Movies

Helen Mirren recently told Entertainment Tonight that you can’t get too upset about Oscar snubs, especially when your movie is a historic and record-breaking box office phenomenon. Mirren, who won the Oscar for best actress thanks to her performance in “The Queen,” served as the narrator of Greta Gerwig’s “Barbie,” which earned eight Oscar noms,
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Martin Scorsese was lauded with the Berlin Film Festival‘s honorary Golden Bear on Tuesday night, celebrating a lifetime of achievement in cinema. As he accepted the award, Scorsese — whose most recent film, “Killers of the Flower Moon,” is currently up for 10 Oscars — reflected on his career thus far and even teased a
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Actors often talk about how freeing it is to play characters that live in the moment — a sentiment that “Poor Things” screenwriter Tony McNamara understands. In writing the character of Bella Baxter (Emma Stone), a woman who has an infant’s brain implanted in her body, McNamara says he was working with a blank slate.
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Michael Keaton told People magazine in a recent interview that reuniting with Tim Burton and shooting the “Beetlejuice” sequel (officially titled “Beetlejuice Beetlejuice”) was “the most fun I’ve had on set in a long time.” The film is the follow-up to the duo’s 1988 comedy classic. Keaton stressed how refreshing it was to embrace practical
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Although it comes from the filmmaking duo behind “Goodnight Mommy” and “The Lodge,” Veronika Franz and Severin Fiala‘s “The Devil’s Bath” is not a horror movie. Its sinister, woodsy atmospherics, where wet leaves mingle with mud and fishscales and menstrual blood, may suggest witchcraft or devil worship. But it is actually something far more frightening
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Netflix has released the trailer for the upcoming romantic comedy “Irish Wish,” starring Lindsay Lohan. The movie marks Lohan’s second Netflix original following her 2022 holiday movie “Falling for Christmas.” “Irish Wish” is set to stream on March 15. Netflix’s description of the film reads: “When the love of her life gets engaged to her
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Back in August 2023, as two labor strikes were roiling Hollywood and preventing stars from promoting blockbusters, Warner Bros. and Legendary Pictures decided to postpone the release of “Dune: Part Two.” The studios feared that without Timothée Chalamet and Zendaya on the press circuit, the big-budget science fiction sequel wouldn’t live up to its box
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Two Taiwan-based production companies with features in this week’s Berlin Film Festival have joined forces to launch new venture, Long Hu Bao × An Attitude. Taiwan’s Yi Tiao Long Hu Bao International Entertainment, is one of eight co-producers on main competition film “Shambhala,” from Nepal’s Min Bahadur Bham. Yi Tiao Long Hu Bao is also
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With a true story centered on everyday people pulling off extraordinary feats, “Ordinary Angels” can’t help but embrace the sentimentality at its core. It’s baked into its DNA, and is the reason why this compelling, heartstring-pulling drama made it to the big screen 30 years after taking place — in a time when we too
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Colin Hanks (“Fargo,” “King Kong”) and Mark O’Brien (“Ready or Not,” “Arrival”) are set to star in “Nuremberg” from writer-director James Vanderbilt (“Zodiac,” “Scream V”). The pair round out an all-star cast that also includes Russell Crowe, Rami Malek, Michael Shannon, Richard E. Grant, Leo Woodall, John Slattery, Lydia Peckham, Wrenn Schmidt, Lotte Verbeek and
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Martin Scorsese expanded upon his opinions on the current state of cinema during a press conference at the Berlin Film Festival, where he is receiving an Honorary Golden Bear. When asked if cinema could be dying, Scorsese said he prefers to think of the industry as “transforming.” “I don’t think it’s dying at all, no.
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Stephen King recently took to X (formerly Twitter) to question why Warner Bros. is holding back its new film adaptation of “Salem’s Lot,” based on King’s 1975 horror novel about a writer who returns to his hometown in Maine and discovers its residents are becoming vampires. The movie went into development back in 2019 and
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M-Appeal has closed distribution deals in key territories for “Sex,” which had its world premiere in the Berlinale’s Panorama section. The film, the first part of the “Sex Dreams Love” trilogy by Norway’s Dag Johan Haugerud, has garnered attention for its thought-provoking exploration of sexuality and gender roles. All rights for the film have been
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Actors Kate Phillips, Amber Anderson and Rosie Day have joined forces to launch a new female-led, London-based production outfit called Just John Films. Just John will option, develop and produce projects, both independently and in partnership with third parties. The company’s artist-led viewpoint will give it a unique eye to focus on diverse and compelling
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Wim Wenders’ “Perfect Days,” which is nominated for best international feature film at the Oscars, has smashed the all-time global box office record set by the German director’s previous films. While it has yet to be released in all territories, “Perfect Days” has amassed a worldwide box office total of $24.3 million as of Feb.
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Martin Scorsese will soon be seen on the big screen, and he won’t be playing himself. The master director, who is being feted with Berlin Film Festival‘s honorary Golden Bear on Tuesday night, has a small but powerful role playing an elderly sage who influences Dante Alighieri while he is writing “The Divine Comedy” in
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Sidse Babett Knudsen went “completely visceral” in Gustav Möller’s prison drama “Sons,” premiering in Berlinale’s main competition.  “My approach was almost animalistic. That’s how she felt to me. She doesn’t know how to live: she has resigned into someone who can just survive,” says the acclaimed “Borgen” and “Westworld” actor who plays Eva, a prison guard with a
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Amongst a slate of auspicious Brazilian films and series featuring in Berlin, “Cidade; Campo”– the latest from arthouse helmer Juliana Rojas – saw its world premiere on Monday, screening as part of the Encounters strand that aims “to foster aesthetically and structurally daring works from independent, innovative filmmakers,” according to the fest. Backed by Brazil’s
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A loose adaptation of absurdist playwright Eugène Ionesco’s “Rhinoceros,” director Amos Gitai’s “Shikun” unfolds in a multi-use housing project, where it follows the stream-of-consciousness travails of a diverse cross-section of characters in Be’er-Sheva, Israel. Bound by the French-language narration of Irène Jacob — a one-woman Greek chorus and de-facto liaison between sides of the fourth
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Iris, the petite enigma at the center of “A Traveler’s Needs,” dresses at once to be noticed, and to disappear. Over a bright sundress, spattered all over with red and violet blossoms, she wears a cardigan of a most assertive, eye-searing green. It’s the grassy hue, in fact, of green-screen backdrops, as we notice when
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