.” 20th Century Studios’ “The First Omen” opened with $725,000 in previews at the box office, while Universal’s “Monkey Man” opened a bit

What happens when two otherworldly beasts team up to take on the box office? Theater owners will find out this weekend as “Godzilla x Kong: The New Empire” touches down in North America. The monster mashup, from Warner Bros. and Legendary Entertainment, is targeting $50 million to $55 million from 3,850 theaters in its first

Sony’s “Ghostbusters: Frozen Empire” debuted atop the U.K. and Ireland box office with £4 million ($5.1 million), according to numbers from Comscore. In the process, the band of ectoplasm hunters ended the three-week reign of Warner Bros.’ “Dune: Part II” in pole position. The Timothée Chalamet-starring film collected £2.6 million in its fourth weekend in

‘Kung Fu Panda 4’ opened on top of the mainland China box office in its first official week of release. But its debut was soft and led the market to one of its quietest weekends of the year. The Universal-DreamWorks Animation picture earned $14.7 million (RMB105 million) between Friday and Sunday, according to data provided

Locally-produced horror-drama “Exhuma” held on to top spot at the South Korea cinema box office for a fifth consecutive weekend. Its complete dominance of the market kept “Exhuma” comfortably ahead of the holdover “Dune 2” and a couple of lower-powered new releases and allowed its running total to surpass 10 million ticket sales. That is

“Ghostbusters: Frozen Empire” ruled over the domestic box office and arrived on the higher end of expectations. The latest installment in Sony’s supernatural comedy series has collected $45.2 million in its debut in 4,345 North American theaters. Earlier in the weekend, “Frozen Empire” looked like it would top out with $42 million but estimates were

“Ghostbusters: Frozen Empire” kicked off with $16 million in North American ticket sales across Friday and preview screenings in 4,345 theaters. That nearly matches the $16.6 million that its predecessor “Ghostbusters: Afterlife” earned on its opening day in November 2021. Sony’s sci-fi comedy sequel will easily top domestic charts, though its work isn’t done yet

Ghostbusting is back at the box office! “Ghostbusters: Frozen Empire,” the fifth and latest movie in the frightening franchise, has made $4.7 million at the box office in Thursday previews. Sony and Columbia Pictures’ new movie, which reunites the original stars of the ’80s classic and the cast from the 2021 “Afterlife” sequel, is expected

“Kinds of Kindness,” the next collaboration between director Yorgos Lanthimos and star Emma Stone, will debut in theaters this summer. Searchlight, the indie studio that’s distributing the film, added it to the release calendar on June 21. Though the plot remains under wraps, “Kinds of Kindness” is an anthology film that reunites Stone with her

It’s a box office battle of the sequels as Universal and Dreamworks Animation’s “Kung Fu Panda 4” vies for first place with “Dune: Part Two” on domestic charts. The fourth “Kung Fu Panda” movie looks to collect $45 million to $50 million in its opening weekend. Meanwhile, “Dune: Part Two” is projected to add $40

Taiwanese-produced crime action film “The Pig, the Snake and the Pigeon” opened on top of the mainland China box office over the weekend, ahead of a quartet of holdover titles from Lunar New Year. Sony’s ‘Madame Web’ and a rereleased “Dune” also opened, but they failed to penetrate the top five. “The Pig, the Snake

The four strongest Chinese titles that launched over the Lunar New Year holidays continued to dominate the mainland China and global office charts for a third successive weekend, albeit with a change of order that put Zhang Yimou’s “Article 20” in top spot. Global box office tracking service ComScore showed “Article 20,” “Pegasus 2,” “YOLO”

Score one for true love! Sydney Sweeney and Glen Powell’s romantic comedy “Anyone But You” hit a notable box office milestone with $200 million globally. It stands as the highest-grossing romantic comedy in years, outperforming recent star-driven entries in the genre like Julia Roberts and George Clooney’s “Ticket to Paradise” ($168 million) and the Sandra

Paramount’s musical biopic “Bob Marley: One Love” ruled again over a barren box office landscape. The film added $13.5 million from 3,925 North American theaters in its second weekend of release, a 53% decline from its debut. “One Love” has been a surprise box office success with $71.1 million domestically and $120 million globally. It

