Box Office

“Expend4bles,” the fourth action-thriller starring Jason Statham and Sylvester Stallone as elite mercenaries on a mission, is expected to top the box office in its debut. It’s aiming for $15 million in its opening weekend, which would be the lowest of the franchise. There’s a chance, though, it could slightly exceed expectations with $17 million.

Warner Bros.’ “The Nun II” debuted atop the U.K. and Ireland box office with £1.7 million ($2.1 million), according to numbers released by Comscore. Yash Raj Films release “Jawan,” headlined by Bollywood superstar Shah Rukh Khan, bowed in second place with a strong £1.3 million. In its second weekend, Sony’s “The Equalizer 3” collected £1

Shah Rukh Khan’s action thriller “Jawan” has shattered the star’s own Bollywood opening day record. “Jawan” is produced by Gauri Khan and Gaurav Verma for Red Chillies Entertainment. It opened on Thursday and its Hindi-language version grossed $9.4 million in India, with a further $1.3 million from Tamil and Telugu-language dubbed versions, according to numbers

Sony’s “The Equalizer 3” has finally toppled the six-week reign of “Barbie” atop the U.K. and Ireland box office. Antoine Fuqua’s action thriller, headlined by Denzel Washington and Dakota Fanning, debuted with £2.7 million ($3.4 million), per numbers from Comscore. In its seventh weekend, Warner Bros.’ “Barbie” slid down to second place with £1.6 million

The “Barbie” and “Oppenheimer” phenomenon helped the U.K. and Ireland box office reach £104.8 million ($132 million) in August, per numbers from Comscore. While this is significantly lower than the heights of £160.7 million in July, it is 67% higher than August 2022 (£62.9 million). Year-to-date, 2023 is currently running 10% ahead of the same

Are you ready for it? Taylor Swift is here to save movie theaters. Her “Eras Tour” concert film, which opens theatrically on Oct. 13, has already earned a massive $26 million in presale tickets at AMC Theatres. It set a single-day ticket sale record for AMC, besting the benchmark previously held by “Spider-Man: No Way

The “Barbenheimer” phenomenon continued at the U.K. and Ireland box office, occupying the top two positions for the sixth consecutive weekend. Warner Bros.’ “Barbie” collected £1.9 million ($2.4 million) in top spot and now has a total of £89.02 million ($112 million), per numbers from Comscore. The film has now surpassed “Avengers: Endgame” to occupy

“Barbie” has reigned over the box office with a historic, hot-pink theatrical run over the past four weeks, but now it’s facing its biggest challenge yet: DC’s latest superhero film, “Blue Beetle.” The comic book film, led by “Cobra Kai” star Xolo Maridueña, picked up $3.3 million in Thursday previews at the domestic box office.

Greta Gerwig’s fantasy comedy “Barbie” has crossed $537.5 million at the domestic box office, overtaking Christopher Nolan’s 2008 superhero epic “The Dark Knight” ($536 million) as the highest-grossing domestic release in Warner Bros. history. And the box office records aren’t expected to stop anytime soon. In the coming days, “Barbie” will surpass Universal’s animated “The

Warner Bros.’ “Barbie” and Universal’s “Oppenheimer” continued ruling the U.K. and Ireland box office for a fourth consecutive weekend. Greta Gerwig’s “Barbie” topped the charts yet again with £4.4 million ($5.6 million) for a total of £78.2 million, per numbers from Comscore. The film is the No. 1 grosser in the territory for 2023 by

Theatrical cinema in July enjoyed its highest revenues since pre-pandemic times, with global box office hitting $4.54 billion during the month. “This is the single highest-grossing month since before the pandemic began. The result sees July 2023 track 17% ahead of the July average of the last three pre-pandemic years (2017-2019),” said research and advisory

It’s a “Barbenheimer” world, and we’re just living in it. The collective force of “Barbie” and “Oppenheimer” continued to rule the box office in their second weekends of release, providing another needed jolt as two Hollywood strikes threaten the fragile exhibition industry. Greta Gerwig’s cotton candy-colored fantasy comedy again led the way, adding a massive

“Barbie” and “Oppenheimer” ain’t afraid of no ghost. Disney’s new “Haunted Mansion” is settling for third place behind the formidable pair of blockbusters. The reimagining earned $9.9 million from 3,740 locations on its opening day, a figure that includes $3.1 million in Thursday previews. The family-friendly funhouse feature was projecting an opening between $25 million

“Barbenheimer” fever shows no signs of slowing down. The combined forces of Warner Bros.’ “Barbie” and Universal’s “Oppenheimer” are setting up another huge weekend at the box office, but Disney’s new release “The Haunted Mansion” will have to settle for third place. The kid-friendly horror film made $3.1 million in Thursday previews at the box

