Movies

SAG-AFTRA has unveiled the guidelines for intimacy coordinators who are on sets when union members’ work involves nudity and simulated sex. The union released “Standards and Protocols for the Use of Intimacy Coordinators” on Wednesday, six months after announcing that it would standardize the guidelines for such scenes. “SAG-AFTRA believes that implementation of these standards
0 Comments
After William Castle’s “Percepto!” or John Waters’ “Odorama,” it seems like the time has come for Swedish provocateur Anna Odell’s “The Gynaecological Cinema Chair” – an interactive experience created specially for this year’s Göteborg Film Festival. A concept that’s more than just an attention-grabbing gimmick, however, as the director behind 2013’s “The Reunion” was quick
0 Comments
MADRID  —  Just minutes after the Berlinale confirmed on Wednesday its selection in main competition, the pedigree producers of Argentine Natalia Meta’s “The Intruder” (“El Prófugo”) have dropped a first teaser-trailer for what has been described as a “pyscho-sexual fantastic thriller.” They have also confirmed more details of one of the buzziest new titles from
0 Comments
Roman Polanski’s “An Officer and a Spy” is leading the race for the Cesar Awards, France’s top film honors, with 12 nominations, followed by Ladj Ly’s Oscar-nominated “Les Miserables.” “An Officer and a Spy” earned nominations for best film, director, actor (Jean Dujardin), cinematography, set design, costume and music, among others. Although he’s been at
0 Comments
The Berlin International Film Festival has unveiled its 2020 line-up, with 18 films playing in competition from directors such as Abel Ferrara, Sally Potter, Christian Petzold, Hong Sangsoo, Kelly Reichardt and Eliza Hittman. Abel Ferrara’s Willem Dafoe starrer “Siberia” is a world premiere in competition, as is Sally Potter’s “The Roads Not Taken.” Among the
0 Comments
It’s exciting, and fascinating, to see a great director of documentaries try his or her hand at a dramatic feature, since in theory the essential skill set should all be there. The best documentarians possess an acute visual sense, and they are all, of course, potent storytellers. Yet for every attempt at this sort of
0 Comments
The Costume Designers Guild handed out its trophies for the 22nd annual CDG Awards with “Jojo Rabbit” and “Maleficent: Mistress of Evil” receiving top honors among the costumers. In the TV category, the hit “The Masked Singer” and designer Marina Toybina beat out reigning designer Zaldy (“RuPaul’s Drag Race”) for excellence in variety, reality-competition, live
0 Comments
In today’s film news roundup, Lionsgate is developing graphic novel “Memetic” as a feature, the latest Laura Ziskin Prize is announced and Firelight Media creates a fund for nonfiction filmmakers of color at the mid-career mark. PROJECT LAUNCHES Lionsgate is in final negotiations for motion picture rights to the apocalyptic horror graphic novel “Memetic” for
0 Comments
Sultry music swells as the camera swoons over a young couple in a tender nighttime embrace. The 1950s residential New York City street is carefully rain-slicked and lined with shiny classic cars: an obvious stage set. Gene Kelly might just have swung on that lamppost; Doris Day might lean out of an upstairs window to sigh
0 Comments
Actors sometimes complain about being typecast, but it’s a fact of life for anyone in entertainment. John Ford is usually labeled a director of Westerns, despite “The Grapes of Wrath” and  “Mister Roberts.” David Lean is known for his epics, but he also directed “Brief Encounter” and “Summertime.” Vincente Minnelli? The director of musicals, overlooking
0 Comments
On March 5, 1963, Army Archerd wrote in Variety: “There’s been a not-so-subtle campaign pyramiding since Oscar nominations that Omar Sharif is an ex-Egyptian soldier who fought in the Israeli War. Forget it: Omar sez: ‘I never fought in any army.’” Archerd also denied the rumor that Sharif was Muslim. Two big takeaways: 1. Mudslinging
0 Comments
“The Rhythm Section,” Reed Morano’s new espionage thriller about a female assassin who sets out to avenge her family’s untimely death, is not a female-led approximation of a “James Bond” film. Though Barbara Broccoli, the magnate producer whose family has been solely responsible for the franchise, is producing the movie, “The Rhythm Section” is decidedly not
0 Comments
Gender parity isn’t an issue in Oscar-winning songwriting-composer Kristen Anderson-Lopez’s house, what with her longstanding collaboration with husband Bobby Lopez, but at the Oscars luncheon on Monday, it was a different story. “There were 13 female directors represented in the shorts and documentary fields,” Anderson-Lopez notes, adding, “but how do we get from there to
0 Comments
Sony Pictures Classics has teamed with Sony’s Stage 6 Films to oversee the global release of Heidi Ewing’s feature narrative debut, “I Carry You With Me (Te Llevo Conmigo),” a gay love story about two men who immigrate to the United States. The deal follows the movie’s enthusiastic reception at this year’s Sundance Film Festival.
