November 8, 2018 11:06AM PT Universal Studios has pushed back Dwayne Johnson’s “Red Notice” five months from June 12, 2020, to Nov. 13, 2020. The studio made the announcement Thursday. Johnson reteams with his “Skyscraper” and “Central Intelligence” writer/director Rawson Marshall Thurber and plays an Interpol agent tasked with capturing the most-wanted art thief in
Box Office
Fox’s “Bohemian Rhapsody” rocked to an impressive $3.9 million at 3,260 North American locations on Thursday night. Exit polling showed that 66% of theatergoers rated “Bohemian Rhapsody” as “excellent,” with another 24% calling it “very good.” The Queen biopic, starring Rami Malek as Freddie Mercury, expands to 4,000 locations on Friday amid expectations that it
November 1, 2018 12:49PM PT Disney’s “Ralph Breaks the Internet” should gobble up the competition when it hits theaters during a crowded Thanksgiving weekend. Before the animated sequel can claim victory, it will have to fend off a heavyweight boxer and a baddie with a bow and arrow. “Ralph Breaks the Internet,” the sequel to
WASHINGTON — The MPAA is marking the 50th anniversary of its film ratings by releasing data on the breakdown of how movies have been rated over the last half century. The R rating has been placed on far and away the majority of the movies since then, more than half of the almost 30,000 titles
Action-thriller “Hunter Killer” captured a moderate $420,000 at 2,200 North American locations on Thursday night. The Lionsgate title, starring Gerard Butler, Gary Oldman, and Common, should collect between $5 million and $9 million this weekend when it launches at 2,720 sites. “Hunter Killer,” based on the novel “Firing Point,” follows a group of Navy SEALs
“Fantastic Beasts: The Crimes of Grindelwald” is heading toward a magical debut between $65 million and $75 million when it hits theaters on Nov. 16. If estimates hold, the sequel will see a similar opening to “Fantastic Beasts and Where to Find Them,” the first entry in the “Harry Potter” spinoff series. That film launched
Lionsgate and IDC have renewed their longstanding distribution partnership for Latin American releases of Lionsgate and Summit Entertainment films. Since the partnership’s formation with predecessor company Summit Entertainment in 2005, IDC has generated over $1.3 billion at the Latin American box office, propelled by the Hunger Games, Twilight Saga, Now You See Me, and John
October 23, 2018 7:27AM PT “One Cut of the Dead,” the Shinichiro Ueda-directed zombie comedy that is Japan’s box office sensation of the year, has hit the 2 million admissions mark. Initially released on June 23 in two Tokyo theaters, the film reached this landmark on Oct. 20. Distributed by Asmik Ace and Enbu Seminar – the Tokyo
Tom Hardy’s “Venom” grabbed $35.7 million to repeat as the winner of the North American box office, followed by Lady Gaga’s “A Star Is Born” with $28 million. Ryan Gosling’s “First Man” launched in third place at the low end of expectations with $16.6 million at 3,640 sites, edging the opening of Sony’s “Goosebumps 2:
Fox’s teen drama “The Hate U Give” has started with a solid $500,000 at 36 North American locations in its opening weekend. The movie, an adaptation of the Angie Thomas novel, stars Amandla Stenberg as a high school student switching between two worlds: the poor, mostly black neighborhood where she lives and the rich, mostly
On a pre-holiday weekend, in which new releases unusually came to market on Sunday instead of the normal Friday, “Hello Mrs Money” topped the Chinese box office. Zhang Yimou’s “Shadow” took second spot. Their single day of release gave “Mrs Money” $16.8 million, and “Shadow” $10.4 million, according to data from Ent Group. They were
Kevin Hart and Tiffany Haddish are proving to be an irresistible combination at the box office. The comic stars joined forces for “Night School,” a Universal Pictures comedy that picked up $1.35 million in previews on Thursday night. “Night School” is expected to top the box office charts this weekend, eyeing a debut between $27
Kevin Hart and Tiffany Haddish are hoping that big laughs equal big bucks when “Night School” opens this weekend. Before the comedic duo can claim box office victory, however, they’ll have to fend off one adorable Yeti. Universal’s “Night School” is eyeing a debut between $27 million and $35 million from 2,900 theaters. The film
“The Golden Job,” a Hong Kong action film that revives the 1980s “Young & Dangerous” action franchise, topped the mainland Chinese box office over the weekend. Directed by Eric Tsang, it earned a respectable $22.7 million in its opening three days, for a 34% share of a lowball pre-holiday weekend. Second place went to Chinese
September 23, 2018 9:10AM PT Warner Bros.’ “The Nun” topped the international box office for the third straight weekend, generating another $35.5 million in 80 markets. That takes its overseas total to $191.7 million for a global tally of $292.6 million. “The Nun” now ranks as the biggest “Conjuring” movie in 32 territories. It’s also the
“The House With a Clock in Its Walls” easily topped the domestic box office in an otherwise quiet weekend at multiplexes. Eli Roth’s adaptation of the popular children’s book picked up a better-than-expected $26.8 million when it opened in 3,592 locations. The fantasy film, starring Jack Black and Cate Blanchett, didn’t face much competition. A number of
Jack Black’s “The House With a Clock in Its Walls” is ticking to a U.S. opening of $20 million-plus, early estimates showed on Friday. Universal Pictures and Amblin Entertainment’s fantasy film is expected to debut at the higher end of estimates, which were projected to be between $18 million and $20 million at 3,500 North American locations.
Universal Pictures and Amblin Entertainment’s “The House With a Clock in Its Walls” picked up $840,000 from Thursday night previews. The adaptation of the 1973 John Bellairs book is aimed at family audiences and is poised to top the domestic box office during an otherwise sleepy weekend at the multiplexes. “The House With a Clock
September 20, 2018 9:48AM PT Damien Chazelle’s space epic “First Man” should achieve a solid liftoff when it opens on Oct. 12. Universal’s biographical drama — starring Ryan Gosling as Neil Armstrong — is eyeing a launch north of $20 million though stellar reviews leading up to its opening could propel it closer to $30
The Chinese government is introducing measures to ban the subsidizing of theatrical movie tickets that are sold online. Subsidies by both ticket sales platforms and film distributors have distorted the market. The regulatory moves appear to be in the process of being introduced. Authorities have met with major cinema chains, according to financial news publication
Timing really is everything. That seems especially true for Universal Pictures’ “The House With a Clock in Its Walls” as a mid-teens launch looks to be enough to top the domestic box office. After “The Meg” and “Crazy Rich Asians” led a roaringly successful August, the rest of September looks muted with just a few
Hong Kong-made action-thriller “L Storm” topped the Chinese box office with an opening weekend score of $29.4 million. That gave it nearly 60% market share on another quiet weekend in Chinese theaters. The weekend was characterized by the release of a large number of smaller titles into a window ahead of the Autumn Festival holiday
“The Predator” sunk its teeth into the North American box office, but it wasn’t able to stick the landing overseas, where “The Nun” reigned supreme in international territories for the second weekend in a row. Warner Bros.’ “The Nun” generated $33.1 million in 62 overseas markets, taking its international tally to $143.6 million. It picked
“The Predator” was able to fend off “The Nun” at the domestic box office. Shane Black’s “The Predator” launched with a tepid $24 million from 4,037 North American locations. That was easily enough to top the weekend box office, but not enough to land a franchise-best debut. That distinction still belongs to 2010’s “Predator” with
“The Predator” is about to take a bite out of the box office. Fox’s thriller reboot is on its way to an estimated $25 million debut from 4,037 North American sites. The projection is on the lower end of earlier forecasts, which had placed it in the $23 million to $32 million range. The film