Disney’s remake of “Haunted Mansion” opens on Friday in theaters, where it’ll face an opponent that’s much scarier than the threatening ghosts that populate the world of the supernatural comedy. That foe would be the collective force of “Barbie” and “Oppenheimer,” which have spent the past week putting box office projections to shame. “Barbenheimer,” as

“Barbenheimer” fever continues to sweep the box office. After five days of release, the inextricably linked “Barbie” and “Oppenheimer” have reached notable theatrical milestones, with ticket sales for Greta Gerwig’s fantasia romp crossing $200 million and Christopher Nolan’s somber, three-hour biopic “Oppenheimer” surpassing $100 million. “Barbie” added another $26 million on Tuesday, bringing its North

Come on, Barbie, let’s go make (more) box office history. Greta Gerwig’s plastic, fantastic “Barbie” added $26 million on Monday, resulting in the best Monday gross in Warner Bros. history. The prior studio record was held by (wait for it) Christopher Nolan’s 2008’s superhero epic “The Dark Knight,” which earned $24.6 million (not adjusted for

Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” were the dominant forces at the U.K. and Ireland box office this weekend, with a combined debut take of £29.4 million ($37.6 million), per numbers from Comscore. Warner Bros.’ “Barbie” led the way with a mighty £18.5 million, while Universal’s “Oppenheimer” collected £10.8 million. Cinema chains reported record

Warner Bros.’s “The Flash” and Disney/Pixar’s “Elemental” made theatrical debuts in China that were in line with their soft starts in North America and other international territories. “The Flash” captured the top spot in China with a $13.4 million (RMB94.8 million) opening weekend ($13.8 million including previews), according to data from consultancy Artisan Gateway. It

Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero. The Warner Bros. release got started with $24.5 million from 4,234 locations on opening day, which includes

Korean-produced crime action film “The Roundup: No Way Out” dominated proceedings at the South Korean cinema box office for the second successive weekend. Its massive haul now totals $60 million. “Transformers: Rise of the Beasts” opened with a puny second place. The Friday to Sunday period saw the film bring in $10.4 million from 1.32

“Transformers: Rise of the Beasts” is readying to turbocharge the box office, targeting $50 million to $60 million in its opening weekend. There’s a chance that inaugural ticket sales could climb higher as the Paramount Pictures film touches down on Friday in 3,700 North American theaters. But the latest Autobot adventure is expected to face

“Fast & Furious 10” (aka “Fast X”) dominated the mainland China box office with a strong opening weekend and a revved up opening five days. Data from consultancy firm Artisan Gateway shows Fast X scored $51.1 million between Friday and Sunday, to comfortably top the Chinese box office, with a 58% market share. Unusually, the

“Fast X,” the latest installment in the “Fast and Furious” franchise, is speeding to a projected $67.25 million debut at the domestic box office this weekend. The street racing movie earned $28 million on Friday from 4,046 theaters, and is expected to gross another $22.43 million on Saturday and $16.82 million on Sunday. This will

More than two million people turned out on Wednesday to watch “Fast X” in Chinese movie theaters, spending a combined $15.3 million on the film on its first day of release. That made the 10th film in the “Fast & Furious” franchise a clear winner at the Chinese box office in an unusual midweek release.

Disney’s “Guardians Of The Galaxy Vol. 3” ruled the U.K. and Ireland box office with a £12 million ($15.2 million) opening, according to numbers released by Comscore. The latest Marvel Studios release debuted at Number 1 with an 72% market share, according to Disney, and had the biggest three-day opening weekend of 2023. In its

Universal’s “The Super Mario Bros. Movie” ruled the U.K. and Ireland box office collecting £3.06 million ($3.8 million) in its fourth weekend for a total of £45.7 million, per numbers from Comscore. In its second weekend, Studiocanal’s “Evil Dead Rise” earned £1.05 million in second place for a total of £3.3 million. There were a

“Evil Dead Rise” might not be able to vanquish the soon-to-three-peat box office champion “The Super Mario Bros. Movie,” but the horror entry is still chainsawing off its own solid opening on domestic charts. The Warner Bros. release earned $10.3 million from 3,402 locations on Friday, a figure that includes $2.5 million in previews. That’s

“Dungeons & Dragons: Honor Among Thieves” opened in fourth place at the mainland China box office with a muted $5 million haul. Top honors belonged to Japanese animation film “Suzume” for the second weekend. “Suzume” incurred a 55% week-on-week drop, falling from $49.6 million in its opening weekend, to $22.1 million in is second, according

“Dungeons & Dragons: Honor Among Thieves” landed into second place at a depressed South Korean box office with a market share barely a fifth that of chart leader “Suzume.” The Japanese animation film earned $4.46 million in its fourth week of release, according to data from Kobis, the tracking service operated by the Korean Film