Movies

TF1 Studio has scored several pre-sales on Ludovic Colbeau-Justin’s “The Lion,” the anticipated action comedy starring Dany Boon and Philippe Katerine. Currently in post-production, “The Lion” has been picked up for Canada (TVA films), Spain (Dea Planeta), Benelux (Alternative Films), Switzerland (Pathe Films), Greece (Spentzos Film), Portugal (Nos Lusomundo Audiovisuais), CIS (Top Film), Poland (Monolith),
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Box office record-breaker and pioneer that it was, “Avatar” was in many ways a dry run for the mega-production that is now under way in multiple studios across New Zealand. James Cameron and his long-term producer partner Jon Landau have mounted an unprecedented exercise in logistics, use of resources and ambitious film-making techniques in order
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Betty McLeish (Helen Mirren) is a widow in her 70s who lives in a home full of tasteful pastel furniture in a calmly boring suburb of London. She’s sweet, pretty, pert, and polite, with glowing skin framed by an impeccable gray-white coif; if Doris Day had been a conventional middle-class Englishwoman, she might have looked
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Cinema Libre Studio has acquired Chinese drama “Enter the Forbidden City” and will release it in the U.S. in early 2020. Directed by female filmmaker Hu Mei and written by Zou Jingzhi (Zhang Yimou’s “Coming Home,” Wong Kar Wai’s “The Grandmaster”), the historical epic won the Chinese American Film Festival’s top prizes for best director
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The $16.7 billion Asia Pacific market is the world’s No. 1 box office region, commanding a 40.6% share of the global total despite trade tensions between the U.S. and China, MPA and former Australian prime minister Kevin Rudd said at the Asia Society’s U.S.-Asia Entertainment Summit in Los Angeles. “Whether you like it or not,
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Bob Weis, the president of Walt Disney Imagineering and creative executive of the Shanghai Disney Resort, has outlined a cooperative rather than competitive view of newcomers to China’s theme park industry. “A rising tide raises all boats,” Weis told Variety on the sidelines of the Asia Society’s U.S.-Asia Entertainment Summit in Los Angeles. “The more there
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London-based financier and producer Anton, which already fully finances a slate of its own feature films and short-form content, as well as co-financing big-budget TV shows like HBO/BBC’s “His Dark Materials,” is moving into the development and production of its own scripted series, Anton founder Sebastien Raybaud tells Variety. The 8-year-old company, named after Russian
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Warner Bros. Entertainment marketing chief Blair Rich sat for a thoughtful and candid conversation about the ups and downs of an eventful year at her studio on Wednesday, when the executive was honored with Variety‘s first-ever Marketing Visionary Award. At the inaugural Visionaries Breakfast, presented by Spotify at the Sunset Tower Hotel in West Hollywood,
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In today’s film news roundup, Dean Devlin raises funds, Jason Cassidy gets a promotion and Music Box buys Werner Herzog’s documentary about Bruce Chatwin. FINANCING Dean Devlin’s Electric Entertainment has closed a $60 million syndicated corporate credit facility. SunTrust Robinson Humphrey is serving as the sole lead arranger and SunTrust Bank is the administrative agent. The
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Star power is always a draw at the American Film Market, led this year by Rachel Weisz playing Elizabeth Taylor in See-Saw’s “A Special Relationship.” It’s a roll of the dice for independently financed projects. A pair of Diane Keaton projects — “Book Club” and “Poms” — were major draws at the last two AFMs.
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Jason Cloth, founder and CEO of Toronto-based Creative Wealth Media, is backing two major studio slates (Warner Bros. and MGM) and has committed more than $750 million to major films and TV series through its Bron Creative partnership. Notable projects include “Fences,” “The Morning Show,” “Bombshell,” “The Addams Family,” “A Simple Favor,” Tom Hanks’ “Greyhound,”
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Warner Bros.’ “Doctor Sleep,” a sequel to Stanley Kubrick’s seminal horror film “The Shining,” is hoping to scare some life into the box office. Outside of Warner Bros.’ “Joker,” fall offerings such as Paramount and Skydance’s “Terminator: Dark Fate” and Disney’s “Maleficent: Mistress of Evil” haven’t been as warmly embraced by moviegoers. As a result,
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Dwayne Johnson and Dany Garcia’s Seven Bucks Productions have partnered with 101 Studios, A Really Good Home Pictures, Coonskin Cap Productions and Gary Lewis to produce “Unstoppable,” the true-life story of sports hero Anthony Robles. “Our entire Seven Bucks team is passionate about sharing stories that inspire and resonate on a global scale. We’ve had
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Pulling together $100 million to finance an elaborately staged, historical film without major studio support was a herculean feat for “Midway” filmmakers. At Tuesday night’s premiere in Westwood, Calif., director Roland Emmerich told Variety that he took a significantly smaller salary to helm the World War II film. “We did this really frugal,” Emmerich explained.
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Popular Spanish filmmaker Kike Maíllo (“Eva,”“Toro”) is set to direct “A Perfect Enemy,” a psychological thriller based on Amelie Nothomb’s bestselling novel “The Enemy’s Cosmetique” with “Cold War” star Tomasz Kot and “The Good Liar” actress Athena Strates set to headline. Pulsar Content, the newly launched Paris sales company, has boarded the project and is
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Charades, the Paris-based sales banner, has boarded a pair of stylish English-language genre films: Steven Kostanski’s science fiction comedy “Psycho Goreman” (pictured), and “Cosmogony,” a psychological thriller directed by Vincent Paronnaud (“Persepolis”). “Cosmogony” follows Eve, who meets what she thinks is a charming guy in a bar. Yet things go terribly wrong once she realizes
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With major award nomination deadlines looming, Noah Baumbach’s critically acclaimed Netflix divorce drama “Marriage Story” is emerging as a strong contender. The stars at the center of the festival favorite, Adam Driver and Scarlett Johansson, have both been hailed for their tour de force turns as a theater director and his actress wife caught in
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November 6, 2019 9:05AM PT Central Partnership has picked up international sales rights to “Chernobyl. Abyss,” directed by Danila Kozlovsky, and produced by Alexander Rodnyansky and Sergey Melkumov, who were both Oscar-nominated for Andrey Zvyagintsev’s “Leviathan” and “Loveless.” The drama is the first major Russian feature film to focus on the aftermath of the explosion
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