Movies

February 11, 2020 1:41PM PT Rian Johnson’s murder mystery “Knives Out” notched another box office benchmark, surpassing $300 million globally. Since debuting last November, the Oscar-nominated whodunit has made $159 million in the U.S. and $140.9 million overseas for a global haul of $299.9 million. It’s expected to hit the $300 million mark on Tuesday.
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Solstice Studios has acquired rights to “Bomb Squad,” an original pitch from Greg Kwedar and Clint Bentley, who previously collaborated on “Transpecos.” “Bomb Squad” is an action-thriller about two unlikely partners who team up to stop a serial bomber whose escalating attacks are building to a catastrophic event that will kill millions and destroy America’s
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“Birds of Paradise,” a new drama from the director of the buzzy indie “Buster’s Mal Heart,” has been set at Amazon Studios with producer Anonymous Content. Currently shooting in Budapest, the feature is directed by Sarah Adina Smith, who hails from Amazon’s streaming series “Hanna.” Smith also adapted the screenplay, from the A.K. Small novel
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Walking out of court on Tuesday afternoon, Harvey Weinstein shot down rumors that his walker is fake. “I’ll have a race with you,” he sarcastically quipped to reporters, in response to the press questioning whether his walker is a prop. Ever since his trial began, Weinstein’s walker has been a constant subject of discussion on
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“Shazam!” star Zachary Levi and “Riverdale’s” Cole Sprouse have boarded Lionsgate’s music-driven comedy “Undercover” from director Steve Pink. Levi will play a down-on-his-luck rocker-turned-father, who secretly joins a group of young musicians in a wedding cover band led by Sprouse. When things start looking up for the band, Levi’s character gets exposed. Mandeville Films’ Todd
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In the run to the Berlin Film Festival, MovieChainer, the cloud-based app allowing right-holders to model and track the legal and financial structure of their film projects, has added German sales powerhouse The Match Factory and France’s Memento Film Distribution, to its client roster. Created by the Paris-based production banner Backup Films in 2014,  MovieChainer also
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South by Southwest’s speaker lineup is always an embarrassment of riches and this year is no exception, as the festival’s final round of keynotes and featured speakers includes Trent Reznor, Atticus Ross, Damon Lindelof, St. Vincent, Carrie Brownstein, Janelle Monáe, Lulu Wang, Soo-Man Lee, and Capitol Music Group’s Michelle Jubelirer. They join Judd Apatow, Noam
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Indie Sales, the Paris-based company which sold the Oscar-nominated “My Life as a Zucchini” around the world, has come on board Florence Miailhe’s “The Crossing,” a timely, hand-painted animated feature shedding light on children refugees. Written by Miailhe, along with the popular children’s book author Marie Desplechin, “The Crossing” is a contemporary tale exploring the
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Lionsgate’s local-language film consortium, Globalgate Entertainment, has added Indonesia’s Falcon Pictures to its consortium of production and distribution partners. Other Globalgate partners include Televisa, TF1, Nordisk, Tobis, Rai, Kadokawa, Lotte, TME, Paris Filmes, CineColombia/Dynamo, Belga and Viva Communications. Lionsgate launched Globalgate four years ago to produce and distribute local-language films in markets around the world
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Universal and Blumhouse are ready to unveil “The Hunt,” a satiric thriller that follows a group of liberal elites who try to track down and kill “red state” conservatives for sport, after canceling its initial theatrical release last year. In an interview with Variety, producer Jason Blum and co-writer Damon Lindelof argued that the film
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Variety has been given an exclusive clip from Berlin Film Festival competition film “Volevo Nascondermi” (Hidden Away) by Giorgio Diritti. The film stars Cannes award-winner Elio Germano (“La nostra vita”) as the 20th century Naïve artist Antonio Ligabue. Diritti describes Ligabue’s story as a “bitter fairy tale” in which “a significant bond with life and
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Fear of the coronavirus increased its impact on the South Korean cinema industry. Films were cancelled and box office revenues dropped for a second weekend. Ticket sales fell by some 10%, compared to the previous weekend, which itself followed an already depressed previous session and a slow January. That caused Megabox to delay its Jeon
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In today’s film news roundup, “Guest of Honour” and “Skin Deep: The Battle Over Morgellons” have found distribution and Screen Gems is developing “Urban Legend.” ACQUISITIONS Kino Lorber has acquired U.S. rights to Atom Egoyan’s drama, “Guest of Honour,” starring David Thewlis, Laysla De Oliveira and Luke Wilson. The film premiered at the Venice Film
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Whether the nominees took home a golden statue or not Sunday, it was clear they all looked like winners upon arriving at the 92nd Academy Awards, rocking some of the most expensive jewels and accessories one can only find at the Oscars. Charlize Theron, Scarlett Johansson, Zazie Beets and Gal Gadot were just some a-list
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Following his Oscar victory for “Jojo Rabbit,” Taika Waititi has turned his focus to Marvel’s “Thor: Love and Thunder” and gained some help in shaping the script. Sources tell Variety that Jennifer Kaytin Robinson, who wrote and directed the Netflix pic “Someone Great,” has joined Waititi to work on the script prior to its production
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Like Thor’s computer-generated hammer raining down on his enemies, Hollywood’s Visual Effects Society is speaking out against last night’s Academy Awards telecast for making them the butt of a joke. In a scathing statement, the group of more than 4,000 artisans expressed offense over the presentation of the Oscar for best visual effects — which
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“Muppets” filmmaker James Bobin is in talks to direct 20th Century’s “Clue” remake starring Ryan Reynolds. Jason Bateman had been previously attached to helm the murder mystery, but departed the project due to scheduling conflicts with Netflix’s “Ozark.” Rhett Reese and Paul Wernick, the writing team behind “Deadpool,” penned the script. Reynolds’ Maximum Effort is
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Every time I’ve wandered into a department store in the past decade or so, I inevitably run into a display of sassy, glittering shirts emblazoned with aggressively empowering phrases — “FEMINIST,” “GIRL BOSS,” “THE FUTURE IS FEMALE” — aimed at teenagers and millennial women like me. Corporate feminism like this tends to smooth the edges
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The latest fashion flex? Rewearing an Oscar dress — aka flaunting your commitment to preventing climate change and your ability to fit into a past outfit. The 2020 Academy Awards were dotted with sustainable fashion choices, intentional or not, and we champion the recycling. Arianna Huffington at the Vanity Fair Oscars After-Party (2020, 2013) Arianna
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