Box Office

“Black Panther: Wakanda Forever” will keep its box office crown in its second weekend, towering over new studio releases “” and “She Said.” Marvel’s sequel brought in an additional $17.9 million on its second Friday, down 79% from its opening day figure. Projections for the sophomore outing of “Wakanda Forever” land in the $65 million

Disney’s “Black Panther: Wakanda Forever” will steamroll the box office again in its second weekend. The 30th installment in the Marvel Cinematic Universe aims to add $72 million to $80 million between Friday and Sunday. Ticket sales anywhere in that range — a decline of roughly 55% to 60% from its stellar $181 million opening

“Black Panther: Wakanda Forever” reaffirmed Disney and Marvel’s box office might with its blockbuster $181 million debut in North America. The comic book sequel generated another $150 million internationally, bringing its global tally to a staggering $331 million. Those ticket sales fell short of its predecessor, 2018’s “Black Panther,” which became an instant cultural phenomenon

“Black Panther: Wakanda Forever” leaped to the top spot at the South Korean box office, with a dominant 80% market share worth $6.53 million over the weekend. In its first five days on release the film amassed $8.87 million. The total was achieved on 2,538 screens, according to data from Kobis, the theatrical tracking service

It should come as little surprise that Netflix doesn’t plan to report box office grosses for “Glass Onion: A Knives Out Mystery,” which opens in theaters later this month. Since the streamer never discloses financials, there’s not much of a case to crack when it comes to that particular puzzle. But given the lack of

BOX OFFICE Toei Animation‘s “One Piece Film: Red,” the 15th film in the popular anime series, shot to the top of the box office charts in Saudi Arabia and achieved the biggest opening ever for a Japanese anime in the market, MENA-based distributor Front Row Filmed Entertainment has revealed. The film finished the weekend in

Korean-made crime thriller “Confession” took top place at the South Korean box office over the weekend, relegating “Black Adam” to third place. “Confession” earned $1.25 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Over its five opening days, the film earned $1.75 million.

“Black Adam” has crossed $250 million in global ticket sales after 10 days on the big screen. That’s a solid result, one that improves upon another recent DC spinoff, 2021’s “The Suicide Squad” (which tapped out with $168 million globally while playing simultaneously on HBO Max in North America), but the comic book adventure still

“Black Adam” conquered the box office again in its second weekend in theaters. The Warner Bros. comic book adventure, starring Dwayne Johnson as a baddie who promises to change the “hierarchy of power” in the DC universe, collected $27.7 million between Friday and Sunday, a standard (for a superhero movie) 59% decline from its opening

While North America carves up their pumpkins for Halloween, Dwayne Johnson is still carving up the box office. Warner Bros.’ “Black Adam” is expected to repeat in the No. 1 spot over a quiet Halloween weekend, beating out Lionsgate’s seasonal horror release “Prey for the Devil.” The DC Comics entry earned $7.5 million on Friday,

S.S. Rajamouli’s blockbuster “RRR,” starring Ram Charan and NTR Jr, is racking up the numbers at the Japanese box office. After an impressive worldwide run, where it grossed $145 million, including $14.5 million in North America, the film released in Japan on Oct. 21. Keizo Kabata’s Twin released the film in 209 screens and 31

Warner Bros.’ “Black Adam” made a powerful debut atop the U.K. and Ireland box office with £5.6 million ($6.4 million), according to numbers released by Comscore. Disney’s Venice winner “The Banshees Of Inisherin,” starring Colin Farrell and Brendan Gleeson, had a strong second place debut with £1.6 million. In third position, Sony’s “Lyle, Lyle, Crocodile”

Much anticipated Warner superhero movie, “Black Adam” predictably took top place at the South Korean box office over the weekend. But it did little to arrest the current downturn in what used to be the world’s fourth largest theatrical market. “Black Adam” earned $2.33 million between Friday and Sunday, according to data from Kobis, the

Dwayne Johnson’s superhero adventure “Black Adam” racked up $140 million in its global box office debut, including a mighty $73 million overseas. Warner Bros. reports that “Black Adam,” which debuted in 76 territories, is the No. 1 film in nearly every market. Outside of North America, where “Black Adam” also captured the No. 1 spot

Sony’s “Lyle, Lyle, Crocodile,” the film adaptation of the children’s books by Bernard Waber, featuring a singing crocodile, bowed at the U.K. and Ireland box office with £2.7 million ($3.1 million), according to numbers released by Comscore. Universal’s “Halloween Ends,” the final instalment in the horror trilogy of sequels to the original 1978 film, starring

