Box Office

“Barbenheimer” fever shows no signs of slowing down. The combined forces of Warner Bros.’ “Barbie” and Universal’s “Oppenheimer” are setting up another huge weekend at the box office, but Disney’s new release “The Haunted Mansion” will have to settle for third place. The kid-friendly horror film made $3.1 million in Thursday previews at the box
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Disney’s remake of “Haunted Mansion” opens on Friday in theaters, where it’ll face an opponent that’s much scarier than the threatening ghosts that populate the world of the supernatural comedy. That foe would be the collective force of “Barbie” and “Oppenheimer,” which have spent the past week putting box office projections to shame. “Barbenheimer,” as
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“Barbenheimer” fever continues to sweep the box office. After five days of release, the inextricably linked “Barbie” and “Oppenheimer” have reached notable theatrical milestones, with ticket sales for Greta Gerwig’s fantasia romp crossing $200 million and Christopher Nolan’s somber, three-hour biopic “Oppenheimer” surpassing $100 million. “Barbie” added another $26 million on Tuesday, bringing its North
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Come on, Barbie, let’s go make (more) box office history. Greta Gerwig’s plastic, fantastic “Barbie” added $26 million on Monday, resulting in the best Monday gross in Warner Bros. history. The prior studio record was held by (wait for it) Christopher Nolan’s 2008’s superhero epic “The Dark Knight,” which earned $24.6 million (not adjusted for
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Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” were the dominant forces at the U.K. and Ireland box office this weekend, with a combined debut take of £29.4 million ($37.6 million), per numbers from Comscore. Warner Bros.’ “Barbie” led the way with a mighty £18.5 million, while Universal’s “Oppenheimer” collected £10.8 million. Cinema chains reported record
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Warner Bros.’s “The Flash” and Disney/Pixar’s “Elemental” made theatrical debuts in China that were in line with their soft starts in North America and other international territories. “The Flash” captured the top spot in China with a $13.4 million (RMB94.8 million) opening weekend ($13.8 million including previews), according to data from consultancy Artisan Gateway. It
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Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero. The Warner Bros. release got started with $24.5 million from 4,234 locations on opening day, which includes
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Korean-produced crime action film “The Roundup: No Way Out” dominated proceedings at the South Korean cinema box office for the second successive weekend. Its massive haul now totals $60 million. “Transformers: Rise of the Beasts” opened with a puny second place. The Friday to Sunday period saw the film bring in $10.4 million from 1.32
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“Transformers: Rise of the Beasts” is readying to turbocharge the box office, targeting $50 million to $60 million in its opening weekend. There’s a chance that inaugural ticket sales could climb higher as the Paramount Pictures film touches down on Friday in 3,700 North American theaters. But the latest Autobot adventure is expected to face
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Universal’s “The Super Mario Bros. Movie” ruled the U.K. and Ireland box office collecting £3.06 million ($3.8 million) in its fourth weekend for a total of £45.7 million, per numbers from Comscore. In its second weekend, Studiocanal’s “Evil Dead Rise” earned £1.05 million in second place for a total of £3.3 million. There were a
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“Evil Dead Rise” might not be able to vanquish the soon-to-three-peat box office champion “The Super Mario Bros. Movie,” but the horror entry is still chainsawing off its own solid opening on domestic charts. The Warner Bros. release earned $10.3 million from 3,402 locations on Friday, a figure that includes $2.5 million in previews. That’s
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“Dungeons & Dragons: Honor Among Thieves” opened in fourth place at the mainland China box office with a muted $5 million haul. Top honors belonged to Japanese animation film “Suzume” for the second weekend. “Suzume” incurred a 55% week-on-week drop, falling from $49.6 million in its opening weekend, to $22.1 million in is second, according
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“Dungeons & Dragons: Honor Among Thieves” landed into second place at a depressed South Korean box office with a market share barely a fifth that of chart leader “Suzume.” The Japanese animation film earned $4.46 million in its fourth week of release, according to data from Kobis, the tracking service operated by the Korean Film
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Hark! “Dungeons & Dragons: Honor Among Thieves” looks to reach the top of box office charts in its opening weekend, besting the sophomore outing of “John Wick: Chapter 4.” “Honor Among Thieves” scored $15.3 million in its opening day, a figure that includes $5.6 million from Thursday screenings and specialty previews. Playing in 3,855 venues,
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Japanese animation film “Suzume” made just shy of $50 million on its opening weekend in mainland Chinese theaters. Data from consultancy Artisan Gateway, shows “Suzume” grabbing the top spot at the box office with $49.6 million (RMB342 million) between Friday and Sunday. That is the biggest opening score by any film this year outside of
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Warner Bros.’ “Shazam! Fury Of The Gods” debuted atop the U.K. and Ireland box office with £2.3 million ($2.9 million), according to numbers released by Comscore. In its third weekend, in second place, another Warner Bros. title, “Creed III,” punched its way to £1.2 million for a total of £11.6 million. In third place, Paramount’s
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Japanese animation “Suzume” retained the top spot at the South Korean box office for a second weekend, far outstripping holdover titles and newcomers including “Shazam! Fury of the Gods.” On its second weekend of release, “Suzume” earned $5.65 million, just a small fraction below its opening weekend score of $5.71 million. Underlining its dominance, the
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“Scream VI” collected $44.5 million in its opening weekend, a scary-good start for Paramount and Spyglass Media’s long-running slasher series. Those ticket sales were enough to top domestic box office charts over two newcomers, Sony’s prehistoric sci-fi thriller “65” and the Focus Features heartwarming comedy “Champions,” as well as last weekend’s victor “Creed III.” The
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When “Creed III” punched its way to the top of the box office over the weekend with a massive $58.7 million domestic haul, it knocked out a host of records. Directed, produced by and starring Michael B. Jordan as Adonis Creed, the MGM movie notched a franchise-best opening and the biggest domestic opening for a
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