Movies

BUENOS AIRES  —  Bringing onto the market what looks like by far the biggest new movie at Ventana Sur, Latido Films has acquired international sales rights to Agustí Villaronga’s “Born a King,” starring Ed Skrein, fresh off his star-turn in “Midway.” Latido Films’ director Antonio Saura and Juan Torres, intl. sales head, will introduce “Born
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“The Personal History of David Copperfield” won five awards Sunday at the British Independent Film Awards, as Renee Zellweger walked away with the best actress prize for her star turn as Judy Garland in “Judy.” David Livingstone from “Judy” producer, Calamity Films, accepted it on her behalf. Feature documentary “For Sama” scooped four awards, including
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Sergei Loznitsa’s multi-faceted filmmaking approach, these days focused on documentary, blend archival material and sometimes re-enactments with actors, resulting in unique insights and subtle visual commentary on the Soviet and ex-Soviet sphere. His latest nonfiction film, “State Funeral,” constructed from once-banned footage of the epic events surrounding Joseph Stalin’s death and funeral in 1953, is
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French director Bertrand Tavernier (“Round Midnight”) – who recently concluded a major TV documentary series, “My Journey Into French Cinema” – received a career tribute award Sunday at the Marrakech Film Festival, presented to him by U.S. actor Harvey Keitel, who starred in Tavernier’s 1980 science-fiction thriller “Death Watch.” Keitel began the ceremony by comparing
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Disney’s “Frozen 2” stuffed the box office competition during Thanksgiving, generating $85.2 million over the weekend and a record-setting $123.7 million over the five-day holiday frame. The animated adventure soared past the previous Thanksgiving benchmark held by 2013’s “The Hunger Games: Catching Fire” and its $109 million bounty between the Wednesday and Sunday holiday frame.
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November 30, 2019 11:56PM PT Pema Tseden’s drama “Balloon” won the Grand Prize at Tokyo Filmex’s 20th edition, which unspooled Nov. 23-Dec. 1 at two locations in central Tokyo. The film, which premiered in the Horizon’s section of this year’s Venice Film Festival, examines the sex lives and mores of rural folk in the director’s
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An inspirational work of do-it-yourself computer animation that suggests the sky’s-the-limit potential of the medium for anyone with big ideas and a boundless amount of time on his hands (plus access to Maya or an equivalent CG super-tool), “Away” represents more than three years of imagination and labor by 25-year-old Latvian prodigy Gints Zilbalodis, who
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Bobby Rubio, who made his directorial debut with Pixar’s animated short “Float” on Disney Plus earlier this month, has worked at Pixar as a story artist since 2012, contributing to “Inside Out,” “Incredibles 2” and “Brave.” But “Float” broke new ground as the first Pixar work to feature a Filipino American animated character. The short
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Rian Johnson’s “Knives Out” stars Jamie Lee Curtis, Chris Evans, Don Johnson, and Toni Collette as a family of suspects under investigation by Daniel Craig’s Detective Benoit Blanc, who is convinced that patriarch and wealthy crime novelist Harlan Thrombey (Christopher Plummer) didn’t commit suicide. The setting is the grand Thrombey Estate, a character in itself.
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Lei Yuan Bin’s Singapore International Film Festival world premiere “I Dream Of Singapore” is the first part of a multi-volume documentary series on overlooked local non-governmental organizations. It is produced by Glen Goei’s Singapore production house Tiger Tiger Pictures (“Revenge Of The Pontianak”). The film is an observational documentary on the continuous labor flow from
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Antonio Banderas has introduced Spain to “A Chorus Line.” A Spanish language adaptation of the classic American musical about struggling actors auditioning for a chorus line on Broadway was the opening production last month of the actor’s new Teatro del Soho CaixaBank in his native Málaga. It also marks the first production of “A Chorus
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Irwin Winkler has been producing films for parts of six decades. His latest is “The Irishman,” which reunites him with frequent collaborators Martin Scorsese and Robert De Niro (“Raging Bull,” “Goodfellas,” “New York, New York”) as well as Al Pacino (“Revolution”). Winkler was first mentioned in Variety on Dec. 24, 1958, when he was an
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