After two years of upheaval and unfamiliarity at the box office, there’s something refreshingly familiar about the theatrical release of “Tár.” The acclaimed movie, directed by Todd Fields and starring Cate Blanchett as a world-famous conductor embroiled in a controversy of her own making, generated a stellar $160,000 from four theaters (two in New York

David O. Russell’s star-studded period drama “Amsterdam” collapsed in its box office debut, earning an anemic $6.5 million from 3,005 North American theaters. The movie, which cost $80 million to produce, couldn’t overcome bad reviews and minimal buzz and is shaping up to be one of the biggest misfires of the year. This weekend’s other

There’s one key question gripping the world this weekend: will the box office be smiling, or will it be Lyling? Sony’s “Lyle, Lyle, Crocodile” had hopes to challenge for the top slot at the box office this weekend, though it seems that the family comedy will now be unable to outpace the second weekend of

Patriotic action film “Homecoming” dominated cinemagoing in China over the weekend with a nearly $60 million haul. But the National Day holiday season is in a deep slump compared with recent years. Directed by Rao Xiaozhi, the film is yet another tale of a heroic rescue of Chinese citizens in danger in foreign lands. In

Paramount’s “Smile” debuted to a sizzling $22 million this weekend, easily topping the domestic box office. The horror film beat out the weekend’s other new wide release, Universal’s LGBTQ romantic comedy “Bros,” which landed in fourth place with a paltry $4.8 million bow. “Smile” ranks as one of the better original horror openings of the

“Smile” has something grin about this weekend. The creeper is projected to land a $19 million debut from 3,645 locations. It’s a fantastic start for the Paramount release, which carries a modest $17 million production budget. Compared to other original horror entries this year, “Smile” is coming in below Universal’s supernatural kidnap thriller “The Black

Hold onto your bucket hats: Sony’s action-thriller “Bullet Train” crossed $100 million at the domestic box office. It’s an impressive milestone in post-COVID times for an original movie that doesn’t involve marquee comic book heroes or intergalactic adventures. It helps, of course, that a bankable actor like Brad Pitt stars in the film, as a

“Smile,” the unsettling Paramount horror about grins, murder and suicide, has earned $2 million from Thursday previews at the domestic box office. On the other side of the cinematic spectrum, Universal’s “Bros,” a romantic comedy with entirely LGBTQ cast, has grossed $500,000. As the two movies face off at the box office this weekend, “Smile”

Universal’s ‘Ticket to Paradise,’ starring Julia Roberts and George Clooney, and Warner Bros.’ “Don’t Worry Darling,” with Florence Pugh, Harry Styles and Chris Pine, were in a close tussle at the U.K. and Ireland box office, with the former winning narrowly. “Ticket to Paradise” collected £2.8 million ($3.03 million) to top the box office, edging

China recorded an unchanged top five films and its weakest box office weekend since Chinese New Year. Nationwide gross box office was just $18.6 million. Comedy drama film “Give Me Five” held on to the top spot for the third week, with a weekend score of $6.3 million (RMB43.3 million), according to data from consultancy

Despite 13 years passing since “Avatar” first hit theaters, moviegoers are still dazzled by the striking world of Pandora. In anticipation of the sequel “The Way of Water,” which opens in December, Disney re-released James Cameron’s original science-fiction epic to promising results. The film generated $10 million in North America and $20.5 million internationally over

Never doubt dinosaurs. “Jurassic World Dominion,” the latest installment in Universal’s Tyrannosaurus-sized film franchise, has finally crossed $1 billion globally. It took more than four months to get there, making “Dominion” one of the slowest films to gross $1 billion in its original run. Other blockbusters that reached $1 billion after three months, or longer,

Is it true that, as the saying goes, there’s no such thing as bad publicity? “Don’t Worry Darling,” a movie that’s been largely overshadowed in recent weeks by relentless off-screen controversies, will test that adage as it debuts in 4,000-plus North American theaters over the weekend. The Warner Bros. film, directed by Olivia Wilde and

Disney’s “See How They Run” occupied the top spot for the second weekend in a row at the U.K. and Ireland box office, with £984,779 ($1.1 million), per numbers released by Comscore. The film now has a total of £2.8 million. In its seventh weekend, Sony’s “Bullet Train,” starring Brad Pitt, collected £325,252 in second

For the second weekend running, comedy action film “Confidential Assignment 2: International” held top spot at the South Korean box office. And it did so with a massive 75% share of the market. But as the Chuseok (Korean Thanksgiving) holiday retreated into the rear-view mirror numbers, both for the sequel film and the nationwide box