Box Office

Paramount’s “Bob Marley: One Love” debuted atop the U.K. and Ireland box office with £6.9 million ($8.7 million), according to numbers from Comscore. Universal’s animation “Migration” dropped a spot to second place with £2.7 million in its third weekend and now has a total of £13.5 million. Sony’s “Madame Web” debuted in third position with
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Four Chinese films dominated the mainland China and global box office charts over the latest weekend. “YOLO,” a comedy drama about weight loss and self-discovery, was crowned as the top earning film worldwide for a second weekend running. “YOLO” took $86.5 million (RMB614 million) between Friday and Sunday, giving it a 9-day cumulative total of
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Paramount’s “Bob Marley: One Love” continued its run as box office leader through the specialized six-day holiday frame, adding $7.4 million on Friday from 3,539 locations to bump its domestic tally to $25.3 million. The biopic about the reggae legend could even double the six-day haul of Sony’s new superhero film “Madame Web,” which earned
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Universal’s “Migration” stayed atop the U.K. and Ireland box office for the second consecutive week with £2.4 million ($3.1 million), according to numbers from Comscore. The global hit animation now has a total of £6.6 million in the territory. Another Universal title, “Argylle,” stayed in second place for the second weekend in a row with
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Four Chinese films dominated the global box office charts over the weekend, with combined takings of $350 million earned over just two days. And, as North America watched the Super Bowl instead, the weekend’s top Hollywood title, “Argylle” earned just $15.9 million worldwide. Chinese titles eschewed their usual Friday release pattern and opened on Saturday,
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Sony Pictures‘ “Madame Web,” the latest spinoff of the studio’s array of “Spider-Man”-based Marvel characters, has been granted a theatrical release in mainland China. The film will open in the country on March 1 — two weeks after the title’s Valentine’s Day bow in North America and multiple international territories, including the Chinese-language markets of
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The box office has officially entered the January doldrums. The weekend’s only new wide opener, the outer space thriller “I.S.S.,” failed to make impact, eyeing a dull opening after drawing $1.2 million from 2,520 theaters across its opening day and previews. Directed by Gabriela Cowperthwaite, “I.S.S.” stars Ariana DeBose and Chris Messina as astronauts aboard
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The U.K. and Ireland box office revenue improved 8.3% from £980.5 million ($1.25 billion) in 2022 to £1.06 billion ($1.35 billion) in 2023, according to numbers released by Comscore. However, the number was 23.5% below the 2019 pre-pandemic total of £1.35 billion ($1.72 billion). 2023, the first full year since 2019 without any COVID-19 restrictions,
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“Aquaman and the Lost Kingdom” led the worldwide box office with a $108 million debut weekend, according to numbers released by Comscore. Warner Bros. and DC Studio’s “Aquaman 2” also topped the U.S. box office over the weekend. In second place, “Wonka” continued its stellar run with a worldwide weekend of $50.9 million and now
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It seems Hollywood’s “sequel-itis” has reached China’s box office too. Despite the country’s dramatic overnight removal of COVID restrictions in December 2022 and film imports quickly restarting with the triumphant debut of “Avatar: The Way of Water,” Hollywood’s new normal in the Middle Kingdom bears little resemblance to its pre-pandemic status. During the three-year disruption
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Queen Bey is about to take on the box office. “Renaissance,” a concert film written, directed and produced by Beyoncé, is expected to bring in $17 million to $20 million in its opening weekend. The film will play in approximately 2,539 domestic locations, as well as 94 international territories, including Mexico, the U.K., South Africa, Kenya,
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Despite being plagued by harsh reviews from French critics and a derisive retaliation by director Ridley Scott, “Napoleon” had a strong opening in France on Wednesday, grossing an estimated €868,000 ($946,000) from approximately 120,000 admissions. The figure, unveiled by Comscore France, includes about 8,000 tickets sold at preview screenings across France, notably in Paris where
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The odds were ever in favor of “The Hunger Games” prequel “The Ballad of Songbirds and Snakes,” which emerged victorious in a busy box office weekend despite opening slightly behind expectations. The film, which brings audiences back to the dystopia of Panem for the first time in nearly a decade, collected $44 million from 3,776
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Disney’s “The Marvels” debuted atop the U.K. and Ireland box office with £3.4 million ($4.2 million), according to numbers released by Comscore. However, in keeping with its global bow, the opening was soft as the latest installment in the MCU scored just above its stablemates “The Incredible Hulk” (2008) and “Captain America: The First Avenger”
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The Zhang Yimou-directed contemporary drama film “Under the Light” retained its top spot at the mainland China box office for a second weekend, but with numbers that dropped steeply, as macro-economic weakening led to a Golden Week of across the board disappointment. Financial media Monday reported that consumers travelled less and spent less on leisure
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Disney’s Agatha Christie adaptation “A Haunting in Venice” stayed atop the U.K. and Ireland box office for the second successive weekend with £1.4 million ($1.8 million), per numbers from Comscore. The film, directed by Kenneth Branagh, where he plays detective Hercule Poirot, now has a total of £4.9 million after two weekends in release. Lionsgate’s
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Locally-made fantasy drama “Sleep” headed the Korean box office charts for the third successive weekend. But theaters were comatose ahead of bigger new releases timed for the Chuseok holiday season. “Sleep” earned just $1.06 million between Friday and Sunday, with a 27.5% market share, according to data from Kobis the tracking service operated by the
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