Box Office

Barring a Hollywood ending, 2019 will not go down as a year for the record books. Heading into the Christmas holiday, box office receipts are down nearly 4% at roughly $11.88 billion, marking the steepest drop in half-a-decade. The lackluster results are a consequence of too many blockbuster-hopefuls that weren’t and misguided attempts to reboot,
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When Universal first debuted the trailer for “Cats,” social media, to put it mildly, lost its mind. Initial footage for director Tom Hooper’s big-screen adaptation gave a glimpse at the computer wizardry, a phenomenon known in popular culture as “digital fur technology,” used to transform the actors into four-legged felines. The result, an unsettling amalgamation
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Two locally-made new releases, “Ashfall” and “Start-up” topped the weekend box office in South Korea, beating “Frozen 2.” (Star Wars: The Rise of Skywalker releases in Korea on Jan. 8, 2020). Opening on Thursday, CJ Entertainment’s “Ashfall” debuted on top of the box office. The volcano action drama earned $18.2 million from 2.46 million admissions
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Hollywood films and local arthouse led the Chinese box office this weekend, with “Jumanji: The Next Level” taking the lead with a $24.7 million debut, while Lou Ye’s Venice title “Saturday Fiction” was abruptly yanked from the lineup of releases.  Remarkably, Diao Yinan’s stylish and bloody neo-noir “Wild Goose Lake” did almost as well as
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Disney’s “Frozen 2” will continue to dominate the box office for the third weekend in a row with an estimated $33.8 million. The number marks a roughly 67% decline over last weekend. The hit animated sequel has accumulated $310.8 million domestically through Friday, and will likely become Disney’s sixth movie to cross $1 billion in
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“Frozen 2” is gradually warming up the North American box office, with an estimated $37 million its third weekend at 4,440 sites, early estimates showed Friday. Disney’s animated sequel is projected to decline about 57%. Should estimates hold, “Frozen 2” should finish the weekend with nearly $340 million domestically in it first 17 days. With
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December 1, 2019 10:18AM PT Disney royals Anna and Elsa maintained their reign over international box office charts as “Frozen 2” generated another $164 million from 45 foreign territories over the weekend. The animated sequel debuted in a handful of overseas markets this weekend including Italy ($7.7 million), Australia ($6.6 million) and Russia ($13.7 million),
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Disney’s “Frozen 2” is continuing to dominate the Thanksgiving box office with an estimated $128 million through the five-day weekend. The “Frozen” sequel took in another $34 million on Friday of its second weekend in multiplexes, lifting its cumulative domestic gross to $236 million through Friday. Should estimates hold, “Frozen 2” will top “Hunger Games:
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Disney’s “Frozen 2” is heading for a record of at least $140 million over the five-day Thanksgiving holiday in North America, early estimates showed Wednesday. The animated adventure will easily top the $109.9 million record set by “The Hunger Games: Catching Fire” in 2013 during the five-day period. “Frozen 2,” which opened on Nov. 22,
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Thanksgiving should provide a hearty box office bounty for studios and exhibitors alike. While Disney’s “Frozen 2” will easily dominate domestic charts again, a range of offerings are expected to drive big business during one of the busiest times of year for moviegoing. Newcomers Lionsgate’s murder mystery “Knives Out” and Universal’s romance drama “Queen and
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When exhibitor Jeff Logan talks to friends and customers about upcoming movies, he’s sometimes greeted with a shrug. “I’ll tell them there’s a new ‘Terminator’ and they’ve brought back Arnold and Linda Hamilton, and they don’t seem too excited about that,” says Logan. “Or there’s another ‘Rambo,’ and they’ll go, ‘Geez, isn’t he getting old?’
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“Charlie’s Angels” latest box-office outing was anything but heaven sent. Sony’s reboot failed to meet even the studio’s cautiously low expectations, debuting to a franchise-eviscerating $8.6 million in North America. Given that the film failed to make up much traction overseas, launching with $19.2 million, including a disappointing $7.7 million in China, it seems likely
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