Paramount’s “Bob Marley: One Love” will retain its holding as the top film on domestic charts this weekend, besting a trio of new releases in the manga adaptation “Demon Slayer Kimetsu no Yaiba — To the Hashira Training,” the faith-based Hilary Swank drama “Ordinary Angels” and Ethan Coen’s lesbian crime caper “Drive-Away Dolls.” “One Love”

Paramount’s “Bob Marley: One Love” debuted atop the U.K. and Ireland box office with £6.9 million ($8.7 million), according to numbers from Comscore. Universal’s animation “Migration” dropped a spot to second place with £2.7 million in its third weekend and now has a total of £13.5 million. Sony’s “Madame Web” debuted in third position with

Four Chinese films dominated the mainland China and global box office charts over the latest weekend. “YOLO,” a comedy drama about weight loss and self-discovery, was crowned as the top earning film worldwide for a second weekend running. “YOLO” took $86.5 million (RMB614 million) between Friday and Sunday, giving it a 9-day cumulative total of

Paramount’s “Bob Marley: One Love” continued its run as box office leader through the specialized six-day holiday frame, adding $7.4 million on Friday from 3,539 locations to bump its domestic tally to $25.3 million. The biopic about the reggae legend could even double the six-day haul of Sony’s new superhero film “Madame Web,” which earned

Universal’s “Migration” stayed atop the U.K. and Ireland box office for the second consecutive week with £2.4 million ($3.1 million), according to numbers from Comscore. The global hit animation now has a total of £6.6 million in the territory. Another Universal title, “Argylle,” stayed in second place for the second weekend in a row with

Four Chinese films dominated the global box office charts over the weekend, with combined takings of $350 million earned over just two days. And, as North America watched the Super Bowl instead, the weekend’s top Hollywood title, “Argylle” earned just $15.9 million worldwide. Chinese titles eschewed their usual Friday release pattern and opened on Saturday,

Hollywood fantasy film “Wonka” held strongly at the top of the South Korean box office on a weekend boosted by the Lunar New Year holidays. But Hollywood spy comedy “Argylle” opened disappointingly in seventh position. Korea allocates three days of public holiday to the Lunar New Year and took them this time from Friday to

The domestic box office will grind to a near halt this weekend as the horror-comedy “Lisa Frankenstein” takes on the second weekend of Apple’s big-budget action-adventure “Argylle” in North America. Matthew Vaughn’s “Argylle,” which topped the box office despite its dismal debut, will likely retain the No. 1 spot again with $6 million to $8

Eight Chinese-language films release simultaneously this weekend in mainland China and will vie for a slice of the Lunar New Year holiday box office business. The week-long nationwide holiday period has in recent years become the most lucrative season for cinemas, and key films stake out their slot in the release calendar months or years

Apple has spared no expense with its embrace of movie theaters, shelling out $200 million to produce historical epics, war dramas and action comedies… all while the global box office contracts and rivals scramble to tighten their budgets. For most studios, these expenditures would be ruinous at a time when hardly any movie is earning

Mainland China’s cinema box office recorded its lowest weekend revenue in over 12 months, at just $21 million, leaving a crop of long-playing titles largely unchanged at the top of the chart. Fish out of water comedy film “Jonny Keep Walking” kept its place at the top of the China box office in its sixth

With no new wide releases this weekend, theater traffic is reaching a near halt to mark the end of January. “Mean Girls” looks to lead domestic charts once again, while the crop of freshly Oscar-nominated features look to extend their big screen runs armed with renewed new awards buzz. Universal’s release of Apple’s star-studded action-comedy

Sony Pictures‘ “Madame Web,” the latest spinoff of the studio’s array of “Spider-Man”-based Marvel characters, has been granted a theatrical release in mainland China. The film will open in the country on March 1 — two weeks after the title’s Valentine’s Day bow in North America and multiple international territories, including the Chinese-language markets of

The box office has officially entered the January doldrums. The weekend’s only new wide opener, the outer space thriller “I.S.S.,” failed to make impact, eyeing a dull opening after drawing $1.2 million from 2,520 theaters across its opening day and previews. Directed by Gabriela Cowperthwaite, “I.S.S.” stars Ariana DeBose and Chris Messina as astronauts aboard