Rolling off “The Three Musketeers,” Pathé and Dimitri Rassam’s Chapter 2 (a Mediawan company) have unveiled the teaser and poster for their next period epic, “The Count of Monte-Cristo,” starring Pierre Niney (“Yves Saint Laurent,” “Black Box”) in the title role. Based on Alexandre Dumas’ literary masterpiece, the film tells the story of a young
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MALAGA — Opening last Friday with “Dragonkeeper,” also in competition, Spain’s Malaga Festival, its biggest dedicated event for movies from Spain and Latin America, is studded by latest films by Isaki Lacuesta – “Saturn Return,” reportedly fun, broad audience and radical – David Trueba – “The Good Man,” small scale but almost certainly ingratiating – and
South African rural community thriller “Snake,” the closing film of the 6th Joburg Film Festival, is a feature that wouldn’t have been made if it wasn’t for streamer money. Based on the heart-wrenching 2011 book by Tracey Farren, who also penned the screenplay, a powerless farm girl Stella, played by 9-year-old Lamiyah Barnard, becomes the
Filmax has acquired international rights to Spanish thriller “Nina,” the new feature written and directed by Andrea Jaurrieta (“Ana by Day”) that bows at this week’s Málaga Film Festival as one of its higher profile titles in main competition. Loosely based on the play of the same name by José Ramón Fernández, which borrows elements
Hoyte Van Hoytema has taken top honors at the 38th annual American Society of Cinematographers Awards for his work on “Oppenheimer.” Van Hoytema topped a field that included Edward Lachman for “El Conde, Matthew Libatique for “Maestro,” Rodrigo Prieto for “Killers of the Flower Moon” and Robbie Ryan for “Poor Things.” The awards were handed
“Oppenheimer” collected more trophies on Sunday night as it topped the feature competition at the 71st annual Motion Picture Sound Editors Golden Reel Awards. During a ceremony held at the Wilshire Ebell Theatre in Los Angeles, the team from Christopher Nolan’s drama about the father of the atomic bomb won a pair of awards in
Christopher Nolan’s “Oppenheimer” topped the dramatic feature editing category at the American Cinema Editors’ 74th ACE Eddie Awards, while “The Holdovers” won the category for best edited comedic feature during Sunday’s ceremony at UCLA’s Royce Hall. Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The
Hollywood union leaders warned of the possibility of another strike this summer if the studios cannot reach a deal before crew contracts expire on July 31. Speaking to a rally of more than 2,000 crew members on Sunday at Woodley Park in Encino, Sean O’Brien, the president of the International Brotherhood of the Teamsters, said
The sixth edition of the Joburg Film Festival wraps Sunday, putting a bow on a week that saw many in the host nation reflecting on South Africa’s long journey in the three decades since the end of apartheid. But among the filmmakers and executives taking part in the second JBX content market the focus was
Producing successful Black female-fronted comedy in South Africa is no joke but Black female producers and writers Reabetswe Moeti-Vogt and Zoe Ramushu are determined to bring about change in front of and behind the lens. Their film “Real Estate Sisters” screened this week at the 6th Joburg Film Festival in South Africa. “Real Estate Sisters”
MALAGA — Antonio Chavarrías’ “Holy Mother,” Celia Rico’s “Little Loves” and Diogo Viegas’s “Alice’s Diary” play at this year’s 3rd Spanish Screenings Content, the Malaga Festival’s part of the Spanish Screenings XXL, Spain’s biggest international industry platform in its history, featuring over March 4-7 and – when it comes to Málaga – the monumental number of
“Dune: Part Two” is turbocharging the international box office. Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year. The movie, starring
The #MeToo movement has claimed another casualty. Spain’s Málaga Film Festival, unspooling March 1-10, has canceled the participation of U.S.-born director Julio Hernandez Cordon’s vampire drama “The Day is Long and Dark” (“El día es largo y oscuro”) at the festival, citing “complaints regarding acts of gender violence.” In a press release issued on Feb.
