Movies

The Chinese box office is gearing up for a starkly unsexy Valentine’s Day, with “Jojo Rabbit” and a local title formally pulling out of the mid-February line-up, while unconfirmed reports suggest that others – including “Little Women” – will soon pull the plug, amidst strict measures to prevent the spread of deadly coronavirus. Cinemas are
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Jane Austen has been through a lot on screen in recent years. From watching details of her own life contorted into a romantic comedy framework in “Becoming Jane,” seeing her most enduring masterpiece invaded by the undead in “Pride and Prejudice and Zombies,” or observing the cottage merchandising and tourism industry that has sprung up
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Picturehouse Entertainment has acquired U.K. rights from TrustNordisk for Maria Sødahl’s “Hope,” which stars Stellan Skarsgård and Andrea Bræin Hovig, and will have its European premiere at the Berlin Film Festival this month. Based on the director’s own experiences after being diagnosed with brain cancer, “Hope” explores the relationship between artists and partners Tomas (Skarsgård)
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German film and TV company Telepool, jointly owned by Hollywood actor-producer Will Smith and Swiss investor Elysian Fields, is moving forward in multiple areas of the entertainment business, CEO André Druskeit tells Variety. Druskeit reveals a major new acquisition for its German distribution arm, and Julia Weber, head of theatrical sales and acquisitions at Telepool’s
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February 2, 2020 10:05PM PT Men are from Mars and women are from the best-seller list in these competitive campfire tales by filmmaker Josh Ruben and co-star Aya Cash. “Scare Me,” written and directed by first-time filmmaker Josh Ruben, is a spook show stripped to the basics. A boy and a girl, Fred and Fanny
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The experiment known as Biosphere 2 may be best remembered now — when remembered at all — as something that spawned “Bio-Dome,” the godawful 1996 comedy that is nonetheless many people’s favorite movie involving Pauly Shore or Stephen Baldwin. (Of course, others might get hives at the very idea of having a favorite anything involving
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The Sundance Film Festival is fighting a battle that’s been building for several years, and what it’s fighting for can be summed up in one word: relevance. What makes a Sundance movie relevant? In a sense, the old criteria still hold. It’s some combination of box-office performance, awards cachet, and that buzzy, you-know-it-when-you-see-it thing of
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When Tim Bell died in London last summer, the media response was largely, somewhat sheepishly, polite: It was hard not to envision the ruthless political spin doctor still massaging his legacy from beyond the grave. “Irrepressible” was the first adjective chosen in the New York Times obituary. “He had far too few scruples about who he
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Every summer, more than 1,000 teens swarm the Texas capitol building to attend Boys State, the annual American Legion-sponsored leadership conference where these incipient politicians divide into rival parties, the Nationalists and the Federalists, and attempt to build a mock government from the ground up. In 2017, the program attracted attention for all the wrong
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A wide range of Scandinavian films, including the politically-charged Danish drama “Shorta,” the supernatural Icelandic drama “Lamb” with Noomi Rapace, and the Finnish-Iranian refugee tale “Any Day Now,’ were some of the highlights at this year’s Nordic Film Market. They were presented, along with 13 other films in post-production, as part of the Work-in-Progress section.
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