Movies

MADRID  —  Venice 2018 Queer Lion winner “José,” a movie which went on to play 50 festivals in 35 countries, has been acquired for North American distribution and international sales by Paul Hudson’s Outsider Pictures. Strand Releasing will handle digital distribution. “José” was acquired from its production house YQstudio. World premiering in Venice Days, “Jose,”
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MADRID  —  Mauricio Osaki’s “The Paths of My Father,” Angeles Cruz’s “Nudo Mixteco” and Joan Gómez Endara’s “The Red Tree” will screen at San Sebastian’s Films in Progress, in a 36th edition which drinks from the seemingly bottomless well of directorial new talent in Latin America – all six of the pix-in-post are first features.
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When visiting zoos and wildlife sanctuaries, we don’t find it strange to come across animals far removed from their native lands: lemurs in the Bronx, penguins in Rome, bonobos in Berlin. In our increasingly globalized society, the same can be said for our fellow humans, who don’t necessarily seem out of place, no matter how
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It’s 50 years since John Waters made his first feature film, “Mondo Trasho” — a scuzzy, Divine-starring underground ride that set the tone for a career of joyously offending delicate sensibilities and expanding the boundaries of U.S. indie cinema, through such now-celebrated films as “Pink Flamingos,” “Polyester” and the original, pre-Broadway incarnation of “Hairspray.” With
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Gentle coming-of-age comedy-drama “Days of the Bagnold Summer,” which world premieres at Locarno Festival Wednesday, is the directorial feature debut of British actor Simon Bird, best known as the star of hit comedy series and movie franchise “The Inbetweeners.” Bird spoke to Variety in advance of the screening in Locarno’s Piazza Grande. The film stars
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If you count yourself among those who interpret a matrimonial “I do” to mean “happily ever after,” maybe “Ready or Not” isn’t the late-summer date movie for you. On the other hand, for “Crazy Rich Asians” haters and the romantically disinclined, this deranged and darkly comedic thriller — which stuffs the wedding cake full of
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“Jaws,” the movie that did for sharks what “Psycho” did for showers, was rooted in the primal fear that drove its famous opening scene: the terror of having your body shredded by razory teeth and engulfed in a great white gullet. In its limb-shearing way, it caught the fear of getting sucked into a tiny
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In today’s film news roundup, Jordan Peele’s “Candyman” rounds out its cast, Hayes Hargrove gets two parts, and Oscar-winning sound mixer Tom Fleischman is honored. CASTINGS Colman Domingo and Nathan Stewart-Jarrett have joined Jordan Peele’s “Candyman” reboot, which has started shooting in Chicago. Written by Peele and Rosenfeld and directed by Nia DaCosta, the new
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“You know what I find really refreshing?” Cate Blanchett asked. “I don’t know if you find it refreshing, but I do — that women are having dialogue with one another and they’re sharing their f— ups and their failures, and how to navigate their way through the mess of daily, domestic lives.” Speaking to Variety
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August’s box office traffic jam is turning into full-on pileup. After five new nationwide releases last weekend, most of which failed in spectacular fashion, five more newcomers are arriving on movie theater marquees. It could mean another rough outing for Hollywood studios. Universal’s raunchy comedy “Good Boys,” Sony’s animated “Angry Birds” sequel and Entertainment Studio’s
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Hollywood’s landscape has changed dramatically since Viacom and CBS were last married in 2005. Now that the two media giants seek a Wall Street reunion, there are endless possibilities for the future of its shared content pie. Huge action franchises like “Mission: Impossible” and “Transformers” from Paramount Pictures could explore new origin stories or exploit
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August 13, 2019 9:28AM PT Netflix has won the rights to the science-fiction story “Pyros,” with Reese Witherspoon attached to produce and star. “Dark Phoenix” director Simon Kimberg will also produce “Pyros” through his Genre Films company along with Audrey Chon. Witherspoon is producing through her Hello Sunshine company with Lauren Neustadter. “Pyros” will be adapted
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Variety has been given exclusive access to the trailer for political satire “,” which has been selected for the Contemporary World Cinema section at the Toronto Film Festival. Directed, written and produced by Peter Brosens and Jessica Woodworth, the film is a sequel of “King of the Belgians,” which had its world premiere in Venice.
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Indonesian filmmaker Makbul Mubarak’s “Autobiography” scooped the top prize at Locarno Festival’s Open Doors Hub co-production forum, which is focused on feature film projects from South-East Asia and Mongolia. Eight producers took part in the Hub, looking for international partners for their films. “Autobiography,” produced by Yulia Evina Bhara, takes home the Open Doors Grant
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“Incitement,” about the promising Israeli law student who became an ultra-nationalist obsessed with assassinating Prime Minister Yitzhak Rabin, will have its world premiere at the Toronto International Film Festival. WestEnd Films is producing and will also launch sales on the picture at TIFF. Rabin was serving his second term as Israel’s prime minister when he
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LevelK has picked up Zaida Bergroth’s “Maria’s Paradise,” ahead of its screening at Haugesund’s New Nordic Films and at Toronto’s World Contemporary Cinema section. Bergroth is an habitué of the Toronto International Film Festival and a favored Finnish director for programmer Steve Gravestock who has praised in the past her “sensitivity and intelligence,” displayed in
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MADRID  —  Starring Kate Winslet, Susan Sarandon and Mia Wasikowska, “Blackbird,” an English-language remake of Bille August’s 2014 Danish-language movie “Silent Heart,” will open the 67th San Sebastian Film Festival on Sept. 20. World premiering at the Toronto Intl. Film  Festival as a Gala Presentation, “Blackbird” will play in competition at what will be its
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