Mark Dodson, a voice actor known for “Gremlins” and “Star Wars: Return of the Jedi,” died Saturday. He was 64. Stellar Appearances, Dodson’s talent agency for personal appearances, shared the news on Facebook. “Mark worked on dozens of movies, video games, commercials and advertisements adding his unique voice and sound to each character and script
Cord Jefferson’s “American Fiction” won outstanding film adaptation at the 36th annual USC Libraries Script Awards on Saturday, while Apple TV+’s “Slow Horses” won in the episodic series category for the second year in a row. Jefferson and Percival Everett accepted the award for “American Fiction.” In his speech, Jefferson recalled his experience reading Everett’s
“Dune: Part Two” is riding those massive sandworms all the way to the top of box office charts. Director Denis Villeneuve‘s big-budget sequel has collected $81.5 million in its domestic debut and delivered a mighty, necessary jolt for struggling movie theaters. It’s the biggest opening weekend of the year and the largest since last October’s
At the inaugural American Society of Cinematographers awards almost four decades ago, about 100 attendees saw host Gregory Peck give a single award, acknowledging the artistry of Jordan Cronenweth on Francis Ford Coppola’s “Peggy Sue Got Married.” Today, the ASC Awards is an annual event with global reach where 10 major awards are presented, this
Nobody is broken in Shô Miyake’s films; nobody is quite beyond repair. But over the course of his last few features, the Japanese director has centered characters who are at at least mildly sprained, and trying hard to get by on hope and a homemade splint. In his previous movie, “Small Slow But Steady” —
Wendy Bednarz’s “Yellow Bus,” which follows a mother’s quest for justice after suffering an unthinkable tragedy, won the prize for best film at the Joburg Film Festival during an award ceremony Saturday night at the Sandton Convention Center in Johannesburg. The film, which world premiered at the Toronto Film Festival, is set in an unnamed
Oscar frontrunner “Oppenheimer” collected another award on Saturday, with its sound team topping the feature competition of the 60th Cinema Audio Society Awards for sound mixing. The mixing team from “Oppenheimer” includes two-time Oscar-winning production sound mixer Willie D. Burton, who previously won Academy Awards for “Dreamgirls” and “Bird;” rerecording mixer Gary Rizzo, who won
Fantasporto, the Oporto Intl. Film Festival, kicked off Friday in Portugal’s Porto — city famed for its elegant Romanesque cathedral, a bookstore that inspired “Harry Potter,” and the heady alcoholic drink — with an eclectic mix of titles but an emphasis on fantasy films. Typifying the broad tastes of the festival chiefs, film critics Beatriz
Riding a sandworm across the desert planet of Arrakis is something most “Dune” fans have undoubtedly wanted to do at one point or another, but it begs the question: how would one actually get off the giant annelids? Well, “Dune: Part Two” director Denis Villeneuve seems to have an answer, telling IndieWire as such in an
In a stunning cinematic universe where sand dunes rise like mountains and the fate of galaxies hangs in the balance, Denis Villeneuve‘s first voyage into the Frank Herbert’s “Dune” saga clinched six of its 10 Oscar nominations. Yet, in a twist as dramatic as Dr. Wellington killing Duke Leto, Villeneuve found himself overlooked in the
It took a village of Denis Villeneuve‘s most trusted artisans to pull off “Dune: Part Two’s” epic Harkonnen arena fight scene. As epic as its predecessor, Villeneuve’s sequel raises the bar with striking visuals. None is more jaw-dropping than Feyd-Rautha’s (Austin Butler) celebration sequence. The grand fight occurs early on in the film as the
David Bordwell, an influential film scholar and longtime professor at the University of Wisconsin-Madison, died Feb. 29 after battling a “long illness,” according to the university. He was 76. UW-Madison described Bordwell as a prolific researcher, dedicated teacher and passionate cinephile — a man who helped guide “countless colleagues, students, and film lovers to heightened awareness of
It’s a “Dune” boon for the box office. Warner Bros. and Legendary Entertainment’s “Dune: Part Two” touched down with an impressive $32.1 million gross on opening day from 4,071 locations, a figure that also includes $12 million from Thursday evening and earlier event preview screenings. That’s already the biggest opening weekend of the year, surpassing
Sound doesn’t get a lot of high-profile recognition during movie awards season, outside of a single category at the Oscars. That’s why the 60th Cinema Audio Society Awards – which will be held on March 2 at the Beverly Hilton – are such an important date on the entertainment industry calendar. The awards honor the
As South Africa marks three decades since its first democratic elections, a historic moment that dismantled the apartheid system and ushered in Black-majority rule, the country is at a crossroads. Inequality is rife. Crippling blackouts have pushed the economy to a tipping point. The ruling African National Congress — the party of Nelson Mandela —
Doc specialist house Autlook Film Sales has picked up world sales on the Finnish film “Once Upon a Time in a Forest,” ahead of its world premiere in the main competition of Copenhagen’s CPH:DOX festival. Variety is premiering its trailer (below). The film, directed and produced by Virpi Suutari, scooped the $15,000 Al Jazeera Documentary
Viola Davis and Julius Tennon’s JuVee Productions, which recently wrapped the action-thriller “G20” for Amazon Studios and MRC Film in Cape Town, is planning to return to South Africa to film the true story of a young African refugee’s improbable journey to the U.S., the company’s head of film production and development, Melanie Clark, revealed