0 Comments
January 28, 2020 2:04PM PT Show producers Lynette Howell Taylor and Stephanie Allain have announced additional presenters for the 92nd Academy Awards telecast. Zazie Beetz, Timothée Chalamet, Will Ferrell, Gal Gadot, Mindy Kaling, Julia Louis-Dreyfus, Lin-Manuel Miranda, Anthony Ramos, Mark Ruffalo, Kelly Marie Tran and Kristen Wiig will be presenting statuettes during the evening’s ceremony.
0 Comments
There are far worse places to be stuck for eternity than Palm Springs. Like Punxsutawney, the town Bill Murray can’t escape in “Groundhog Day,” for example. So many copycat time-loop movies have come along in the 27 years since that each new imitator can’t help sounding like a broken record, which is what makes Max
0 Comments
Distrib Films has acquired U.S. rights to Lucie Borleteau’s “The Perfect Nanny” and Cédric Klapisch’s “Someone Somewhere,” both of which will screen at the Rendez-Vous with French Cinema in New York, a festival organised by the Film Society of the Lincoln Center and UniFrance. A psychological thriller, “The Perfect Nanny” is adapted from Leila Slimani’s
0 Comments
January 28, 2020 10:14AM PT A trio of stars has been added to the cast of Lin-Manuel Miranda’s Netflix film “Tick, Tick… Boom!” Broadway vet Joshua Henry, Judith Light, and Emmy winner Bradley Whitford are all on board for the 1990-set movie musical. They join the previously-announced Andrew Garfield, Alexandra Shipp, Tony nominee Robin de
0 Comments
This year’s crop of WGA-nominated adapted and original screenplays appears on the surface to be a grim lot. There’s war (“1917,” “Jojo Rabbit”), insidious homewreckers (“Parasite”), a Civil War-era coming-of age (“Little Women”) and an arch murder investigation (“Knives Out”), to name just a few of the nominated scripts. But here’s a surprise: Every one
0 Comments
Just months after Cathy Yan’s feature directing debut, Shanghai-set ensemble comedy “Dead Pigs,” made a big splash at Sundance in 2018, the Chinese-born filmmaker landed a gig helming a giant studio franchise movie, the DC Comics adaptation “Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn),” starring Margot Robbie. Going straight from indie buzz
0 Comments
Shortly after Harvey Weinstein accuser Miriam Haley took the stand and testified that she was sexually assaulted by the fallen movie mogul over a decade ago, her attorney Gloria Allred ripped apart Weinstein’s defense team, speaking to press outside of the courthouse. During the six-hour testimony, Haley told the jury that Weinstein forcibly performed oral
0 Comments
Writer-director Dee Rees’ career continues to be a fascinating journey to follow. From her breakthrough feature debut, the soulful coming-of-age indie “Pariah,” to the Oscar-nominated literary adaptation “Mudbound,” the filmmaker has been confidently expanding her range with every new effort. That gutsy spirit is very much at the center of her latest, “The Last Thing
0 Comments
There’s mannered, there’s manic, and then there’s the malfunctioning pinball-machine delirium that Ben Whishaw brings to “Surge”: a blinking, buzzing, flashing clatter of hyper-accelerated impulses, chicken-fried synapses and staggered hypnic jerks that never culminate in sleep. You wouldn’t expect stillness from a film called “Surge,” and in that respect only does Whishaw zig where you
0 Comments
SF Studios, the Scandinavian production and distribution powerhouse, has struck an exclusive partnership with REinvent Studios, the banner launched by TrustNordisk’s former CEO Rikke Ennis. As part of the deal, REinvent will handle international sales for all SF Studios content, including films, TV series and catalogue titles. This new deal expands the existing relationship between
0 Comments
A funny thing happens about a third of the way into “Horse Girl,” Jeff Baena’s fourth Sundance feature after “Life After Beth,” “Joshy” and “The Little Hours.” Or rather, a funny thing stops happening: the familiar, steady-heartbeat rhythms of the low-budget social awkwardness comedy become erratic, tachycardiac, as the initially endearing foibles of the film’s
0 Comments
Inventor Nikolai Tesla is more popular today than when he died penniless in a New York hotel in 1943. Back then, he was the futurist who swore he could summon unlimited, clean, wireless electromagnetic energy from the earth — a neat idea, but surely coal and oil were fine. In the 21st century, as temperatures
0 Comments